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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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📈 Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 11 229 subscribers, ranking 8 125 in the Religion & Spirituality category and 6 891 in the Saudi Arabia region.

📊 Audience metrics and dynamics

Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 11 229 subscribers.

According to the latest data from 28 October, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 104 over the last 30 days and by 1 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 10.33%. Within the first 24 hours after publication, content typically collects 4.70% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 160 views. Within the first day, a publication typically gains 528 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن.

📝 Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
“0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot”

Thanks to the high frequency of updates (latest data received on 29 October, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

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11 229
Subscribers
+124 hours
+587 days
+10430 days
Posts Archive
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طلبتِ مني قبل شهرٍ أو ما يُقارب، رسالةً تَعرِفي بها مكانتكِ عندي. إنْ كنتُ أذكرُ، أردتِ أنْ تَرَي نَفسَكِ بعيوني. ولو أمكنني أنْ أُهدِيَكِ عَينَيّ لفعلت، وما رسالتي هذه إلا اعتذارٌ عن عجزي، ومرآةٌ لكِ، وبدلٌ عن عيني، فانظُري بنفسِكِ واحكُمي: أذكرُ أُسطورةً يونانيةً عن مَلِكٍ عاقبته الآلهةُ على طمعِه فأعطته أصابع ذهبية؛ صارَ كلُّ ما يَلمِسُهُ يستحيلُ ذهبًا. في البدءِ ابتهجَ بغناه، ثُم انزعَجَ لأنّ كل طعامٍ وشرابٍ تناولته يده صارَ ذهبًا صلبًا باردًا، والمَرءُ وإنْ كانَ مَلِكًا، فهو من لحمٍ ودمٍ ولا بدّ له من الخبزِ والماء. ثُمَّ صار الإنزعاجُ رعبًا لمّا رأى تمثالًا ذهبيًا باردًا بينَ يديه حلَّ محلَّ ابنتِه، فيه كلُّ شبهٍ بها، إلا دِفأها. أنتِ مِثلُه وعَكسُه: فأنتِ مُبارَكةٌ لا مَلعونة، ويَداكِ تغدِقانِ دِفئًا ونورًا وَوَردًا، لا ذهبًا. معكِ... [لم تكتمل الرسالة إلى اليوم]

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وهذه آخرها:

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— امرؤ القيس

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حَلَفتُ لَها بِاللَهِ حِلفَةَ فاجِرٍ لَناموا فَما إِن مِن حَديثٍ وَلا صالِ فَلَمّا تَنازَعنا الحَديثَ وَأَسمَحَت هَصَرتُ بِغُصنٍ ذي شَماريخَ مَيّالِ وَصِرنا إِلى الحُسنى وَرَقَّ كَلامُنا وَرُضتُ فَذَلَّت صَعبَةٌ أَيَّ إِذلالِ

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سَمَوتُ إِلَيها بَعدَ ما نامَ أَهلُها سُموَّ حَبابِ الماءِ حالاً عَلى حالِ فَقالَت سَباكَ اللَهُ إِنَّكَ فاضِحي أَلَستَ تَرى السُمّارَ وَالناسَ أَحوالي فَقُلتُ يَمينَ اللَهِ أَبرَحُ قاعِدًا وَلَو قَطَعوا رَأسي لَدَيكِ وَأَوصالي

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Repost from 0/0
Tryst, By Jean-Leon Gérôme
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Tryst, By Jean-Leon Gérôme

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وَيا رُبَّ يَومٍ قَد لَهَوتُ وَلَيلَةٍ بِآنِسَةٍ كَأَنَّها خَطُّ تِمثالِ يُضيءُ الفِراشَ وَجهُها لِضَجيعِها كَمِصباحِ زَيتٍ في قَناديلِ ذبّالِ — امرؤ القيس

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photo content
+1

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وَيا رُبَّ يَومٍ قَد لَهَوتُ وَلَيلَةٍ بِآنِسَةٍ كَأَنَّها خَطُّ تِمثالِ يُضيءُ الفِراشَ وَجهُها لِضَجيعِها كَمِصباحِ زَيتٍ في قَناديلِ ذبّالِ — امرؤ القيس

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Repost from The Shire
photo content

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وَتَحسِبُ سَلمى لا نَزالُ كَعَهدِنا بِوادي الخُزامى أَو عَلى رَسِّ أَوعالِ لَيالِيَ سَلمى إِذ تُريكَ مُنَصَّبًا وجِيدًا كَجيدِ الرِئمِ لَيسَ بِمِعطالِ — امرؤ القيس

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وَتَحسِبُ سَلمى لا نَزالُ كَعَهدِنا بِوادي الخُزامى أَو عَلى رَسِّ أَوعالِ لَيالِيَ سَلمى إِذ تُريكَ مُنَصَّبًا وجِيدًا كَجيدِ الرِئمِ لَيسَ بِمِعطالِ

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Idyll (n.) a very happy, peaceful, and simple situation or period of time, especially in the countryside

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Idyll By Frederic Leighton
Idyll By Frederic Leighton

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photo content
+3

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The very simplicity and nakedness of man's life in the primitive ages imply this advantage at least, that they left him still but a sojourner in nature. When he was refreshed with food and sleep he contemplated his journey again. He dwelt, as it were, in a tent in this world, and was either threading the valleys, or crossing the plains, or climbing the mountain tops. But lo! men have become the tools of their tools. The man who independently plucked the fruits when he was hungry has become a farmer; and he who stood under a tree for shelter, a housekeeper. We now no longer camp as for a night, but have settled down on earth and forgotten heaven. We have adopted Christianity merely as an improved method of agriculture. We have built for this world a family mansion, and for the next a family tomb. The best works of art are the expression of man's struggle to free himself from this condition, but the effect of our art is merely to make this low state comfortable and that higher state to be forgotten. - Walden, by H. D. Thoreau

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"هو انت جبت سيرة بعث ونهضة واخفاقات"

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"زاد المسافر" في مثل هذه الليلة المباركة

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+6
Tamino – Indigo Night.mp39.94 MB

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غربة_وتمر_الليالي_محمد_جواد_اموريMP3_128K_1.mp35.69 MB