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Kanalga Telegramโ€™da oโ€˜tish

0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

Ko'proq ko'rsatish

๐Ÿ“ˆ Telegram kanali 0/0 analitikasi

0/0 (@error0error) Arab til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 10 615 obunachidan iborat bo'lib, Din & Maสผnaviyat toifasida 8 688-o'rinni va Saudiya Arabistoni mintaqasida 7 195-o'rinni egallagan.

๐Ÿ“Š Auditoriya koโ€˜rsatkichlari va dinamika

ะฝะตะฒั–ะดะพะผะพ sanasidan buyon loyiha tez oโ€˜sib, 10 615 obunachiga ega boโ€˜ldi.

04 Iyul, 2026 dagi oxirgi maโ€™lumotlarga koโ€˜ra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni 245 ga, soโ€˜nggi 24 soatda esa 5 ga oโ€˜zgardi va umumiy qamrov yuqori darajada qolmoqda.

  • Tasdiqlash holati: Tasdiqlanmagan
  • Jalb etish (ER): Auditoriya oโ€˜rtacha 13.68% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 7.09% ini tashkil etuvchi reaksiyalarni toโ€˜playdi.
  • Post qamrovi: Har bir post oโ€˜rtacha 1 452 marta koโ€˜riladi; birinchi sutkada odatda 752 ta koโ€˜rish yigโ€˜iladi.
  • Reaksiyalar va oโ€˜zaro taโ€™sir: Auditoriya faol: har bir postga oโ€˜rtacha 0 ta reaksiya keladi.
  • Tematik yoโ€˜nalishlar: Kontent ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู† kabi asosiy mavzularga jamlangan.

๐Ÿ“ Tavsif va kontent siyosati

Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida taโ€™riflaydi:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Yuqori yangilanish chastotasi (oxirgi maโ€™lumot 05 Iyul, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli boโ€˜lib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Din & Maสผnaviyat toifasidagi muhim taโ€™sir nuqtasiga aylantirishini koโ€˜rsatadi.

10 615
Obunachilar
+524 soatlar
+527 kunlar
+24530 kunlar
Postlar arxiv
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ูุฅุฐุง ุฃู…ูŽุฑุชููƒูู… ุจุงู„ุณูŽูŠุฑู ุฅู„ูŠู‡ู… ููŠ ุฃูŠู‘ุงู… ุงู„ุตูŠูุŒ ู‚ูู„ุชูู…: ู‡ุฐู‡ ุญูŽู…ูŽุงุฑู‘ุฉู ุงู„ู‚ูŽูŠุธยนุŒ ุฃู…ู‡ูู„ู†ุง ูŠูุณูŽุจู‘ูŽุฎ ุนู†ุง ุงู„ุญูŽุฑ. ูˆุฅุฐุง ุฃู…ูŽุฑุชููƒูู… ุจุงู„ุณูŠุฑู ุฅู„ูŠู‡ู… ููŠ ุงู„ุดุชุงุกุŒ ู‚ูู„ุชูู…: ู‡ุฐู‡ ุตูŽุจูŽุงุฑู‘ุฉู ุงู„ู‚ูุฑู‘ูยฒุŒ ุฃู…ู‡ูู„ู†ุง ูŠูŽู†ุณูŽู„ูุฎ ุนู†ุง ุงู„ุจูŽุฑุฏุŒ ูƒูู„ู‘ ู‡ุฐุง ูุฑุงุฑู‹ุง ู…ูู†ูŽ ุงู„ุญุฑู‘ู ูˆุงู„ู‚ูุฑู‘ุ› ูุฅุฐุง ูƒูู†ุชูู… ู…ูู†ูŽ ุงู„ุญูŽุฑู‘ู ูˆุงู„ู‚ูุฑู‘ู ุชูุฑู‘ูˆู† ูุฃู†ุชู… ูˆุงู„ู„ู‡ู ู…ูู†ูŽ ุงู„ุณูŽูŠูู ุฃููŽุฑู‘ู! ยนุญูŽู…ูŽุงุฑู‘ุฉู ุงู„ู‚ูŽูŠุธ: ุดูุฏู‘ุฉู ุงู„ุญูŽุฑ. ยฒุตูŽุจูŽุงุฑู‘ูŽุฉู ุงู„ู‚ูุฑ: ุดูุฏู‘ุฉู ุงู„ุจูŽุฑุฏ.

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ูุฅู†ู’ ุฃุจูŽูˆุง ุฃุนุทูŽูŠุชูู‡ูู… ุญุฏู‘ ุงู„ุณูŽูŠู ูˆูƒูู‰ ุจู‡ ุดุงููŠู‹ุง ู…ูู† ุงู„ุจุงุทู„ ูˆู†ุงุตุฑู‹ุง ู„ู„ุญู‚

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Repost from The Iraqi Mind
photo content

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Alice in Wonderland, by George Dunlop Leslie
Alice in Wonderland, byย George Dunlop Leslie

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ุญูŽุณุจ ู†ูŠุชุดู‡ ูˆู…ู…ุง ููŽุณุฑุชู‡ูุŒ ุฅู†ูŽ ุงู„ุชู…ูŽุณููƒ ุจุงู„ุฐุงุช ู‚ุฏ ูŠูŽู‡ุฏูุฑ ุงู„ู…ูŽุฑุก ุฏูˆู† ุฅู„ู…ุงุญ ู‡ุฐู‡ู ุงู„ุฌูˆุงู†ุจ: - ูŠุฌุจ ุฃู† ูŠุฎุชุจุฑ ุงู„ู…ูŽุฑุก ู†ูุณู‡ูุŒ ูˆูŠูŽูƒูููŽ ุนู†
ุญูŽุณุจ ู†ูŠุชุดู‡ ูˆู…ู…ุง ููŽุณุฑุชู‡ูุŒ ุฅู†ูŽ ุงู„ุชู…ูŽุณููƒ ุจุงู„ุฐุงุช ู‚ุฏ ูŠูŽู‡ุฏูุฑ ุงู„ู…ูŽุฑุก ุฏูˆู† ุฅู„ู…ุงุญ ู‡ุฐู‡ู ุงู„ุฌูˆุงู†ุจ: - ูŠุฌุจ ุฃู† ูŠุฎุชุจุฑ ุงู„ู…ูŽุฑุก ู†ูุณู‡ูุŒ ูˆูŠูŽูƒูููŽ ุนู† ุญูุจ ุงู„ุฅู…ุฑุฉ. - ู†ุญู†ู ุดู‡ูˆุฏ ูˆ ู‚ูุถุงุฉ ุฐูˆุงุชู†ุงุŒ ุนู„ูŠู†ุง ุฃู„ุง ู†ุฑูƒู† ู„ุฃูŠ ุดุฎุต. - ุฅู†ูŽ ุฃุญุจ ุงู„ุฃุดุฎุงุต ุฅู„ูŠู†ุง ู‚ูŽุฏ ูŠูƒูˆู† ุณูุฌู†ู†ุง. - ุงู„ูˆูŽุทู† ููƒุฑุฉูŒ ุชูุถุนูู ูƒูŠุงู† ุงู„ุฐุงุชุŒ ู„ุฃู†ูŽ ุฃุนุฒ ุงู„ุฃูˆุทุงู† ุชุจุญุซู ุนู…ุง ู‡ูˆ ู†ู‚ุตู ุญุงุฌุชู‡ุง. - ุงู„ุนูู„ู… ู‚ุฏ ูŠูุฏู…ุฑ ุฐูˆุงุชูŽู†ุงุŒ ู„ุฃู†ูŽ ุชุตุฏูŠู‚ู‡ ุนู„ู‰ ุฏูˆุงู… ูŠุฌุนู„ ุฐูˆุงุชู†ุง ู…ุญู„ ุฅุฎุชุจุงุฑ "ุงู„ุทุจ ูƒู…ุซุงู„ ูˆุชุฌุงุฑุจู‡". - ุฅู†ูŽ ุดู‡ูˆุฉ ุงู„ุจูุนุฏ ูˆุงู„ุจุญุซ ุนู† ุงู„ุฐุงุช ููŠ ุงู„ุบูุฑุจุฉ ุฎูŽุทูุฑุฉ. - ุงู„ุฅุณุชู‚ู„ุงู„ ูŠุจุฏุฃ ุญูŠู†ูŽ ู†ุนุฑู ูƒูŠู ู†ูู…ูŠุฒ. - ุฅู†ูŽ ุงู„ูˆุซูˆู‚ ุจุงู„ูุถุงุฆู„ ูŠูุญุทู…ู ุงู„ู‡ูŽุฏู ุงู„ุฐูŠ ุชุฑูŠุฏู‡ู ู…ู†ุง ูƒูู„ูŠุงุชู†ุงุŒ ุฃูŠ ุฐูˆุงุชู†ุง ู‚ุฏ ุชู‚ุน ููŠ ุฅุบูˆุงุก ุงู„ุฌูุฒุฆูŠุงุช.

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ู…ู†ูˆ ูŠุฏุงูˆู… ุชุฎุฏูŠุฑ ู…ุฑุญู„ุฉ ุฑุงุจุนุฉ/ุฌุงู…ุนุฉ ุจุบุฏุงุฏุŸ @contactzero_bot

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That's where psychology becomes dangerous: precisely because its explanations of our behavior and personality is ingrained with a sense of destiny and fate, that we are the way we are, and do what we do because of some psychological determinism.

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Freud's psychoanalysis is full of mythological symbols and explanations for a reason: what psychoanalysing does is that it creates a "story" or a "myth system" that tries to explain "the deeper meaning" of an individual's life. In other words: it shows the moral of the story of a person's life.

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When psychology tries to interpret the events of an individual's life, what it gives is not a "scientific explanation" but something more akin to literary interpretation. You get a "mythology" of your life; mythologies are not concerned with "accurate description of events" like science does. They are concerned with the moral of the story; of why you are the way you are. When you try to explain your life through psychology then, just like in myths, your story will be full of heroes, evil entities, trauma, victims, and what feels like destiny (people often try to impose a sense of destiny on their behavior through psychology i.e. โ€œI will always feel lonely because I wasn't loved enoughโ€)

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>When the Great Library burned, the first ten thousand years of stories were reduced to ash. But, those stories never really perished. They became a new story. The story of the fire itself. For man's urge to take a thing of beauty and strike the match. โ€” Westworld

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Repost from L'appel du Vide.
ุงู„ุฅูู†ู’ุณุงู†ู ูˆูŽุงู„ูƒูŽู„ูู…ูŽุฉู ูˆูŽุงุฌู’ุชูŽู…ูŽุนูŽ ูููŠ ุจูŽุนู’ุถู ุงู„ุฒู‘ูŽู…ูŽุงู†ู ู…ูู„ููˆูƒู ุงู„ุฃูŽู‚ุงู„ููŠู…ู ู…ูู†ูŽ ุงู„ุตู‘ููŠู†ู ูˆูŽุงู„ู‡ูู†ู’ุฏู ูˆูŽููŽุงุฑูุณูŽ ูˆูŽุงู„ุฑู‘ููˆู…ูุŒ ูˆูŽู‚ูŽุงู„ููˆุง: ูŠูŽู†ู’ุจูŽุบููŠ ุฃูŽู†ู’ ูŠูŽุชูŽูƒูŽู„ู‘ูŽู…ูŽ ูƒูู„ู‘ู ูˆูŽุงุญูุฏู ู…ูู†ู‘ูŽุง ุจููƒูŽู„ูู…ูŽุฉู ุชูุฏูŽูˆู‘ูŽู†ู ุนูŽู†ู’ู‡ู ุนูŽู„ูŽู€ู‰ ุบูŽุงุจูู€ุฑู ุงู„ุฏู‘ูŽู‡ู’ุฑู. ููŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ุงู„ุตู‘ููŠู†ู: ุฃูŽู†ูŽุง ุนูŽู„ูŽู€ู‰ ุฑูŽุฏู‘ู ู…ูŽุง ู„ูŽู…ู’ ุฃูŽู‚ูู„ู’ ุฃูŽู‚ู’ุฏูŽุฑู ู…ูู†ู‘ููŠ ุนูŽู„ูŽู€ู‰ ุฑูŽุฏู‘ู ู…ูŽุง ู‚ูู„ู’ุชู. ูˆูŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ุงู„ู‡ูู†ู’ุฏู: ุนูŽุฌูุจู’ุชู ู…ูู…ู‘ูŽู† ูŠูŽุชูŽูƒูŽู„ู‘ูŽู…ู ุจูุงู„ูƒูŽู„ูู…ูŽุฉูุŒ ุฅูู†ู’ ูƒูŽุงู†ูŽุชู’ ู„ูŽู‡ู ู„ูŽู€ู…ู’ ุชูŽู†ู’ููŽุนู’ู‡ูุŒ ูˆูŽุฅูู†ู’ ูƒูŽุงู†ูŽุชู’ ุนูŽู„ูŽูŠู’ู‡ู ุฃูŽูˆู’ุจูŽู‚ูŽุชู’ู‡ูยน. ูˆูŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ููŽู€ุงุฑูุณูŽ: ุฅูุฐูŽุง ุชูŽูƒูŽู„ู‘ูŽู…ู’ุชู ุจูุงู„ูƒูŽู„ูู…ูŽุฉู ู…ูŽู„ูŽูƒุชู’ู†ูŠุŒ ูˆุฅูุฐูŽุง ู„ูŽู…ู’ ุฃูŽุชูŽูƒูŽู„ู‘ู…ู’ ุจูู‡ูŽุง ู…ูŽู„ูƒู’ุชูู‡ูŽุง. ูˆูŽู‚ูŽุงู„ูŽ ู…ูŽู„ููƒู ุงู„ุฑู‘ููˆู…ู: ู…ูŽุง ู†ูŽุฏูู…ู’ุชู ุนูŽู„ูŽู€ู‰ ู…ูŽุง ู„ูŽู…ู’ ุฃูŽุชูŽูƒูŽู„ู‘ู…ู’ ุจูู‡ู ู‚ูŽุทู‘ูุŒ ูˆูŽู„ูŽู‚ูŽุฏู’ ู†ูŽุฏูู…ู’ุชู ุนูŽู„ูŽู€ู‰ ู…ูŽุง ุชูŽูƒูŽู„ู‘ูŽู…ู’ุชู ุจูู‡ู ูƒูŽุซููŠุฑู‹ุง. ูˆูŽุงู„ุณู‘ููƒููˆุชู ุนูู†ู’ุฏูŽ ุงู„ู…ูู„ููˆูƒู ุฃูŽุญู’ุณูŽู€ู†ู ู…ูู€ู†ูŽ ุงู„ู‡ูŽุฐูŽุฑูยฒ ุงู„ู‘ูŽู€ุฐููŠ ู„ูŽุง ูŠูู€ุฑู’ุฌูŽุนู ู…ูู†ู’ู€ู‡ู ุฅูู„ูŽู€ู‰ ู†ูŽูู’ู€ุนูุŒ ูˆุฃูŽูู’ุถูŽู„ู ู…ูŽุง ุงุณู’ุชูŽุธูŽู„ู‘ูŽ ุจูู‡ู ุงู„ุฅูู†ู’ุณูŽุงู†ู ู„ูุณูŽุงู†ูู‡ู. โ€“ ูƒูŽู„ููŠู„ูŽุฉูŽ ูˆูŽุฏูู…ู’ู†ูŽุฉูŽ ยนุฃูŽูˆู’ุจูŽู‚ูŽุชู’ู‡ู: ุฃู‡ู„ูŽูƒุชู’ู‡ ุฃูˆ ุฃูŽูˆู’ู‡ูŽู†ูŽุชู’ู‡ู. ยฒุงู„ู‡ูŽุฐูŽุฑู: ุณูŽู‚ูŽุทู ุงู„ูƒู„ุงู…ู ุงู„ู‘ูŽุฐููŠ ู„ุง ูŠูุนุจูŽุฃู ุจู‡ุŒ ุงู„ูƒุซูŠุฑ ุงู„ุฑุฏูŠุก.

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Why is it always the case that libraries have to suffer :")

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In the summer of 1920 the Red Army attacked Bukhara ุจุฎุงุฑู‰, and Russian troops under the command of Mikhail Frunze bombarded the city. As the Young Bukharans launched an uprising in the city, the Red Army, with its airplanes and armored vehicles, moved forward on 2 September, bringing Bukharaโ€™s medieval regime to an end; the library, containing possibly the greatest collection of Moslem manuscripts in the world, went up in flames. โ€” A Peace To End All Peace

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A low culture has nowhere to go but up, and when it looks for higher types, it doesnโ€™t have to look very far off. An advanced culture, on the other hand, has produced so many higher humans during its ascent that it becomes increasingly difficult for it to overcome and surpass these types. Thus, the rapidity at which a culture in its higher stages ascends is less than that at which a culture at its lower stages does so. A low culture can look forward to much, while a high culture may either revel in what it has already produced or look forward with pessimism toward its own decline. This is a depressing thought for those who, from an elevated perspective, have the vision to see all that a culture has produced and what it is now capable or incapable of producing. โ€” Laughing at Nothing

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โ€” Laughing at Nothing