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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot
Mostrar más📈 Análisis del canal de Telegram 0/0
El canal 0/0 (@error0error) en el segmento lingüístico de Árabe es un actor destacado. Actualmente la comunidad reúne a 10 546 suscriptores, ocupando la posición 8 820 en la categoría Religión y espiritualidad y el puesto 7 312 en la región Arabia Saudí.
📊 Métricas de audiencia y dinámica
Desde su creación el невідомо, el proyecto ha mostrado un crecimiento acelerado, reuniendo a 10 546 suscriptores.
Según los últimos datos del 25 junio, 2026, el canal mantiene una actividad estable. En los últimos 30 días la variación de miembros fue de 292, y en las últimas 24 horas de -1, conservando un alto alcance.
- Estado de verificación: No verificado
- Tasa de interacción (ER): El promedio de interacción de la audiencia es 18.36%. Durante las primeras 24 horas tras publicar, el contenido suele obtener 6.19% de reacciones respecto al total de suscriptores.
- Alcance de las publicaciones: Cada publicación recibe en promedio 1 936 visualizaciones. En el primer día suele acumular 653 visualizaciones.
- Reacciones e interacción: La audiencia responde de forma activa: el promedio de reacciones por publicación es 0.
- Intereses temáticos: El contenido se centra en temas clave como مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن.
📝 Descripción y política de contenido
El autor describe el recurso como un espacio para expresar opiniones subjetivas:
“0/0 = undefined
A labyrinth of ideas,
A diary of curiosities
Bot: @contactzero_bot”
Gracias a la alta frecuencia de actualizaciones (últimos datos recibidos el 26 junio, 2026), el canal mantiene la vigencia y un amplio alcance. La analítica demuestra que la audiencia interactúa activamente con el contenido, lo que lo convierte en un punto de referencia dentro de la categoría Religión y espiritualidad.
10 546
Suscriptores
-124 horas
+337 días
+29230 días
Archivo de publicaciones
10 548
إنّي أرى موتي إيابًا مِن سَفَر
يَظفَر باغي الموتِ لا باغي الظَفَر
ورُبَّ مغلوبٍ إذا ما ماتَ انتصَر
10 548
In Syria, until 2011 many communities lived side by side in the towns, cities and countryside, but there were still distinct areas in which a particular group dominated. As in Iraq, locals would always tell you, ‘We are one people, there are no divisions between us.’ However, as in Iraq, your name, place of birth or place of habitation usually meant your background could be easily identified, and, as in Iraq, it didn’t take much to pull the one people apart into many.
10 548
Many analysts say that only a strong man could unite these three areas into one country, and Iraq had one strong man after another. But in reality the people were never unified, they were only frozen with fear. In the one place which the dictators could not see, people’s minds, few bought into the propaganda of the state
10 548
As rulers of the Ottoman Empire the Turks saw a rugged, mountainous area dominated by Kurds, then, as the mountains fell away into the flatlands leading towards Baghdad, and west to what is now Syria, they saw a place where the majority of people were Sunni Arabs. Finally, after the two great rivers the Tigris and the Euphrates merged and ran down to the Shatt al-Arab waterway, the marshlands and the city of Basra, they saw more Arabs, most of whom were Shia. They ruled this space accordingly, dividing it into three administrative regions: Mosul, Baghdad and Basra.
In antiquity, the regions very roughly corresponding to the above were known as Assyria, Babylonia and Sumer. When the Persians controlled the space they divided it in a similar way, as did Alexander the Great, and later the Umayyad Empire. The British looked at the same area and divided the three into one, a logical impossibility Christians can resolve through the Holy Trinity, but which in Iraq has resulted in an unholy mess.
10 548
How many there are who still conclude: "life could not be endured if there were no God!" (or, as it is put among the idealists: "life could not be endured if its foundation lacked an ethical significance!") — therefore there must be a God (or existence must have an ethical significance)! The truth, however, is merely that he who is accustomed to these notions does not desire a life without them: that these notions may therefore be necessary to him and for his preservation — but what presumption it is to decree that whatever is necessary for my preservation must actually exist! As if my preservation were something necessary!
— Daybreak, by Friedrich Nietzsche
10 548
So works of art are not photocopies; they involve deliberate hyperbole and distortion of reality. But you can’t just randomly distort an image and call it art (although, here in La Jolla, California, many do). The question is, what types of distortion are effective? Are there any rules that the artist deploys, either consciously or unconsciously, to change the image in a systematic way? And if so, how universal are these rules?
10 548
For example, the bronze sculpture of Parvati, which dates back to the twelfth century A.D., is regarded in India as the very epitome of feminine sensuality, grace, poise, dignity, and charm—indeed, of all that is feminine. Yet when the Englishmen looked at this and other similar sculptures, they complained that it wasn’t art because the sculptures didn’t resemble real women. The breasts and hips were too big, the waist too narrow. Similarly, they pointed out that the miniature paintings of the Mogul or Rajasthani school often lacked the perspective found in natural scenes.
In making these criticisms they were, of course, unconsciously comparing ancient Indian art with the ideals of Western art, especially classical Greek and Renaissance art in which realism is emphasized. But if art is about realism, why even create the images? Why not just walk around looking at things around you? Most people recognize that the purpose of art is not to create a realistic replica of something but the exact opposite: It is to deliberately distort, exaggerate—even transcend—realism in order to achieve certain pleasing (and sometimes disturbing) effects in the viewer. And the more effectively you do this, the bigger the aesthetic jolt.
10 548
A politician first conceives an agenda or an objective, then he or she rationalizes it and makes it sound as if it is being implemented for the benefit of the people. It's not a feature of Iraqi politics, but of politics as such.
10 548
Repost from ᴿᴱᵀᴿᴼᴾᴴᴵᴸᴱ
It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well..
For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.
