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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

Saudi Arabia7 334 Religion & Spirituality8 874...

📈 Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 527 subscribers, ranking 8 874 in the Religion & Spirituality category and 7 334 in the Saudi Arabia region.

📊 Audience metrics and dynamics

Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 10 527 subscribers.

According to the latest data from 20 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 308 over the last 30 days and by 11 over the last 24 hours, overall reach remains high.

Verification status: Not verified
Engagement rate (ER): The average audience engagement rate is 15.99%. Within the first 24 hours after publication, content typically collects 6.75% reactions from the total number of subscribers.
Post reach: On average, each post receives 1 682 views. Within the first day, a publication typically gains 710 views.
Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
Thematic interests: Content is focused on key topics such as مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن.

📝 Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
“0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot”

Thanks to the high frequency of updates (latest data received on 21 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

10 527

Subscribers

+1124 hours

+567 days

+30830 days

1 682

Post views

~ 71024 hours

~ 87748 hours

15.99%

Engagement rate

~ 2

Posts per day

Ads index

beta

Posts Archive

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— ألف ليلة وليلة

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يا قَبرُ يا قَبرُ هل زالَت محاسِنُه مَن فِيكَ أمْ زالَ ذاكَ المَنظَرُ النَّضِرُ يا قَبرُ ما أنتَ لا رَوضٌ ولا فَلَكُ فكيفَ يُجمَع فيكَ الشمسُ والقَمَرُ

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أيَا مَن ذِكرُهم أضحى دِثاري كما حبّي لهم أضحى شِعارُ أمَا لأسيرِ حُبِّكُم فداءُ أمَا لكسيرِ حُبِّكُم جبّارُ أمَا لِعَليلِ وَصلِكم دواءُ أمَا لقَتِيلِ هَجرِكم إنتصارُ أحبَّتَنا إلى كَم ذا التمادي وكم هذا التباعدُ والنّفارُ

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In this sense, remembrance is an act of interpretation: When we remember some memory, we're essentially interpreting it in accordance with our current situation. Just think about someone you once loved and now you don't... And think how your memory of them has changed (has been re-interpreted).

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In this sense, remembrance is an act of interpretation: When we remember some memory, we're essentially interpreting it in accordance with our current situation. Just think about someone you once loved and now you don't... And think how your memory of them has changed (has been re-interpreted).

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these mental images are momentary constructions, attempts at replication of patterns that were once experienced, in which the probability of exact replication is low but the probability of substantial replication can be higher or lower, depending on the circumstances in which the images were learned and are being recalled. — Descartes' Error

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This is an oversimplification. But it's posted on a telegram channel after all...

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What happens instead is that we perceive mainly what is significant to us and we discard the rest of the picture. A simple example is how you can listen to and understand someone's speech in the middle of a loud room. Yet, if you record that same situation with a microphone, you'll only hear a cacophony. This is because your ear listens actively; it perceives. While your microphone merely receives whatever input is there. Afterwards, this perception is committed to memory, but not in its exact form. Your memory only keeps the gist of it. So when we remember something, we reconstruct the details from the gist. We do not recall them because they simply did not exist prior to the moment of remembrance. It's like a fridge that, instead of having cake in it, only has a recipe for making cake. Everytime you use that recipe, you'll make a slightly different cake.

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We tend to imagine our brain to be a sort of a large library with innumerable shelves of books, or albums of pictures; when we remember a moment, it is simply retrieved/recalled from the library where it was quietly sitting. But that's not how we humans operate. A camera is a passive instrument; it simply lets the light through, and records whatever it receives, while the eye is an active organ; it seeks what it wants to perceive. The eyes do not capture the moment like cameras do, and they are not sculptors that etch memories onto the brain.

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Memory is essentially reconstructive.

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Repost from N/a

The good thing about cellphones is that everything is in them. The bad thing about cellphones is that EVERYTHING is in them.

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AnimatedSticker.tgs0.28 KB

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أبو قيس يكلك ماكو زلمة حقيقي إذا ما يكون صريع الغواني

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Repost from 𖤓 المُرَعَّث 𖤓

إِنَّ وَردَ الخُدودِ وَالحَدَقَ النُجلَ وَما في الثُغورِ مِن أُقحُوانِ وَاِعوِجاجَ الأَصداغِ في ظاهِرِ الخَدِّ وَما في الصُدورِ مِن رُمّانِ تَرَكَتني بَينَ الغَواني صَريعاً فَلِهَذا أُدعى صَريعَ الغَواني

مسلم بن الوليد الأنصاري، المشهور بـ«صريع الغواني».

الغانية: المرأَةُ التي تستغني عن الزينة لحُسنها وجمالها.

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*لو أعيش وياك على الحصيرة هم راضية*

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Repost from 𖤓 المُرَعَّث 𖤓

قال الأَصمعيّ: دخلتُ على الخَليل بن أَحمد الفراهيدي وهو جالسٌ عَلى حَصِيرٍ صغير، فأشارَ عليَّ بالجلوسِ، فقلتُ: «أَضيق عَليك!» فقال: «مَهْ! إِنَّ الدنيا بِأَسرِها لا تَسع مُتباغضين، وَإِنَّ شِبرًا في شِبْرٍ يَسع مُتحابًّين».

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Here's a good rule of thumb: assume that any inspirational quote or image that you see on the Internet did not come from the mouth or the pen of person attributed. If you assume that every time, you'll be right more often than you're wrong

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When nobody wakes you up in the morning, and when nobody waits for you at night, and when you can do whatever you want. What do you call it, freedom or loneliness? — Milan Kundera

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Repost from ᴿᴱᵀᴿᴼᴾᴴᴵᴸᴱ

"Saints have no moderation, nor do poets, just exuberance."

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