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Kanalga Telegramโ€™da oโ€˜tish

0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

Ko'proq ko'rsatish

๐Ÿ“ˆ Telegram kanali 0/0 analitikasi

0/0 (@error0error) Arab til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 10 527 obunachidan iborat bo'lib, Din & Maสผnaviyat toifasida 8 874-o'rinni va Saudiya Arabistoni mintaqasida 7 334-o'rinni egallagan.

๐Ÿ“Š Auditoriya koโ€˜rsatkichlari va dinamika

ะฝะตะฒั–ะดะพะผะพ sanasidan buyon loyiha tez oโ€˜sib, 10 527 obunachiga ega boโ€˜ldi.

20 Iyun, 2026 dagi oxirgi maโ€™lumotlarga koโ€˜ra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni 308 ga, soโ€˜nggi 24 soatda esa 11 ga oโ€˜zgardi va umumiy qamrov yuqori darajada qolmoqda.

  • Tasdiqlash holati: Tasdiqlanmagan
  • Jalb etish (ER): Auditoriya oโ€˜rtacha 15.99% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 6.75% ini tashkil etuvchi reaksiyalarni toโ€˜playdi.
  • Post qamrovi: Har bir post oโ€˜rtacha 1 682 marta koโ€˜riladi; birinchi sutkada odatda 710 ta koโ€˜rish yigโ€˜iladi.
  • Reaksiyalar va oโ€˜zaro taโ€™sir: Auditoriya faol: har bir postga oโ€˜rtacha 0 ta reaksiya keladi.
  • Tematik yoโ€˜nalishlar: Kontent ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู† kabi asosiy mavzularga jamlangan.

๐Ÿ“ Tavsif va kontent siyosati

Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida taโ€™riflaydi:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Yuqori yangilanish chastotasi (oxirgi maโ€™lumot 21 Iyun, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli boโ€˜lib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Din & Maสผnaviyat toifasidagi muhim taโ€™sir nuqtasiga aylantirishini koโ€˜rsatadi.

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Postlar arxiv
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Religion, from a psychological point of view, regulates our emotions and actions and makes them better adjusted to deal with adversity and misfortune. When an atheist relinquishes the metaphysics of religion he unavoidably relinquishes its psychological safety net. Then he faces a grave danger; He finds himself alone in a world of fear, chaos, uncertainty, and injustice. He can no longer effectively deal with adversity, because he believes in nothing greater than him to draw strength from. And he can't draw that strength from within because we humans are too fragile and transientยน. And even if that was possible, it takes a truly exceptional human to be his own rock and churchยฒ. Thereby, the atheist finds himself alone in a cruel and meaningless world. This makes them look for solace in weird places like Buddhism, stoicism, scientism, and philosophy because they are in desperate need for solace after they left religion. What makes these traditions appealing to the atheist is their secularism, or to be more specific, their possibility to be secular; Stoicism and buddhism, for example, both have a complex metaphysics imbedded in them. Yet at the same time, the psychological exercises and the methods to deal with adversity that these traditions employ can be separated to an extent from their metaphysics, and thus applied practically in one's life without necessarily adhering to their metaphysics. ยนDurkheim explained this more eloquently and in detail in his study on suicide. ยฒโ€œYou are Peter, and on this rock I will build my churchโ€ [Matthew 16:18]

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Tyger Tyger, burning bright,  In the forests of the night;  What immortal hand or eye,  Could frame thy fearful symmetry? In what distant deeps or skies.  Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain,  In what furnace was thy brain? What the anvil? what dread grasp,  Dare its deadly terrors clasp!  When the stars threw down their spears  And water'd heaven with their tears:  Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright,  In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry? โ€” William Blake

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Tiger Emerging from Bamboo, by Katayama Yลkoku, late 18th century.
Tiger Emerging from Bamboo, by Katayama Yลkoku, late 18th century.

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ุฅู†ู’ ุชุฒูˆุฌุชูŽ ู†ูŽุฏูู…ุช. ูˆุฅู†ู’ ู„ูŽู… ุชุชุฒูˆุฌ ู†ูŽุฏูู…ุชุ› ุณูˆุงุกูŒ ุชุฒูˆู‘ุฌุชูŽ ุฃูŽู…ู’ ู„ูŽู… ุชุชุฒูˆุฌ ูุฃู†ุช ู†ุงุฏูู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ุฅุถุญูŽูƒ ุนู„ู‰ ุบุจุงูˆุฉู ุงู„ุนุงู„ูŽู… ูˆุณุชูŽู†ุฏูŽู…. ุฅุจูƒู ุนู„ูŠู‡ ูˆุณุชูŽู†ุฏูŽู… ูƒุฐู„ูƒุ› ุณูˆุงุกูŒ ุถูŽุญููƒุชูŽ ุฃูŽูˆ ุจูŽูƒูŠุชูŽ ุนู„ูŠู‡ุŒ ูุฅู†ู‘ูƒ ู†ุงุฏู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ุตูŽุฏู‘ูู‚ ูƒู„ุงู…ูŽ ุงู„ู…ุฑุฃุฉู ูˆุณุชูŽู†ุฏูŽู…. ูƒูŽุฐู‘ูุจู‡ุง ูˆุณุชู†ุฏู… ูƒุฐู„ูƒุ› ุณูˆุงุกูŒ ุตูŽุฏู‘ูŽู‚ุชูŽู‡ุง ุฃูŽู…ู’ ู„ูŽู…ู’ ุชูุตูŽุฏู‘ูู‚ุŒ ูุฃู†ุชูŽ ู†ุงุฏูู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ุฅุดู†ูู‚ ู†ูŽูุณูŽูƒ ูˆุณูŽุชูŽู†ุฏูŽู…. ู„ุง ุชูŽุดู†ู‚ ู†ูุณูŽูƒูŽ ูˆุณุชู†ุฏูŽู…ุ› ุฅู†ู’ ุดูŽู†ูŽู‚ุชูŽ ู†ูุณูŽูƒ ุฃูŽู…ู’ ู„ูŽู…ู’ ุชูŽูุนูŽู„ุŒ ูุฃู†ุชูŽ ู†ุงุฏู…ูŒ ุนู„ู‰ ุงู„ุญุงู„ูŽูŠู†. ู‡ุฐุง ู‡ูˆ ุฌูˆู‡ุฑู ุงู„ูู„ุณูุฉู ูƒู„ู‘ูู‡ุงุŒ ุณุงุฏุชูŠ ุงู„ุฃุนุฒุงุก. โ€” ุณูˆุฑูŠู† ูƒูŠุฑูƒูŠุบุงุฑุฏ

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ู‚ุงู„ ุนู„ูŠ ุจู† ุงู„ุฌู‡ู… ู„ุฎุงู„ุฏ ุงู„ูƒุงุชุจ: ู‡ุจ ู„ูŠ ุจูŠุชูƒ ุงู„ุฐูŠ ุชู‚ูˆู„ ููŠู‡: ยซู„ูŠุชูŽ ู…ุง ุฃุตุจุญูŽ ู…ูู† ุฑูู‚ู‘ู€ู€ุฉู ุฎุฏู‘ูŽูŠูƒูŽ ุจู‚ู„ุจููƒู’ยป ูู‚ุงู„ ุฎุงู„ุฏ: ูŠุง ุฌุงู‡ู„ุŒ ู‡ู„ ุฑุฃูŠุชูŽ ุฃุญุฏู‹ุง ูŠู‡ุจู ูˆู„ุฏูŽู‡ุŸ

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ูˆูŽู‡ูŽู„ ุฎูู„ูู‚ูŽ ุงู„ููŽุชู‰ ุฅูู„ู‘ุง ู„ููŠูŽู‡ูˆู‰ ูˆูŽูŠูŽุฃู†ูŽุณูŽ ุจูุงู„ุฏูู…ูˆุนู ูˆูŽุจูุงู„ุฏูู…ุงุกูุŸ
ุงู„ุจุญุชุฑูŠ.

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ุฅุฐุง ุฃู†ุช ู„ู… ุชุนุดู‚ ูˆู„ู… ุชุฏุฑ ู…ุง ุงู„ู‡ูˆู‰ ูู‚ู… ูุงุนุชู„ู ุชุจู†ุงู‹ ูุฃู†ุช ุญู…ุงุฑู โ€“ ุฅุจู† ุงู„ู‚ูŠู‘ู…

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ูˆูŽุฅุฐูŽุง ุญูŽุฏููŠุซูŒ ุณูŽุงุกูŽู†ููŠ ู„ูŽู… ุฃูŽูƒุชูŽุฆูุจ ูˆูŽุฅูุฐูŽุง ุญูŽุฏููŠุซูŒ ุณูŽุฑู‘ูŽู†ููŠ ู„ูŽู… ุฃูŽุจุดูุฑู

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ุชูŽุฑุงู‡ู ุฅุฐุง ู…ุง ุฌูู€ุฆู’ู€ุชูŽู‡ ู…ูุชูŽู€ู‡ูŽู„ู‘ูู€ู„ู‹ุง ูƒุฃู†ูŽู‘ูƒ ุชูุนุทูŠู‡ ุงู„ุฐูŠ ุฃู†ุชูŽ ุณุงุฆู„ูู‡ู’ - ุฒู‡ูŠุฑ ุจู† ุฃุจูŠ ุณูู„ู…ู‰

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ุงู„ู‚ูุฑู‰: ุจูƒุณุฑู ุงู„ุฑุงุกุŒ ู‡ูŠ ุงู„ุถูŠุงูุฉ ูˆุฅูƒุฑุงู… ุงู„ุถูŠู.

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ุงู„ู‚ูุฑู‰: ุงู„ุถูŠุงูุฉุŒ ุฅูƒุฑุงู… ุงู„ุถูŠู.

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โ€” ุงู„ุจูŠุงู† ูˆุงู„ุชุจูŠูŠู†ุŒ ู„ุฃุจูŠ ุนุซู…ุงู† ุงู„ุฌุงุญุธ

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ูˆู„ุฃู†ู‘ ุงู„ุนุฑุจูŽ ุชุฌุนู„ู ุงู„ุญุฏูŠุซูŽ ูˆุงู„ุจูŽุณุทูŽ ูˆุงู„ุชุฃู†ูŠุณูŽ ูˆุงู„ุชู„ู‚ู‘ูŠ ุจุงู„ุจูุดุฑู ู…ูู† ุญู‚ูˆู‚ู ุงู„ู‚ูุฑู‰ ูˆู…ู† ุชู…ุงู…ู ุงู„ุฅูƒุฑุงู…ู ุจู‡ุŒ ู‚ุงู„ูˆุง: ยซู…ูู† ุชู…ุงู…ู ุงู„ุถูŠุงูุฉู ุงู„ุทู‘ูŽู„ุงู‚ุฉู ุนู†ุฏ ุฃูˆู„ู ูˆูŽู‡ู„ุฉุŒ ูˆุฅุทุงู„ุฉู ุงู„ุญุฏูŠุซู ุนู†ุฏูŽ ุงู„ู…ูˆุงูƒูŽู„ุฉยป. ูˆู‚ุงู„ ุดุงุนุฑู‡ู…ุŒ ูˆู‡ูˆ ุญุงุชู… ุงู„ุทุงุฆูŠ: ุณูŽู„ูŠ ุงู„ุฌุงุฆุนูŽ ุงู„ุบูŽุฑุซุงู†ูŽ ูŠุง ุฃูู…ู‘ูŽ ู…ู†ุฐุฑู ุฅุฐุง ู…ุง ุฃุชุงู†ูŠ ุจูŠู†ูŽ ู†ูŽุงุฑูŠ ูˆู…ูŽุฌุฒุฑูŠ ู‡ู„ ุฃุจุณูุทู ูˆูŽุฌู‡ูŠ ุฃู†ู‘ู‡ ุฃูˆู„ู ุงู„ู‚ูุฑู‰ ูˆุฃุจุฐู„ู ู…ูŽุนุฑูˆููŠ ู„ู‡ ุฏูˆู†ูŽ ู…ูู†ูƒูŽุฑูŠ ูˆู‚ุงู„ูŽ ุงู„ุขุฎุฑ: ุฅู†ูƒ ูŠุง ุงุจู†ูŽ ุฌุนูุฑู ุฎูŠุฑู ูุชู‰ู‹ ูˆุฎูŠุฑูู‡ู… ู„ุทุงุฑูู‚ู ุฅุฐุง ุฃุชู‰ ูˆุฑูุจู‘ูŽ ู†ูุถูˆู ุทูŽุฑูŽู‚ูŽ ุงู„ุญูŽูŠู‘ูŽ ุณูุฑู‰ู‹ ุตุงุฏููŽ ุฒุงุฏู‹ุง ูˆุญูŽุฏูŠุซู‹ุง ู…ุง ุงุดุชูŽู‡ู‰ ุฅู†ู‘ ุงู„ุญุฏูŠุซูŽ ุฌุงู†ุจูŒ ู…ูู†ูŽ ุงู„ู‚ูุฑู‰ ูˆู‚ุงู„ ุงู„ุขุฎุฑ: ู„ูุญุงููŠ ู„ูุญุงูู ุงู„ุถู‘ูŽูŠูู ูˆุงู„ุจูŠุชู ุจูŠุชูู‡ ูˆู„ูŽู…ู’ ูŠูู„ู‡ูู†ูŠ ุนู†ู‡ ุบูŽุฒุงู„ ู…ูู‚ูŽู†ู‘ูŽุนู ุฃุญุฏู‘ูุซูู‡ ุฅู†ู‘ ุงู„ุญุฏูŠุซูŽ ู…ูู†ูŽ ุงู„ู‚ูุฑู‰ ูˆุชูŽุนู„ูŽู… ู†ูŽูุณูŠ ุฃู†ู‘ู‡ ุณูˆููŽ ูŠูŽู‡ุฌูŽุนู ูˆู‚ุงู„ ุขุฎุฑ: ุฃูุถูŽุงุญููƒู ุถูŽูŠููŠ ู‚ุจู„ูŽ ุฅู†ุฒุงู„ู ุฑูŽุญู„ูู‡ู ูˆูŠูุฎุตูุจู ุนูู†ุฏูŠ ูˆุงู„ู…ูŽุญูŽู„ู‘ู ุฌูŽุฏููŠุจู ูˆู…ุง ุงู„ุฎูุตุจู ู„ู„ุฃุถูŠุงูู ุฃู†ู’ ูŠูŽูƒุซูุฑูŽ ุงู„ู‚ูุฑู‰ ูˆู„ูƒู†ู‘ู…ุง ูˆูŽุฌู‡ู ุงู„ูƒูŽุฑูŠู…ู ุฎูŽุตูŠุจู