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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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๐Ÿ“ˆ Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 615 subscribers, ranking 8 688 in the Religion & Spirituality category and 7 195 in the Saudi Arabia region.

๐Ÿ“Š Audience metrics and dynamics

Since its creation on ะฝะตะฒั–ะดะพะผะพ, the project has demonstrated rapid growth, gathering an audience of 10 615 subscribers.

According to the latest data from 04 July, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 245 over the last 30 days and by 5 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 13.68%. Within the first 24 hours after publication, content typically collects 7.09% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 452 views. Within the first day, a publication typically gains 752 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู†.

๐Ÿ“ Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Thanks to the high frequency of updates (latest data received on 05 July, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

10 615
Subscribers
+524 hours
+527 days
+24530 days
Posts Archive
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ูุฅุฐุง ุฃู…ูŽุฑุชููƒูู… ุจุงู„ุณูŽูŠุฑู ุฅู„ูŠู‡ู… ููŠ ุฃูŠู‘ุงู… ุงู„ุตูŠูุŒ ู‚ูู„ุชูู…: ู‡ุฐู‡ ุญูŽู…ูŽุงุฑู‘ุฉู ุงู„ู‚ูŽูŠุธยนุŒ ุฃู…ู‡ูู„ู†ุง ูŠูุณูŽุจู‘ูŽุฎ ุนู†ุง ุงู„ุญูŽุฑ. ูˆุฅุฐุง ุฃู…ูŽุฑุชููƒูู… ุจุงู„ุณูŠุฑู ุฅู„ูŠู‡ู… ููŠ ุงู„ุดุชุงุกุŒ ู‚ูู„ุชูู…: ู‡ุฐู‡ ุตูŽุจูŽุงุฑู‘ุฉู ุงู„ู‚ูุฑู‘ูยฒุŒ ุฃู…ู‡ูู„ู†ุง ูŠูŽู†ุณูŽู„ูุฎ ุนู†ุง ุงู„ุจูŽุฑุฏุŒ ูƒูู„ู‘ ู‡ุฐุง ูุฑุงุฑู‹ุง ู…ูู†ูŽ ุงู„ุญุฑู‘ู ูˆุงู„ู‚ูุฑู‘ุ› ูุฅุฐุง ูƒูู†ุชูู… ู…ูู†ูŽ ุงู„ุญูŽุฑู‘ู ูˆุงู„ู‚ูุฑู‘ู ุชูุฑู‘ูˆู† ูุฃู†ุชู… ูˆุงู„ู„ู‡ู ู…ูู†ูŽ ุงู„ุณูŽูŠูู ุฃููŽุฑู‘ู! ยนุญูŽู…ูŽุงุฑู‘ุฉู ุงู„ู‚ูŽูŠุธ: ุดูุฏู‘ุฉู ุงู„ุญูŽุฑ. ยฒุตูŽุจูŽุงุฑู‘ูŽุฉู ุงู„ู‚ูุฑ: ุดูุฏู‘ุฉู ุงู„ุจูŽุฑุฏ.

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ูุฅู†ู’ ุฃุจูŽูˆุง ุฃุนุทูŽูŠุชูู‡ูู… ุญุฏู‘ ุงู„ุณูŽูŠู ูˆูƒูู‰ ุจู‡ ุดุงููŠู‹ุง ู…ูู† ุงู„ุจุงุทู„ ูˆู†ุงุตุฑู‹ุง ู„ู„ุญู‚

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Repost from The Iraqi Mind
photo content

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Alice in Wonderland, by George Dunlop Leslie
Alice in Wonderland, byย George Dunlop Leslie

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ุญูŽุณุจ ู†ูŠุชุดู‡ ูˆู…ู…ุง ููŽุณุฑุชู‡ูุŒ ุฅู†ูŽ ุงู„ุชู…ูŽุณููƒ ุจุงู„ุฐุงุช ู‚ุฏ ูŠูŽู‡ุฏูุฑ ุงู„ู…ูŽุฑุก ุฏูˆู† ุฅู„ู…ุงุญ ู‡ุฐู‡ู ุงู„ุฌูˆุงู†ุจ: - ูŠุฌุจ ุฃู† ูŠุฎุชุจุฑ ุงู„ู…ูŽุฑุก ู†ูุณู‡ูุŒ ูˆูŠูŽูƒูููŽ ุนู†
ุญูŽุณุจ ู†ูŠุชุดู‡ ูˆู…ู…ุง ููŽุณุฑุชู‡ูุŒ ุฅู†ูŽ ุงู„ุชู…ูŽุณููƒ ุจุงู„ุฐุงุช ู‚ุฏ ูŠูŽู‡ุฏูุฑ ุงู„ู…ูŽุฑุก ุฏูˆู† ุฅู„ู…ุงุญ ู‡ุฐู‡ู ุงู„ุฌูˆุงู†ุจ: - ูŠุฌุจ ุฃู† ูŠุฎุชุจุฑ ุงู„ู…ูŽุฑุก ู†ูุณู‡ูุŒ ูˆูŠูŽูƒูููŽ ุนู† ุญูุจ ุงู„ุฅู…ุฑุฉ. - ู†ุญู†ู ุดู‡ูˆุฏ ูˆ ู‚ูุถุงุฉ ุฐูˆุงุชู†ุงุŒ ุนู„ูŠู†ุง ุฃู„ุง ู†ุฑูƒู† ู„ุฃูŠ ุดุฎุต. - ุฅู†ูŽ ุฃุญุจ ุงู„ุฃุดุฎุงุต ุฅู„ูŠู†ุง ู‚ูŽุฏ ูŠูƒูˆู† ุณูุฌู†ู†ุง. - ุงู„ูˆูŽุทู† ููƒุฑุฉูŒ ุชูุถุนูู ูƒูŠุงู† ุงู„ุฐุงุชุŒ ู„ุฃู†ูŽ ุฃุนุฒ ุงู„ุฃูˆุทุงู† ุชุจุญุซู ุนู…ุง ู‡ูˆ ู†ู‚ุตู ุญุงุฌุชู‡ุง. - ุงู„ุนูู„ู… ู‚ุฏ ูŠูุฏู…ุฑ ุฐูˆุงุชูŽู†ุงุŒ ู„ุฃู†ูŽ ุชุตุฏูŠู‚ู‡ ุนู„ู‰ ุฏูˆุงู… ูŠุฌุนู„ ุฐูˆุงุชู†ุง ู…ุญู„ ุฅุฎุชุจุงุฑ "ุงู„ุทุจ ูƒู…ุซุงู„ ูˆุชุฌุงุฑุจู‡". - ุฅู†ูŽ ุดู‡ูˆุฉ ุงู„ุจูุนุฏ ูˆุงู„ุจุญุซ ุนู† ุงู„ุฐุงุช ููŠ ุงู„ุบูุฑุจุฉ ุฎูŽุทูุฑุฉ. - ุงู„ุฅุณุชู‚ู„ุงู„ ูŠุจุฏุฃ ุญูŠู†ูŽ ู†ุนุฑู ูƒูŠู ู†ูู…ูŠุฒ. - ุฅู†ูŽ ุงู„ูˆุซูˆู‚ ุจุงู„ูุถุงุฆู„ ูŠูุญุทู…ู ุงู„ู‡ูŽุฏู ุงู„ุฐูŠ ุชุฑูŠุฏู‡ู ู…ู†ุง ูƒูู„ูŠุงุชู†ุงุŒ ุฃูŠ ุฐูˆุงุชู†ุง ู‚ุฏ ุชู‚ุน ููŠ ุฅุบูˆุงุก ุงู„ุฌูุฒุฆูŠุงุช.

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ู…ู†ูˆ ูŠุฏุงูˆู… ุชุฎุฏูŠุฑ ู…ุฑุญู„ุฉ ุฑุงุจุนุฉ/ุฌุงู…ุนุฉ ุจุบุฏุงุฏุŸ @contactzero_bot

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That's where psychology becomes dangerous: precisely because its explanations of our behavior and personality is ingrained with a sense of destiny and fate, that we are the way we are, and do what we do because of some psychological determinism.

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Freud's psychoanalysis is full of mythological symbols and explanations for a reason: what psychoanalysing does is that it creates a "story" or a "myth system" that tries to explain "the deeper meaning" of an individual's life. In other words: it shows the moral of the story of a person's life.

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When psychology tries to interpret the events of an individual's life, what it gives is not a "scientific explanation" but something more akin to literary interpretation. You get a "mythology" of your life; mythologies are not concerned with "accurate description of events" like science does. They are concerned with the moral of the story; of why you are the way you are. When you try to explain your life through psychology then, just like in myths, your story will be full of heroes, evil entities, trauma, victims, and what feels like destiny (people often try to impose a sense of destiny on their behavior through psychology i.e. โ€œI will always feel lonely because I wasn't loved enoughโ€)

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>When the Great Library burned, the first ten thousand years of stories were reduced to ash. But, those stories never really perished. They became a new story. The story of the fire itself. For man's urge to take a thing of beauty and strike the match. โ€” Westworld

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Repost from L'appel du Vide.
ุงู„ุฅูู†ู’ุณุงู†ู ูˆูŽุงู„ูƒูŽู„ูู…ูŽุฉู ูˆูŽุงุฌู’ุชูŽู…ูŽุนูŽ ูููŠ ุจูŽุนู’ุถู ุงู„ุฒู‘ูŽู…ูŽุงู†ู ู…ูู„ููˆูƒู ุงู„ุฃูŽู‚ุงู„ููŠู…ู ู…ูู†ูŽ ุงู„ุตู‘ููŠู†ู ูˆูŽุงู„ู‡ูู†ู’ุฏู ูˆูŽููŽุงุฑูุณูŽ ูˆูŽุงู„ุฑู‘ููˆู…ูุŒ ูˆูŽู‚ูŽุงู„ููˆุง: ูŠูŽู†ู’ุจูŽุบููŠ ุฃูŽู†ู’ ูŠูŽุชูŽูƒูŽู„ู‘ูŽู…ูŽ ูƒูู„ู‘ู ูˆูŽุงุญูุฏู ู…ูู†ู‘ูŽุง ุจููƒูŽู„ูู…ูŽุฉู ุชูุฏูŽูˆู‘ูŽู†ู ุนูŽู†ู’ู‡ู ุนูŽู„ูŽู€ู‰ ุบูŽุงุจูู€ุฑู ุงู„ุฏู‘ูŽู‡ู’ุฑู. ููŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ุงู„ุตู‘ููŠู†ู: ุฃูŽู†ูŽุง ุนูŽู„ูŽู€ู‰ ุฑูŽุฏู‘ู ู…ูŽุง ู„ูŽู…ู’ ุฃูŽู‚ูู„ู’ ุฃูŽู‚ู’ุฏูŽุฑู ู…ูู†ู‘ููŠ ุนูŽู„ูŽู€ู‰ ุฑูŽุฏู‘ู ู…ูŽุง ู‚ูู„ู’ุชู. ูˆูŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ุงู„ู‡ูู†ู’ุฏู: ุนูŽุฌูุจู’ุชู ู…ูู…ู‘ูŽู† ูŠูŽุชูŽูƒูŽู„ู‘ูŽู…ู ุจูุงู„ูƒูŽู„ูู…ูŽุฉูุŒ ุฅูู†ู’ ูƒูŽุงู†ูŽุชู’ ู„ูŽู‡ู ู„ูŽู€ู…ู’ ุชูŽู†ู’ููŽุนู’ู‡ูุŒ ูˆูŽุฅูู†ู’ ูƒูŽุงู†ูŽุชู’ ุนูŽู„ูŽูŠู’ู‡ู ุฃูŽูˆู’ุจูŽู‚ูŽุชู’ู‡ูยน. ูˆูŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ููŽู€ุงุฑูุณูŽ: ุฅูุฐูŽุง ุชูŽูƒูŽู„ู‘ูŽู…ู’ุชู ุจูุงู„ูƒูŽู„ูู…ูŽุฉู ู…ูŽู„ูŽูƒุชู’ู†ูŠุŒ ูˆุฅูุฐูŽุง ู„ูŽู…ู’ ุฃูŽุชูŽูƒูŽู„ู‘ู…ู’ ุจูู‡ูŽุง ู…ูŽู„ูƒู’ุชูู‡ูŽุง. ูˆูŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ุงู„ุฑู‘ููˆู…ู: ู…ูŽุง ู†ูŽุฏูู…ู’ุชู ุนูŽู„ูŽู€ู‰ ู…ูŽุง ู„ูŽู…ู’ ุฃูŽุชูŽูƒูŽู„ู‘ู…ู’ ุจูู‡ู ู‚ูŽุทู‘ูุŒ ูˆูŽู„ูŽู‚ูŽุฏู’ ู†ูŽุฏูู…ู’ุชู ุนูŽู„ูŽู€ู‰ ู…ูŽุง ุชูŽูƒูŽู„ู‘ูŽู…ู’ุชู ุจูู‡ู ูƒูŽุซููŠุฑู‹ุง. ูˆูŽุงู„ุณู‘ููƒููˆุชู ุนูู†ู’ุฏูŽ ุงู„ู…ูู„ููˆูƒู ุฃูŽุญู’ุณูŽู€ู†ู ู…ูู€ู†ูŽ ุงู„ู‡ูŽุฐูŽุฑูยฒ ุงู„ู‘ูŽู€ุฐููŠ ู„ูŽุง ูŠูู€ุฑู’ุฌูŽุนู ู…ูู†ู’ู€ู‡ู ุฅูู„ูŽู€ู‰ ู†ูŽูู’ู€ุนูุŒ ูˆุฃูŽูู’ุถูŽู„ู ู…ูŽุง ุงุณู’ุชูŽุธูŽู„ู‘ูŽ ุจูู‡ู ุงู„ุฅูู†ู’ุณูŽุงู†ู ู„ูุณูŽุงู†ูู‡ู. โ€“ ูƒูŽู„ููŠู„ูŽุฉูŽ ูˆูŽุฏูู…ู’ู†ูŽุฉูŽ ยนุฃูŽูˆู’ุจูŽู‚ูŽุชู’ู‡ู: ุฃู‡ู„ูŽูƒุชู’ู‡ ุฃูˆ ุฃูŽูˆู’ู‡ูŽู†ูŽุชู’ู‡ู. ยฒุงู„ู‡ูŽุฐูŽุฑู: ุณูŽู‚ูŽุทู ุงู„ูƒู„ุงู…ู ุงู„ู‘ูŽุฐููŠ ู„ุง ูŠูุนุจูŽุฃู ุจู‡ุŒ ุงู„ูƒุซูŠุฑ ุงู„ุฑุฏูŠุก.

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Why is it always the case that libraries have to suffer :")

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In the summer of 1920 the Red Army attacked Bukhara ุจุฎุงุฑู‰, and Russian troops under the command of Mikhail Frunze bombarded the city. As the Young Bukharans launched an uprising in the city, the Red Army, with its airplanes and armored vehicles, moved forward on 2 September, bringing Bukharaโ€™s medieval regime to an end; the library, containing possibly the greatest collection of Moslem manuscripts in the world, went up in flames. โ€” A Peace To End All Peace

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A low culture has nowhere to go but up, and when it looks for higher types, it doesnโ€™t have to look very far off. An advanced culture, on the other hand, has produced so many higher humans during its ascent that it becomes increasingly difficult for it to overcome and surpass these types. Thus, the rapidity at which a culture in its higher stages ascends is less than that at which a culture at its lower stages does so. A low culture can look forward to much, while a high culture may either revel in what it has already produced or look forward with pessimism toward its own decline. This is a depressing thought for those who, from an elevated perspective, have the vision to see all that a culture has produced and what it is now capable or incapable of producing. โ€” Laughing at Nothing

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โ€” Laughing at Nothing