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Kanalga Telegram’da o‘tish

0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

Ko'proq ko'rsatish

📈 Telegram kanali 0/0 analitikasi

0/0 (@error0error) Arab til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 10 527 obunachidan iborat bo'lib, Din & Maʼnaviyat toifasida 8 874-o'rinni va Saudiya Arabistoni mintaqasida 7 334-o'rinni egallagan.

📊 Auditoriya ko‘rsatkichlari va dinamika

невідомо sanasidan buyon loyiha tez o‘sib, 10 527 obunachiga ega bo‘ldi.

20 Iyun, 2026 dagi oxirgi ma’lumotlarga ko‘ra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni 308 ga, so‘nggi 24 soatda esa 11 ga o‘zgardi va umumiy qamrov yuqori darajada qolmoqda.

  • Tasdiqlash holati: Tasdiqlanmagan
  • Jalb etish (ER): Auditoriya o‘rtacha 15.99% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 6.75% ini tashkil etuvchi reaksiyalarni to‘playdi.
  • Post qamrovi: Har bir post o‘rtacha 1 682 marta ko‘riladi; birinchi sutkada odatda 710 ta ko‘rish yig‘iladi.
  • Reaksiyalar va o‘zaro ta’sir: Auditoriya faol: har bir postga o‘rtacha 0 ta reaksiya keladi.
  • Tematik yo‘nalishlar: Kontent مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن kabi asosiy mavzularga jamlangan.

📝 Tavsif va kontent siyosati

Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida ta’riflaydi:
0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

Yuqori yangilanish chastotasi (oxirgi ma’lumot 21 Iyun, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli bo‘lib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Din & Maʼnaviyat toifasidagi muhim ta’sir nuqtasiga aylantirishini ko‘rsatadi.

10 527
Obunachilar
+1124 soatlar
+567 kunlar
+30830 kunlar
Postlar arxiv
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— ألف ليلة وليلة

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يا قَبرُ يا قَبرُ هل زالَت محاسِنُه مَن فِيكَ أمْ زالَ ذاكَ المَنظَرُ النَّضِرُ يا قَبرُ ما أنتَ لا رَوضٌ ولا فَلَكُ فكيفَ يُجمَع فيكَ الشمسُ والقَمَرُ

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أيَا مَن ذِكرُهم أضحى دِثاري كما حبّي لهم أضحى شِعارُ أمَا لأسيرِ حُبِّكُم فداءُ أمَا لكسيرِ حُبِّكُم جبّارُ أمَا لِعَليلِ وَصلِكم دواءُ أمَا لقَتِيلِ هَجرِكم إنتصارُ أحبَّتَنا إلى كَم ذا التمادي وكم هذا التباعدُ والنّفارُ

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In this sense, remembrance is an act of interpretation: When we remember some memory, we're essentially interpreting it in accordance with our current situation. Just think about someone you once loved and now you don't... And think how your memory of them has changed (has been re-interpreted).

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In this sense, remembrance is an act of interpretation: When we remember some memory, we're essentially interpreting it in accordance with our current situation. Just think about someone you once loved and now you don't... And think how your memory of them has changed (has been re-interpreted).

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these mental images are momentary constructions, attempts at replication of patterns that were once experienced, in which the probability of exact replication is low but the probability of substantial replication can be higher or lower, depending on the circumstances in which the images were learned and are being recalled. — Descartes' Error

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This is an oversimplification. But it's posted on a telegram channel after all...

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What happens instead is that we perceive mainly what is significant to us and we discard the rest of the picture. A simple example is how you can listen to and understand someone's speech in the middle of a loud room. Yet, if you record that same situation with a microphone, you'll only hear a cacophony. This is because your ear listens actively; it perceives. While your microphone merely receives whatever input is there. Afterwards, this perception is committed to memory, but not in its exact form. Your memory only keeps the gist of it. So when we remember something, we reconstruct the details from the gist. We do not recall them because they simply did not exist prior to the moment of remembrance. It's like a fridge that, instead of having cake in it, only has a recipe for making cake. Everytime you use that recipe, you'll make a slightly different cake.

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We tend to imagine our brain to be a sort of a large library with innumerable shelves of books, or albums of pictures; when we remember a moment, it is simply retrieved/recalled from the library where it was quietly sitting. But that's not how we humans operate. A camera is a passive instrument; it simply lets the light through, and records whatever it receives, while the eye is an active organ; it seeks what it wants to perceive. The eyes do not capture the moment like cameras do, and they are not sculptors that etch memories onto the brain.

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Memory is essentially reconstructive.

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Repost from N/a
The good thing about cellphones is that everything is in them. The bad thing about cellphones is that EVERYTHING is in them.

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AnimatedSticker.tgs0.28 KB

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أبو قيس يكلك ماكو زلمة حقيقي إذا ما يكون صريع الغواني

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إِنَّ وَردَ الخُدودِ وَالحَدَقَ النُجلَ وَما في الثُغورِ مِن أُقحُوانِ وَاِعوِجاجَ الأَصداغِ في ظاهِرِ الخَدِّ وَما في الصُدورِ مِن رُمّانِ تَرَكَتني بَينَ الغَواني صَريعاً فَلِهَذا أُدعى صَريعَ الغَواني
مسلم بن الوليد الأنصاري، المشهور بـ«صريع الغواني».
الغانية: المرأَةُ التي تستغني عن الزينة لحُسنها وجمالها.

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*لو أعيش وياك على الحصيرة هم راضية*

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قال الأَصمعيّ: دخلتُ على الخَليل بن أَحمد الفراهيدي وهو جالسٌ عَلى حَصِيرٍ صغير، فأشارَ عليَّ بالجلوسِ، فقلتُ: «أَضيق عَليك!» فقال: «مَهْ! إِنَّ الدنيا بِأَسرِها لا تَسع مُتباغضين، وَإِنَّ شِبرًا في شِبْرٍ يَسع مُتحابًّين».

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Here's a good rule of thumb: assume that any inspirational quote or image that you see on the Internet did not come from the mouth or the pen of person attributed. If you assume that every time, you'll be right more often than you're wrong

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When nobody wakes you up in the morning, and when nobody waits for you at night, and when you can do whatever you want. What do you call it, freedom or loneliness? — Milan Kundera

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"Saints have no moderation, nor do poets, just exuberance."

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