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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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📈 Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 11 226 subscribers, ranking 8 126 in the Religion & Spirituality category and 6 891 in the Saudi Arabia region.

📊 Audience metrics and dynamics

Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 11 226 subscribers.

According to the latest data from 29 October, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 100 over the last 30 days and by 1 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 9.61%. Within the first 24 hours after publication, content typically collects 4.85% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 079 views. Within the first day, a publication typically gains 545 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن.

📝 Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
“0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot”

Thanks to the high frequency of updates (latest data received on 30 October, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

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11 226
Subscribers
+124 hours
+617 days
+10030 days
Posts Archive
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إِلى كَم ذا التَخَلُّفُ وَالتَواني وَكَم هَذا التَمادي في التَمادي وَشُغلُ النَفسِ عَن طَلَبِ المَعالي بِبَيعِ الشِعرِ في سوقِ الكَسادِ وَما ماضي الشَبابِ بِمُستَرَدٍّ وَلا يَومٌ يَمُرُّ بِمُستَعادِ

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وَإِنّي لَمِن قَومٍ كَأَنَّ نُفوسَنا بِها أَنَفٌ أَنْ تَسكُنَ اللَّحمَ وَالعَظما

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Life was not simple. If, one day, man would dare construct an architecture corresponding to the nature of the soul, that arch
Life was not simple. If, one day, man would dare construct an architecture corresponding to the nature of the soul, that architect would have to take the labyrinth as the model.

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- Prisoners
- Prisoners

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— Westworld
+1
— Westworld

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— Dictionary of Fine Distinctions

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Labyrinths have served a variety of ritual and religious purposes over the millennia, from traps for evil spirits, to burial grounds, to crucibles of personal transformation and symbols of the path to salvation.

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A maze has many paths and challenges you to find the exit. A labyrinth has one path and draws you toward its center. One is a
A maze has many paths and challenges you to find the exit. A labyrinth has one path and draws you toward its center. One is a puzzle designed to challenge and amuse. The other is an exercise designed to calm down the mind.

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"Spherical bastard", I like that
"Spherical bastard", I like that

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photo content

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الزِّجاج: جمع زُجِّ الرمح؛ وهو الحديد المركّب في أسفله. واللَّهْذَم: السِّنانُ الطويل [في أعلى الرمح]. وعاليةُ الرمح: ضدّ سافلته، والجمع: العَوالي. إذا التقت فئتان من العرب سَدّدَت كلّ واحدةٍ منهما زِجاجَ الرِّماح نحو صاحبتها، وسعى الساعون في الصلح؛ فإنْ أبَتا إلا التمادي في القتال، قَلَبَ كلٌّ منها الرماحَ واقتَتَلَتا بالأسنّة. يقول: ومن عصى أطراف الزِّجاج، أطاعَ عوالي الرماح، التي رُكِّبَت فيها الأسنّة الطِوال. وتحرير المعنى: من أبى الصلح ذلَّلَتهُ وليَّنَته الحرب. — شرح الزوزني للمعلقات السبع

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وَمَن هابَ أَسبابَ المَنايا يَنَلنَهُ وَلَو نالَ أَسبابَ السَماءِ بِسُلَّمِ وَمَن يَعصِ أَطرافَ الزُجاجِ فَإِنَّهُ يُطيعُ العَوالي رُكِّبَت كُلَّ لَهذَمِ — معلقة زهير بن أبي سُلمى

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photo content
+2

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Bot: ابو نؤاس وما يلقي ، كانه امرؤ القيس حين اقسم ..

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تذكرت أبو نواس:

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وكائِن تَرى، مِن صامتٍ، لَكَ مُعجِبٍ زِيادتُه أو نَقصُه في التَّكَلُّمِ لِسانُ الفَتى نِصفٌ وَنِصفٌ فُؤادُهُ فَلَم يَبقَ إِلّا صورَةُ اللَحمِ وَالدَمِ وإنّ سَفاهَ الشيخِ لا حِلمَ بَعدَه وإنّ الفتى بَعدَ السّفاهةِ يَحلُمِ — تُنسَب لزهير بن أبي سُلمى وآخرين

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وكائِن تَرى، مِن صامتٍ، لَكَ مُعجِبٍ زِيادتُه أو نَقصُه في التَّكَلُّمِ لِسانُ الفَتى نِصفٌ وَنِصفٌ فُؤادُهُ فَلَم يَبقَ إِلّا صورَةُ اللَحمِ وَالدَمِ وإنّ سَفاهَ الشيخِ لا حِلمَ بَعدَه وإنّ الفتى بَعدَ السّفاهةِ يَحلُمِ — تُنسَب لزهير بن أبي سُلمى وآخرين

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People who think they have something meaningful to say, self-proclaimed messengers of an alternative to the status quo, when in fact they constitute the status quo, the growing outer regions of the status quo. That is the status-quo of today: a constantly growing and morphing system-of-status-evaluation. Speed is the new stasis. Rapidly changing exteriors with no inside. Colorful vases ripe to be smashed. — From my short story "The Ghost of Romulus", 2022.