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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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๐Ÿ“ˆ Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 527 subscribers, ranking 8 874 in the Religion & Spirituality category and 7 334 in the Saudi Arabia region.

๐Ÿ“Š Audience metrics and dynamics

Since its creation on ะฝะตะฒั–ะดะพะผะพ, the project has demonstrated rapid growth, gathering an audience of 10 527 subscribers.

According to the latest data from 20 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 308 over the last 30 days and by 11 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 15.99%. Within the first 24 hours after publication, content typically collects 6.75% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 682 views. Within the first day, a publication typically gains 710 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู†.

๐Ÿ“ Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Thanks to the high frequency of updates (latest data received on 21 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

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Posts Archive
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Religion, from a psychological point of view, regulates our emotions and actions and makes them better adjusted to deal with adversity and misfortune. When an atheist relinquishes the metaphysics of religion he unavoidably relinquishes its psychological safety net. Then he faces a grave danger; He finds himself alone in a world of fear, chaos, uncertainty, and injustice. He can no longer effectively deal with adversity, because he believes in nothing greater than him to draw strength from. And he can't draw that strength from within because we humans are too fragile and transientยน. And even if that was possible, it takes a truly exceptional human to be his own rock and churchยฒ. Thereby, the atheist finds himself alone in a cruel and meaningless world. This makes them look for solace in weird places like Buddhism, stoicism, scientism, and philosophy because they are in desperate need for solace after they left religion. What makes these traditions appealing to the atheist is their secularism, or to be more specific, their possibility to be secular; Stoicism and buddhism, for example, both have a complex metaphysics imbedded in them. Yet at the same time, the psychological exercises and the methods to deal with adversity that these traditions employ can be separated to an extent from their metaphysics, and thus applied practically in one's life without necessarily adhering to their metaphysics. ยนDurkheim explained this more eloquently and in detail in his study on suicide. ยฒโ€œYou are Peter, and on this rock I will build my churchโ€ [Matthew 16:18]

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Tyger Tyger, burning bright,  In the forests of the night;  What immortal hand or eye,  Could frame thy fearful symmetry? In what distant deeps or skies.  Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain,  In what furnace was thy brain? What the anvil? what dread grasp,  Dare its deadly terrors clasp!  When the stars threw down their spears  And water'd heaven with their tears:  Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright,  In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry? โ€” William Blake

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Repost from H A D E S
Tiger Emerging from Bamboo, by Katayama Yลkoku, late 18th century.
Tiger Emerging from Bamboo, by Katayama Yลkoku, late 18th century.

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ุฅู†ู’ ุชุฒูˆุฌุชูŽ ู†ูŽุฏูู…ุช. ูˆุฅู†ู’ ู„ูŽู… ุชุชุฒูˆุฌ ู†ูŽุฏูู…ุชุ› ุณูˆุงุกูŒ ุชุฒูˆู‘ุฌุชูŽ ุฃูŽู…ู’ ู„ูŽู… ุชุชุฒูˆุฌ ูุฃู†ุช ู†ุงุฏูู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ุฅุถุญูŽูƒ ุนู„ู‰ ุบุจุงูˆุฉู ุงู„ุนุงู„ูŽู… ูˆุณุชูŽู†ุฏูŽู…. ุฅุจูƒู ุนู„ูŠู‡ ูˆุณุชูŽู†ุฏูŽู… ูƒุฐู„ูƒุ› ุณูˆุงุกูŒ ุถูŽุญููƒุชูŽ ุฃูŽูˆ ุจูŽูƒูŠุชูŽ ุนู„ูŠู‡ุŒ ูุฅู†ู‘ูƒ ู†ุงุฏู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ุตูŽุฏู‘ูู‚ ูƒู„ุงู…ูŽ ุงู„ู…ุฑุฃุฉู ูˆุณุชูŽู†ุฏูŽู…. ูƒูŽุฐู‘ูุจู‡ุง ูˆุณุชู†ุฏู… ูƒุฐู„ูƒุ› ุณูˆุงุกูŒ ุตูŽุฏู‘ูŽู‚ุชูŽู‡ุง ุฃูŽู…ู’ ู„ูŽู…ู’ ุชูุตูŽุฏู‘ูู‚ุŒ ูุฃู†ุชูŽ ู†ุงุฏูู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ุฅุดู†ูู‚ ู†ูŽูุณูŽูƒ ูˆุณูŽุชูŽู†ุฏูŽู…. ู„ุง ุชูŽุดู†ู‚ ู†ูุณูŽูƒูŽ ูˆุณุชู†ุฏูŽู…ุ› ุฅู†ู’ ุดูŽู†ูŽู‚ุชูŽ ู†ูุณูŽูƒ ุฃูŽู…ู’ ู„ูŽู…ู’ ุชูŽูุนูŽู„ุŒ ูุฃู†ุชูŽ ู†ุงุฏู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ู‡ุฐุง ู‡ูˆ ุฌูˆู‡ุฑู ุงู„ูู„ุณูุฉู ูƒู„ู‘ูู‡ุงุŒ ุณุงุฏุชูŠ ุงู„ุฃุนุฒุงุก. โ€” ุณูˆุฑูŠู† ูƒูŠุฑูƒูŠุบุงุฑุฏ

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ู‚ุงู„ ุนู„ูŠ ุจู† ุงู„ุฌู‡ู… ู„ุฎุงู„ุฏ ุงู„ูƒุงุชุจ: ู‡ุจ ู„ูŠ ุจูŠุชูƒ ุงู„ุฐูŠ ุชู‚ูˆู„ ููŠู‡: ยซู„ูŠุชูŽ ู…ุง ุฃุตุจุญูŽ ู…ูู† ุฑูู‚ู‘ู€ู€ุฉู ุฎุฏู‘ูŽูŠูƒูŽ ุจู‚ู„ุจููƒู’ยป ูู‚ุงู„ ุฎุงู„ุฏ: ูŠุง ุฌุงู‡ู„ุŒ ู‡ู„ ุฑุฃูŠุชูŽ ุฃุญุฏู‹ุง ูŠู‡ุจู ูˆู„ุฏูŽู‡ุŸ

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ูˆูŽู‡ูŽู„ ุฎูู„ูู‚ูŽ ุงู„ููŽุชู‰ ุฅูู„ู‘ุง ู„ููŠูŽู‡ูˆู‰ ูˆูŽูŠูŽุฃู†ูŽุณูŽ ุจูุงู„ุฏูู…ูˆุนู ูˆูŽุจูุงู„ุฏูู…ุงุกูุŸ
ุงู„ุจุญุชุฑูŠ.

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ุฅุฐุง ุฃู†ุช ู„ู… ุชุนุดู‚ ูˆู„ู… ุชุฏุฑ ู…ุง ุงู„ู‡ูˆู‰ ูู‚ู… ูุงุนุชู„ู ุชุจู†ุงู‹ ูุฃู†ุช ุญู…ุงุฑู โ€“ ุฅุจู† ุงู„ู‚ูŠู‘ู…

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ูˆูŽุฅุฐูŽุง ุญูŽุฏููŠุซูŒ ุณูŽุงุกูŽู†ููŠ ู„ูŽู… ุฃูŽูƒุชูŽุฆูุจ ูˆูŽุฅูุฐูŽุง ุญูŽุฏููŠุซูŒ ุณูŽุฑู‘ูŽู†ููŠ ู„ูŽู… ุฃูŽุจุดูุฑู

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ุชูŽุฑุงู‡ู ุฅุฐุง ู…ุง ุฌูู€ุฆู’ู€ุชูŽู‡ ู…ูุชูŽู€ู‡ูŽู„ู‘ูู€ู„ู‹ุง ูƒุฃู†ูŽู‘ูƒ ุชูุนุทูŠู‡ ุงู„ุฐูŠ ุฃู†ุชูŽ ุณุงุฆู„ูู‡ู’ - ุฒู‡ูŠุฑ ุจู† ุฃุจูŠ ุณูู„ู…ู‰

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ุงู„ู‚ูุฑู‰: ุจูƒุณุฑู ุงู„ุฑุงุกุŒ ู‡ูŠ ุงู„ุถูŠุงูุฉ ูˆุฅูƒุฑุงู… ุงู„ุถูŠู.

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ุงู„ู‚ูุฑู‰: ุงู„ุถูŠุงูุฉุŒ ุฅูƒุฑุงู… ุงู„ุถูŠู.

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โ€” ุงู„ุจูŠุงู† ูˆุงู„ุชุจูŠูŠู†ุŒ ู„ุฃุจูŠ ุนุซู…ุงู† ุงู„ุฌุงุญุธ

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ูˆู„ุฃู†ู‘ ุงู„ุนุฑุจูŽ ุชุฌุนู„ู ุงู„ุญุฏูŠุซูŽ ูˆุงู„ุจูŽุณุทูŽ ูˆุงู„ุชุฃู†ูŠุณูŽ ูˆุงู„ุชู„ู‚ู‘ูŠ ุจุงู„ุจูุดุฑู ู…ูู† ุญู‚ูˆู‚ู ุงู„ู‚ูุฑู‰ ูˆู…ู† ุชู…ุงู…ู ุงู„ุฅูƒุฑุงู…ู ุจู‡ุŒ ู‚ุงู„ูˆุง: ยซู…ูู† ุชู…ุงู…ู ุงู„ุถูŠุงูุฉู ุงู„ุทู‘ูŽู„ุงู‚ุฉู ุนู†ุฏ ุฃูˆู„ู ูˆูŽู‡ู„ุฉุŒ ูˆุฅุทุงู„ุฉู ุงู„ุญุฏูŠุซู ุนู†ุฏูŽ ุงู„ู…ูˆุงูƒูŽู„ุฉยป. ูˆู‚ุงู„ ุดุงุนุฑู‡ู…ุŒ ูˆู‡ูˆ ุญุงุชู… ุงู„ุทุงุฆูŠ: ุณูŽู„ูŠ ุงู„ุฌุงุฆุนูŽ ุงู„ุบูŽุฑุซุงู†ูŽ ูŠุง ุฃูู…ู‘ูŽ ู…ู†ุฐุฑู ุฅุฐุง ู…ุง ุฃุชุงู†ูŠ ุจูŠู†ูŽ ู†ูŽุงุฑูŠ ูˆู…ูŽุฌุฒุฑูŠ ู‡ู„ ุฃุจุณูุทู ูˆูŽุฌู‡ูŠ ุฃู†ู‘ู‡ ุฃูˆู„ู ุงู„ู‚ูุฑู‰ ูˆุฃุจุฐู„ู ู…ูŽุนุฑูˆููŠ ู„ู‡ ุฏูˆู†ูŽ ู…ูู†ูƒูŽุฑูŠ ูˆู‚ุงู„ูŽ ุงู„ุขุฎุฑ: ุฅู†ูƒ ูŠุง ุงุจู†ูŽ ุฌุนูุฑู ุฎูŠุฑู ูุชู‰ู‹ ูˆุฎูŠุฑูู‡ู… ู„ุทุงุฑูู‚ู ุฅุฐุง ุฃุชู‰ ูˆุฑูุจู‘ูŽ ู†ูุถูˆู ุทูŽุฑูŽู‚ูŽ ุงู„ุญูŽูŠู‘ูŽ ุณูุฑู‰ู‹ ุตุงุฏููŽ ุฒุงุฏู‹ุง ูˆุญูŽุฏูŠุซู‹ุง ู…ุง ุงุดุชูŽู‡ู‰ ุฅู†ู‘ ุงู„ุญุฏูŠุซูŽ ุฌุงู†ุจูŒ ู…ูู†ูŽ ุงู„ู‚ูุฑู‰ ูˆู‚ุงู„ ุงู„ุขุฎุฑ: ู„ูุญุงููŠ ู„ูุญุงูู ุงู„ุถู‘ูŽูŠูู ูˆุงู„ุจูŠุชู ุจูŠุชูู‡ ูˆู„ูŽู…ู’ ูŠูู„ู‡ูู†ูŠ ุนู†ู‡ ุบูŽุฒุงู„ ู…ูู‚ูŽู†ู‘ูŽุนู ุฃุญุฏู‘ูุซูู‡ ุฅู†ู‘ ุงู„ุญุฏูŠุซูŽ ู…ูู†ูŽ ุงู„ู‚ูุฑู‰ ูˆุชูŽุนู„ูŽู… ู†ูŽูุณูŠ ุฃู†ู‘ู‡ ุณูˆููŽ ูŠูŽู‡ุฌูŽุนู ูˆู‚ุงู„ ุขุฎุฑ: ุฃูุถูŽุงุญููƒู ุถูŽูŠููŠ ู‚ุจู„ูŽ ุฅู†ุฒุงู„ู ุฑูŽุญู„ูู‡ู ูˆูŠูุฎุตูุจู ุนูู†ุฏูŠ ูˆุงู„ู…ูŽุญูŽู„ู‘ู ุฌูŽุฏููŠุจู ูˆู…ุง ุงู„ุฎูุตุจู ู„ู„ุฃุถูŠุงูู ุฃู†ู’ ูŠูŽูƒุซูุฑูŽ ุงู„ู‚ูุฑู‰ ูˆู„ูƒู†ู‘ู…ุง ูˆูŽุฌู‡ู ุงู„ูƒูŽุฑูŠู…ู ุฎูŽุตูŠุจู

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