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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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๐Ÿ“ˆ Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 545 subscribers, ranking 8 820 in the Religion & Spirituality category and 7 313 in the Saudi Arabia region.

๐Ÿ“Š Audience metrics and dynamics

Since its creation on ะฝะตะฒั–ะดะพะผะพ, the project has demonstrated rapid growth, gathering an audience of 10 545 subscribers.

According to the latest data from 24 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 300 over the last 30 days and by 10 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 17.72%. Within the first 24 hours after publication, content typically collects 5.84% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 869 views. Within the first day, a publication typically gains 616 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู†.

๐Ÿ“ Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Thanks to the high frequency of updates (latest data received on 25 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

10 545
Subscribers
+1024 hours
+477 days
+30030 days
Posts Archive
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ู‡ุฐุง ุงุฏู…ู† ู‚ู†ุงุฉ ู…ู†ุงููุณุฉ ุถุงูŠุฌ ู„ุฃู† ู…ุง ู‚ุฑูŠุช ุงุฎุฑ ุจูˆุณุช ู†ุดุฑู‡

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Bot: ู…ุญุฏ ูŠู‚ุฑุฉ ุชุฑุฉ ุจุณ ูŠุณูˆูˆู† ุฑูˆุญู‡ู… ู…ุซู‚ููŠู† ุดูˆููˆู†ุง ู…ุดุชุฑูƒูŠู† ุจู‚ู†ุงุฉ ุชู†ุดุฑ ุงู†ุฌู„ูŠุฒูŠ

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+ ู„ุงุŒ ุจุณ ุงู„ู„ูŠ ุงู„ุฉ ูˆุงู‡ุณ ูŠู‚ุฑุงู‡ุŒ ูŠู‚ุฑุงู‡. ุงู„ู„ูŠ ู…ุงู„ู‡ ูˆุงู‡ุณุŒ ูŠุดูˆู ุงู„ู…ูŠู…ุฒ ๐Ÿป

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ุฃู…ุงู†ุฉู‹ ุงู†ูŠ ุจุนุฏู†ูŠ ู…ุตุฏูˆู… ุงูƒูˆ 6k ู…ู‡ุชู…ูŠู† ุฃุตู„ู‹ุง ุจุงู„ู„ูŠ ูŠู†ุดู…ุฑ ู‡ู†ุง

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Bot: ุงูƒู„ูƒ ูŠุนู†ูŠ ู…ู† ุชู†ุดุฑ ุงู†ูƒู„ูŠุฒูŠ ู…ุทู…ุฆู† ุงู† ุงุญุฏ ุญูŠู‚ุฑุงุŸ

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+ ุฐูƒุฑู†ูŠ ุจู…ุญุงุถุฑุฉ ุงู„ู€ chaos & reductionism ู…ุงู„ ุฑูˆุจุฑุช ุณุงุจูˆู„ุณูƒูŠ

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A useful analogy comes from Horace Barlow, a British visual neuroscientist whose work is central to understanding the statistics of natural scenes. Imagine that a Martian biologist arrives on Earth. The Martian is asexual and reproduces by duplication, like an amoeba, so it doesnโ€™t know anything about sex. The Martian dissects a manโ€™s testicles, studies its microstructure in excruciating detail, and finds innumerable sperm swimming around. Unless the Martian knew about sex (which it doesnโ€™t), it wouldnโ€™t have the foggiest understanding of the structure and function of the testes despite all its meticulous dissections. The Martian would be mystified by these spherical balls dangling in half the human population and might even conclude that the wriggling sperm were parasites. The plight of many of my colleagues in physiology is not unlike that of the Martian. Knowing the minute detail doesnโ€™t necessarily mean you comprehend the function of the whole from its parts. โ€” The tell-tale brain

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One has to be careful to not overdo this type of reductionist thinking about art and the brain. I recently heard an evolutionary psychologist give a lecture about why we like kinetic art, which includes pieces like Calder mobiles made up of moving cutout shapes dangling from the ceiling. With a perfectly straight face he proclaimed that we like such art because an area in our brain called the MT (middle temporal) area possesses cells that are specialized for detecting the direction of motion. This claim is nonsense. Kinetic art obviously excites such cells, but so would a snowstorm. So would a copy of the Mona Lisa set spinning on a peg. Neural circuitry for motion detection is certainly necessary for kinetic art but itโ€™s not sufficient: It doesnโ€™t explain the appeal of kinetic art by any stretch of logic. This chapโ€™s explanation is like saying that the existence of face-sensitive cells in the fusiform gyrus of your brain explains why you like Rembrandt. โ€” The tell-tale brain

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ุจูุนุงุฏูŠ ุนู†ูƒู… ุฃุฌู…ู„ู ุจูŠ ูˆุฃุญุณู†ุŒ ุนูŠู†ูŒ ู„ุง ุชูŽุฑู‰ ูˆู‚ู„ุจูŒ ู„ุง ูŠุญุฒู† โ€” ุฃู„ู ู„ูŠู„ุฉ ูˆู„ูŠู„ุฉ

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ุงู„ู‚ุฑู†ุฏู„ูŠุฉ ุฃูˆ ุงู„ู‚ู„ู†ุฏุฑูŠุฉ ุฌุงู†ูˆุง ููุฑู‚ุฉ ุตูˆููŠุฉ ุชุญูˆู‘ู„ุช ููŠู…ุง ุจุนุฏ ุฅู„ู‰ ู†ูˆุน ู…ู† ุงู„ุดุญุงุฐุฉ ุจุงู„ู‚ุฑูˆู† ุงู„ูˆุณุทู‰ ุงู„ุฅุณู„ุงู…ูŠุฉ (ุชู‚ุฑูŠุจู‹ุง ู…ู† ุจุนุฏ ุฏู…ุงุฑ ุจุบุฏุงุฏ ูˆุตูˆู„ู‹ุง ู„ู„ู‚ุฑู† ุงู„ู€ 19 ู…ูŠู„ุงุฏูŠ). ุจุงู„ุฃุณุงุณ ุจุฏุฃูˆุง ุจุดูƒู„ ูุฑู‚ุฉ ุตูˆููŠุฉ ุชุดุจู‡ ุงู„ุจูˆุฐูŠุฉ ู…ู† ู†ุงุญูŠุฉ ุฃู†ู‡ู… ุฌุงู†ูˆุง ูŠุฑูƒู‘ุฒูˆู† ุนู„ู‰ ุงู„ุชุฎู„ูŠ ุชู…ุงู…ู‹ุง ุนู† ุงู„ุฃูู…ูˆุฑ ุงู„ุฏู†ูŠูˆูŠุฉ ูˆุงู„ู…ุงุฏูŠุฉ ุญุชู‰ ูŠุชู‚ุฑุจูˆู† ู…ู† ุงู„ู„ู‡ุŒ ุจุญูŠุซ ุฌุงู†ูˆุง ูŠุนุชุจุฑูˆู† ุญุชู‰ ุงู„ุนุจุงุฏุฉ ู…ู…ูƒู† ุชุจุนุฏูƒ ุนู† ุงู„ู„ู‡ุŒ ู„ุฃู†ู‡ุง ุชุฎู„ูŠ ุงู„ู†ุงุณ ูŠู…ุฏุญูˆูƒ ุนู„ู‰ ูˆุฑุนูƒ ูˆุชู‚ูˆุงูƒ ูˆุจุงู„ู†ุชูŠุฌุฉ ูŠุฎู„ูˆูƒ ุชุชูƒุจุฑ. ุดูˆูŠุฉ ุดูˆูŠุฉ ุตุงุฑูˆุง ูŠุฏู‘ุนูˆู† ุญุชู‰ ุงู„ูุณูˆู‚ (ูˆุฃุญูŠุงู†ู‹ุง ูŠู‚ูˆู…ูˆู† ุจุงู„ู…ุนุงุตูŠ ุนู„ู†ู‹ุง ู…ุซู„ ุดุฑุจ ุงู„ุฎู…ุฑ ุฃูˆ ุชุฑูƒ ุงู„ุตู„ุงุฉ) ุญุชู‰ ูŠูƒุณุฑูˆู† ุบุฑูˆุฑู‡ู… ูˆุชูƒุจู‘ุฑู‡ู… ูˆุงู„ู†ุงุณ ู…ุง ุชูˆุตูู‡ู… ุจุงู„ูˆุฑุน ูˆุงู„ุชุฏูŠู‘ู†. ูˆุดูˆูŠุฉ ุดูˆูŠุฉ ุตุงุฑูˆุง ุญุชู‰ ูŠุชู…ุณูƒูˆู† ุจุงู„ุตูุงุช ุงู„ุฌุณุฏูŠุฉ ุงู„ุฐู…ูŠู…ุฉ ู…ุซู„ ุญู„ู‚ ุงู„ุญุงุฌุจ ูˆู„ุจุณ ุงู„ุฃุณู…ุงู„ ูˆุนุฏู… ุงู„ู†ุธุงูุฉุŒ ู„ุฃู† ูŠูƒู„ูƒ ุงู†ูŠ ุงุฑูŠุฏ ุงุจุชุนุฏ ุนู† ุงู„ุฏู†ูŠุง ูˆู…ุงุฑูŠุฏ ุฃุญุฏ ูŠู…ุฏุญู†ูŠ ุจุดูŠ ูˆู„ูˆ ุตุบูŠุฑ

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*ุฃุตู„ูู‡ุง ู…ู† ุจูŽุฑูŽู‰ุŒ ูŠูŽุจุฑูŠ

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ุฅุฌุนูŽู„ ูุคุงุฏูŠ ุฏูˆุงุฉู‹ ูˆุงู„ู…ูุฏุงุฏูŽ ุฏู…ูŠ ูˆู‡ุงูƒ ูุงุจุฑู* ุนุธุงู…ูŠ ู…ูŽูˆุถูุนูŽ ุงู„ู‚ูŽู„ูŽู…ู ูˆุตูŽูŠู‘ูุฑ ุงู„ู„ูˆุญูŽ ูˆุฌู‡ูŠ ูˆุงู…ุญูู‡ ุจูŠุฏูŠ ูุฅู†ู‘ ุฐุงูƒ ุจูŽุฑุกูŒ ู„ูŠ ู…ูู†ูŽ ุงู„ุณูŽู‚ูŽู…ู

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ุชูŽุฑู‰ ุงู„ู…ุญุจู‘ูŠู† ุตูŽุฑุนู‰ ููŠ ุฏูŠุงุฑู‡ู… ูƒูุชูŠุฉู ุงู„ูƒู‡ูู ู„ุง ูŠุฏุฑูˆู†ูŽ ูƒูŽู… ู„ุจุซูˆุง ู‚ูŽูˆู…ูŒ ุฅุฐุง ู‡ูุฌูุฑูˆุง ู…ูู† ุจุนุฏู ู…ุง ูˆูุตูู„ูˆุง ู…ูŽุงุชูˆุง ูˆุฅู†ู’ ุนุงุฏ ู…ูŽู† ูŠูŽู‡ูˆูˆู†ู‡ ุจูุนูุซูˆุง

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ูˆู„ูƒู†ู‘ ุฃุฑูˆุงุญูŽ ุงู„ู…ุญุจู‘ูŠู†ูŽ ุชู„ุชู‚ูŠ ุฅุฐุง ูƒุงู†ุช ุงู„ุฃุฌุณุงุฏู ุนู†ู‡ุง ู†ููˆู‘ูŽู…ุง ูˆุฃุญุณูŽุจู ุฑูˆุญูŽูŠู†ุง ู…ู† ุงู„ุฃุตู„ู ูˆุงุญุฏู‹ุง ูˆู„ูƒู†ู‘ู‡ ู…ุง ุจูŠู†ู†ุง ู…ูุชู‚ูŽุณู‘ูู…ุง

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ุฃุณุชูŽุฎุจูุฑู ุงู„ุจูŽุฏุฑูŽ ุนู†ูƒู… ูƒู„ู‘ู…ุง ุทู„ุนุง ูˆุฃุณุฃู„ู ุงู„ุจุฑู‚ูŽ ุนู†ูƒู… ูƒู„ู‘ู…ุง ู„ู…ุนุง ุฃุจููŠุชู ูˆุงู„ุดูˆู‚ู ูŠุทูˆูŠู†ูŠ ูˆูŠูŽู†ุดุฑู†ูŠ ููŠ ุฑุงุญุชูŠู‡ ูˆู„ุง ุฃุดูƒูˆ ู„ู‡ ูˆุฌุนุง

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ุฃุฑู‰ ุขุซุงุฑูŽู‡ู… ูุฃุฐูˆุจู ุดูˆู‚ู‹ุง ูˆุฃุณูƒูุจู ููŠ ู…ูˆุงุทู†ู‡ู… ุฏู…ูˆุนูŠ

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ุฃู…ูุฑู‘ ุนู„ู‰ ุงู„ุฏูŠุงุฑู ุฏูŠุงุฑู ุณู„ู…ู‰ ูุฃู„ุซูู…ู ุฐุง ุงู„ุฌุฏุงุฑูŽ ูˆุฐุง ุงู„ุฌุฏุงุฑ ูˆู…ุง ุญูุจู‘ู ุงู„ุฏูŠุงุฑ ุดุบูู†ูŽ ู‚ู„ุจูŠ ูˆู„ูƒู† ุญุจู‘ู ู…ูŽู† ุณูƒู†ูŽ ุงู„ุฏูŠุงุฑ

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ูˆู„ู„ู…ูุญูุจ ุนู„ุงู…ุงุชูŒ ุฅุฐุง ุธู‡ุฑุช ุขุซุงุฑูู‡ุง ูู‡ูˆ ุจุงู„ุฃููƒุงุฑู ู…ุดุบูˆู„ ุงู„ุนูŠู†ู ุณุงู‡ุฑุฉูŒ ูˆุงู„ู†ูุณู ู…ููƒู‘ุฑุฉูŒ ูˆุงู„ู‚ู„ุจู ู…ุญุชุฑูู‚ูŒ ูˆุงู„ุฌูู†ู ู…ุจู„ูˆู„ู

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ูˆู…ุง ููŠ ุงู„ุฃุฑุถู ุฃุดู‚ู‰ ู…ูู† ู…ูุญูุจ ูˆุฅู†ู‘ ูˆูŽุฌู’ุฏูŽ ุงู„ู‡ูˆู‰ ุตูŽุนุจู ุงู„ู…ุฐุงู‚ู ุชุฑุงู‡ู ุจุงูƒูŠู‹ุง ููŠ ูƒูู„ู‘ู ุญุงู„ู ู…ุฎุงูุฉูŽ ููุฑู‚ุฉู ุฃูˆ ู„ุงุดุชูŠุงู‚ู ูุชูŽุณุฎูู† ุนูŠู†ู‡ ุนู†ุฏ ุงู„ุชู†ุงุฆูŠ ูˆุชุณุฎูู† ุนูŠู†ู‡ ุนู†ุฏ ุงู„ุชู„ุงู‚ูŠู

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ูˆู‡ุงูŠ ุฃุจูŠุงุช ุดูุนุฑ ู…ู† ุฃู„ู ู„ูŠู„ุฉ ูˆู„ูŠู„ุฉ (ุญูƒุงูŠุฉ ุงู„ู‚ุฑู†ุฏู„ูŠ ุงู„ุซุงู„ุซ):