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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot
Show more📈 Analytical overview of Telegram channel 0/0
Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 546 subscribers, ranking 8 820 in the Religion & Spirituality category and 7 312 in the Saudi Arabia region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 10 546 subscribers.
According to the latest data from 25 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 292 over the last 30 days and by -1 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 18.36%. Within the first 24 hours after publication, content typically collects 6.19% reactions from the total number of subscribers.
- Post reach: On average, each post receives 1 936 views. Within the first day, a publication typically gains 653 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
- Thematic interests: Content is focused on key topics such as مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“0/0 = undefined
A labyrinth of ideas,
A diary of curiosities
Bot: @contactzero_bot”
Thanks to the high frequency of updates (latest data received on 26 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.
10 546
Subscribers
-124 hours
+337 days
+29230 days
Posts Archive
10 548
إنّي أرى موتي إيابًا مِن سَفَر
يَظفَر باغي الموتِ لا باغي الظَفَر
ورُبَّ مغلوبٍ إذا ما ماتَ انتصَر
10 548
In Syria, until 2011 many communities lived side by side in the towns, cities and countryside, but there were still distinct areas in which a particular group dominated. As in Iraq, locals would always tell you, ‘We are one people, there are no divisions between us.’ However, as in Iraq, your name, place of birth or place of habitation usually meant your background could be easily identified, and, as in Iraq, it didn’t take much to pull the one people apart into many.
10 548
Many analysts say that only a strong man could unite these three areas into one country, and Iraq had one strong man after another. But in reality the people were never unified, they were only frozen with fear. In the one place which the dictators could not see, people’s minds, few bought into the propaganda of the state
10 548
As rulers of the Ottoman Empire the Turks saw a rugged, mountainous area dominated by Kurds, then, as the mountains fell away into the flatlands leading towards Baghdad, and west to what is now Syria, they saw a place where the majority of people were Sunni Arabs. Finally, after the two great rivers the Tigris and the Euphrates merged and ran down to the Shatt al-Arab waterway, the marshlands and the city of Basra, they saw more Arabs, most of whom were Shia. They ruled this space accordingly, dividing it into three administrative regions: Mosul, Baghdad and Basra.
In antiquity, the regions very roughly corresponding to the above were known as Assyria, Babylonia and Sumer. When the Persians controlled the space they divided it in a similar way, as did Alexander the Great, and later the Umayyad Empire. The British looked at the same area and divided the three into one, a logical impossibility Christians can resolve through the Holy Trinity, but which in Iraq has resulted in an unholy mess.
10 548
How many there are who still conclude: "life could not be endured if there were no God!" (or, as it is put among the idealists: "life could not be endured if its foundation lacked an ethical significance!") — therefore there must be a God (or existence must have an ethical significance)! The truth, however, is merely that he who is accustomed to these notions does not desire a life without them: that these notions may therefore be necessary to him and for his preservation — but what presumption it is to decree that whatever is necessary for my preservation must actually exist! As if my preservation were something necessary!
— Daybreak, by Friedrich Nietzsche
10 548
So works of art are not photocopies; they involve deliberate hyperbole and distortion of reality. But you can’t just randomly distort an image and call it art (although, here in La Jolla, California, many do). The question is, what types of distortion are effective? Are there any rules that the artist deploys, either consciously or unconsciously, to change the image in a systematic way? And if so, how universal are these rules?
10 548
For example, the bronze sculpture of Parvati, which dates back to the twelfth century A.D., is regarded in India as the very epitome of feminine sensuality, grace, poise, dignity, and charm—indeed, of all that is feminine. Yet when the Englishmen looked at this and other similar sculptures, they complained that it wasn’t art because the sculptures didn’t resemble real women. The breasts and hips were too big, the waist too narrow. Similarly, they pointed out that the miniature paintings of the Mogul or Rajasthani school often lacked the perspective found in natural scenes.
In making these criticisms they were, of course, unconsciously comparing ancient Indian art with the ideals of Western art, especially classical Greek and Renaissance art in which realism is emphasized. But if art is about realism, why even create the images? Why not just walk around looking at things around you? Most people recognize that the purpose of art is not to create a realistic replica of something but the exact opposite: It is to deliberately distort, exaggerate—even transcend—realism in order to achieve certain pleasing (and sometimes disturbing) effects in the viewer. And the more effectively you do this, the bigger the aesthetic jolt.
10 548
A politician first conceives an agenda or an objective, then he or she rationalizes it and makes it sound as if it is being implemented for the benefit of the people. It's not a feature of Iraqi politics, but of politics as such.
10 548
Repost from ᴿᴱᵀᴿᴼᴾᴴᴵᴸᴱ
It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well..
For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.
