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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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๐Ÿ“ˆ Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 459 subscribers, ranking 8 944 in the Religion & Spirituality category and 7 390 in the Saudi Arabia region.

๐Ÿ“Š Audience metrics and dynamics

Since its creation on ะฝะตะฒั–ะดะพะผะพ, the project has demonstrated rapid growth, gathering an audience of 10 459 subscribers.

According to the latest data from 12 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 347 over the last 30 days and by 3 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 15.49%. Within the first 24 hours after publication, content typically collects 7.21% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 620 views. Within the first day, a publication typically gains 754 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู†.

๐Ÿ“ Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Thanks to the high frequency of updates (latest data received on 13 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

10 459
Subscribers
+324 hours
+837 days
+34730 days
Posts Archive
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ุดุฑุญ ุงู„ุจูŠุช ุจุงุฎุชุตุงุฑ: ูŠุฑูŠุฏู‡ ุณุงุฏุฉ ุจุฏูˆู† ู…ูƒุงุณุฑ

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ุงุฌุชูŽู…ูŽุนูŽ ู‚ูˆู…ูŒ ุนู„ู‰ ุงู„ุดุฑุงุจู ูุชุบู†ู‘ู‰ ู…ุบู†ู‘ูŠู‡ู… ุจุดูุนุฑู ุญุณู‘ุงู†ุŒ ูู‚ุงู„ูŽ ุจุนุถูู‡ู…: ุงู…ุฑุฃุชูŠ ุทุงู„ูู‚ูŒ ุฅู†ู’ ู„ูŽู… ุงุณุฃู„ู ุงู„ู„ูŠู„ุฉูŽ ุนูุจูŽูŠุฏูŽ ุงู„ู„ู‡ ุจู† ุงู„ุญุณู† ุงู„ู‚ุงุถูŠ ุนู† ุนูู„ู‘ุฉูŽู ู‡ุฐุง ุงู„ุดู‘ูุนุฑุŒ ู„ูู…ูŽ ู‚ุงู„ ยซุฅู†ู‘ ุงู„ุชูŠยป ููˆูŽุญู‘ุฏุŒ ุซูู…ู‘ ู‚ุงู„ ยซูƒูู„ุชุงู‡ูู…ุงยป ููŽุซูŽู†ู‘ู‰ุŸ ูุฃุดููŽู‚ูˆุง ุนู„ู‰ ุตุงุญูุจูู‡ู… ูˆุชูŽุฑูŽูƒูˆุง ู…ุง ูƒุงู†ูˆุง ุนู„ูŠู‡ ูˆู…ูŽุถูˆุง ููˆูŽุฌุฏูˆุง ุนูุจูŽูŠุฏ ุงู„ู„ู‡ ูŠุตู„ู‘ูŠุŒ ูู„ู…ู‘ุง ููŽุฑูุบูŽ ู…ู† ุตู„ุงุชู‡ ุดุฑุญูˆุง ู„ู‡ ุงู„ุฎุจุฑ ูˆุณุฃู„ูˆู‡ ุงู„ุฌูˆุงุจ. ูู‚ุงู„ูŽ ู…ุน ุฒู‡ุฏู‡ ูˆุชูŽู‚ูŽุดู‘ูููู‡ุŒ ยซุฅู†ู‘ ุงู„ุชูŠ ู†ุงูˆูŽู„ุชูŽู†ูŠ ููŽุฑูŽุฏุฏูŽุชูู‡ุงยป ุนู†ู‰ ุจู‡ุง ุงู„ุฎู…ุฑุฉ ุงู„ู…ู…ุฒูˆุฌุฉ ุจุงู„ู…ุงุกุŒ ุซูู…ู‘ ู‚ุงู„ ยซูƒูู„ุชุงู‡ูู…ุง ุญูŽู„ูŽุจู ุงู„ุนุตูŠุฑยป ูŠุฑูŠุฏู ุงู„ุฎู…ุฑุฉ ุงู„ู…ุชุญู„ู‘ูุจุฉูŽ ู…ู† ุงู„ุนู†ุจ ูˆุงู„ู…ุงุกูŽ ุงู„ู…ุชุญู„ู‘ูุจูŽ ู…ู† ุงู„ุณุญุงุจุŒ ุงู„ู…ูƒู†ู‘ู‰ ุจุงู„ู…ูุนุตูุฑุงุชู ููŠ ู‚ูˆู„ู‡ ุชุนุงู„ู‰ ยซูˆูŽุฃูŽู†ุฒูŽู„ู’ู†ูŽุง ู…ูู†ูŽ ุงู„ู’ู…ูุนู’ุตูุฑูŽุงุชู ู…ูŽุงุกู‹ ุซูŽุฌู‘ูŽุงุฌู‹ุงยป. ูˆู‚ุฏ ุจูŽู‚ููŠูŽ ููŠ ุงู„ุดู‘ูุนุฑูู…ุง ูŠูŽุญุชุงุฌู ู„ุชูุณูŠุฑุ› ุฃู…ู‘ุง ุงู„ุจูŠุชู ุงู„ุฃูˆู„ ูุฅู†ู‘ู‡ ุฎุงุทุจูŽ ุจู‡ ุงู„ุณุงู‚ูŠ ุงู„ุฐูŠ ู†ุงูˆู„ู‡ ูƒุฃุณู‹ุง ู…ู…ุฒูˆุฌุฉู‹ ุจุงู„ู…ุงุกุ› ู„ุฃู†ู‡ ูŠูู‚ุงู„: ู‚ูŽุชูŽู„ุชู ุงู„ุฎู…ุฑุฉูŽ ุฅุฐุง ู…ูŽุฒูŽุฌุชูŽู‡ุงุŒ ููƒุฃู†ู‘ู‡ ุฃุฑุงุฏ ุฃู†ู’ ูŠูุนู„ูู…ูŽู‡ ุฃู†ู‘ู‡ ููŽุทูู†ูŽ ู„ูู…ุง ููŽุนูŽู„ูŽู‡ุŒ ุซูู…ู‘ ู…ุง ุงู‚ุชู†ุนูŽ ุญุชู‰ ุฏุนุง ุนู„ูŠู‡ ุจุงู„ู‚ุชู„ุ› ุซูู…ู‘ ุฅู†ู‘ู‡ ุนูŽู‚ู‘ูŽุจูŽ ุงู„ุฏุนุงุก ุนู„ูŠู‡ ุจุฃู† ุงุณุชุนุทู‰ [ุทู„ุจูŽ] ู…ู†ู‡ ุงู„ุฎู…ุฑุฉ ุงู„ุชูŠ ู„ูŽู… ุชูู‚ุชูŽู„. ูˆู‚ูŽูˆู„ูู‡ ยซุฃุฑุฎุงู‡ูู…ุง ู„ู„ู…ููุตูŽู„ยป ูŠุนู†ูŠ ุจู‡ ุงู„ู„ุณุงู†ุŒ ูˆุณูู…ู‘ููŠูŽ ู…ููุตูŽู„ู‹ุง ู„ุฃู†ู‘ู‡ ูŠูุตู„ ุจูŠู† ุงู„ุญู‚ู‘ู ูˆุงู„ุจุงุทู„. โ€” ุซู…ุฑุงุช ุงู„ุฃูˆุฑุงู‚ ู„ู€ ุงุจู† ุญุฌุฉ ุงู„ุญู…ูˆูŠ

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ุฅู†ู‘ ุงู„ุชูŠ ู†ุงูˆูŽู„ุชูŽู†ูŠ ููŽุฑูŽุฏูŽุฏุชูู‡ุง ู‚ูุชูู„ูŽุชู’ โ€“ ู‚ูุชูู„ู’ุชูŽ ููŽู‡ุงุชูู‡ุง ู„ูŽู…ู’ ุชูู‚ุชูŽู„ู ูƒูู„ุชุงู‡ูู…ุง ุญูŽู„ูŽุจู ุงู„ุนูŽุตูŠุฑู ููŽุนุงุทูู†ูŠ ุจุฒูุฌุงุฌุฉู ุฃุฑุฎุงู‡ูู…ุง ู„ู„ู…ููุตูŽู„ู โ€” ุญุณู‘ุงู† ุจู† ุซุงุจุช

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Repost from Resident's Diary
๐Ÿ”บ ุงู„ุจูŠุงู† ุงู„ุตุงุฏุฑ ุนู† ู…ู…ุซู„ูŠุฉ ุงู„ุฃุทุจุงุก ุงู„ู…ู‚ูŠู…ูŠู† ุงู„ุฏูˆุฑูŠูŠู† ูˆุงู„ุชุฏุฑุฌ ูˆุงู„ุฎุฑูŠุฌูŠู† ููŠ ุนู…ูˆู… ุงู„ุนุฑุงู‚ .. โ€ข ุงู„ุฎู…ูŠุณ - ูกูฅ/ูก/ูขู ูขูฆ ๏ดฟูˆูŽุชูŽุนูŽุงูˆูŽู†ููˆุง
๐Ÿ”บ ุงู„ุจูŠุงู† ุงู„ุตุงุฏุฑ ุนู† ู…ู…ุซู„ูŠุฉ ุงู„ุฃุทุจุงุก ุงู„ู…ู‚ูŠู…ูŠู† ุงู„ุฏูˆุฑูŠูŠู† ูˆุงู„ุชุฏุฑุฌ ูˆุงู„ุฎุฑูŠุฌูŠู† ููŠ ุนู…ูˆู… ุงู„ุนุฑุงู‚ .. โ€ข ุงู„ุฎู…ูŠุณ - ูกูฅ/ูก/ูขู ูขูฆ ๏ดฟูˆูŽุชูŽุนูŽุงูˆูŽู†ููˆุง ุนูŽู„ูŽู‰ ุงู„ู’ุจูุฑู‘ู ูˆูŽุงู„ุชู‘ูŽู‚ู’ูˆูŽู‰๏ดพ ๐Ÿ”ท ุฅู„ู‰ ุฃุณุงุชุฐุชู†ุง ูˆุฃุนู…ุงู…ู†ุง ู…ู† ุฃุทุจุงุก ุงู„ุฅุฎุชุตุงุต ูˆุงู„ู‰ ุฌู…ูŠุน ุฒู…ู„ุงุฆู†ุง ุจู…ุฎุชู„ู ู…ุณู…ูŠุงุช ุชุฏุฑุฌ ุงู„ุฃุทุจุงุก ููŠ ุนู…ูˆู… ุงู„ุนุฑุงู‚ .. - ุฅู† ุงู„ู…ุฑุญู„ุฉ ุงู„ุฑุงู‡ู†ุฉ ุชุชุทู„ุจ ู…ู†ุง ุฌู…ูŠุนุงู‹ ุชูˆุญูŠุฏ ุงู„ู…ูˆู‚ู ูˆุงู„ูƒู„ู…ุฉ ุŒ ูู€ ุจู‚ูˆุฉ ูˆุญุฏุชู†ุง ุชุชุญู‚ู‚ ู…ุทุงู„ุจู†ุง ูˆุจุตูˆุช ูˆุงุญุฏ ุชูุตุงู† ุงู„ุญู‚ูˆู‚ .

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Loveโ€”loving, loses itself in the other, lives in the other, unites itself with the other, is wholly and entirely not hedonistic, although it establishes joys, โ€œhighโ€ joys. โ€” Edmund Husserl

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An account of phenomenology: Experience takes place in a shared world of presence. Our flesh installs each of us in this world together with others, thereby establishing the interplay of things being present to us and absent from us. Speech, which begins in presence, opens us up to a world of far-flung absences. Truth arises as the confirmation of what is said with what is experienced in the flesh. Human life is the unique mode of living in the truth of things. Love opens us up to the beloved and allows us to share intensely one and the same understanding of things. Wonder awakens us to the depths of experience and leads us to the truth of things. โ€” Phenomenology, by Chad Engelland

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ู†ุตูŠุญุฉ ู„ูˆุฌู‡ ุงู„ู„ู‡: ู„ุง ุชุญุฌูŠ ุจู…ูˆุถูˆุน ุงู†ุช ู…ุง ู…ุชุฃูƒุฏ ู…ู†ู‡ 150%ุŒ ุฎุงุตุฉู‹ ุณูˆุงู„ู ุงู„ุณูŠุงุณุฉ ูˆุงู„ุชุงุฑูŠุฎ ูˆุงู„ุนู„ูˆู… ูˆุงู„ูู„ุณูุฉ... ูŠุฌูˆุฒ ู…ุฑุฉ ูˆู…ุฑุชูŠู† ุชุจูŠู† ุชูุชู‡ู…ุŒ ุจุณ ุจุงู„ู†ู‡ุงูŠุฉ ุฑุญ ูŠู„ูƒููƒ ูˆุงุญุฏ ูˆูŠุนุฑู ุจูŠูƒ ุดูƒุฏ ุบุจูŠ ูˆููˆูƒุงู‡ุง ุฌุฐุงุจ

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ุนูˆุฏ ู‡ุฐุง ุงู„ู‚ุงุถูŠ "ุงู„ูุงุถู„"

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ู…ูู† ุบุฑูŠุจู ู…ุง ู†ูู‚ูู„ูŽ ุนู† ุงู„ูู‚ูŠู‡ ุนูู…ุงุฑุฉ ุงู„ูŠู…ู†ูŠ ุงู„ุดุงุนุฑ ุฃู†ู‘ู‡ ู…ูŽุฑู‘ูŽ ุจู…ูŽุตู„ูˆุจู ูู‚ุงู„: ูˆู…ูŽุฏู‘ูŽ ุนู„ู‰ ุตูŽู„ูŠุจู ุงู„ุตู‘ูŽู„ุจู ู…ู†ู‡ ูŠู…ูŠู†ู‹ุง ู„ุง ุชูŽุทูˆู„ู ุฅู„ู‰ ุงู„ุดู‘ูู…ุงู„ ูˆู†ูŽูƒู‘ูŽุณูŽ ุฑุฃุณูŽู‡ ู„ูุนูุชุงุจู ู‚ูŽู„ุจู ุฏูŽุนุงู‡ู ุฅู„ู‰ ุงู„ุบูŽูˆุงูŠุฉู ูˆุงู„ุถู‘ูŽู„ุงู„ ููŽู„ูŽู… ูŠูŽู…ุถู ุซู„ุงุซุฉ ุฃูŠุงู…ู ุญุชู‰ ุตูู„ูุจูŽ ุจูŠู† ุงู„ู‚ูŽุตุฑูŽูŠู†. ูˆู…ุง ูŠูŽุจุนูุฏู ุฃู†ู‘ ุงู„ู‚ุงุถููŠูŽ ุงู„ูุงุถู„ูŽ ูƒุงู†ูŽ ู„ู‡ ู…ูŽูŠู„ูŒ ุฅู„ู‰ ู‡ู„ุงูƒูู‡ุ› ู„ุฃู†ู‘ู‡ ู„ูŽู…ู‘ุง ุงุณุชุดุงุฑูŽู‡ ุงู„ุณู„ุทุงู†ู ุตู„ุงุญ ุงู„ุฏูŠู† [ุงู„ุฃูŠูˆุจูŠ] ููŠ ุถูŽุฑุจูู‡ุŒ ู‚ุงู„: ุงู„ูƒูŽู„ุจู ูŠูŽุณูƒุชู ุซูู…ู‘ ูŠูŽู†ุจูŽุญ. ู‚ุงู„: ููŠูุณุฌูŽู†ุŒ ู‚ุงู„: ูŠูุฑุฌู‰ ู„ู‡ ุงู„ุฎู„ุงุต. ู‚ุงู„: ููŠูู‚ุชูŽู„ุŒ ู‚ุงู„: ุงู„ู…ู„ูˆูƒู ุฅุฐุง ุฃุฑุงุฏูˆุง ุดูŠุฆู‹ุง ูุนู„ูˆู‡. ูˆู†ูŽู‡ูŽุถูŽ ูุฃู…ูŽุฑูŽ ุจุตูŽู„ุจูู‡. โ€” ุซูŽู…ูŽุฑุงุชู ุงู„ุฃูˆุฑุงู‚ ู„ู€ ุงุจู† ุญุฌู‘ุฉ ุงู„ุญู…ูˆูŠ

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Death (or reference to death) makes men precious and pathetic; their ghostliness is touching; any act they perform may be their last; there is no face that is not on the verge of blurring and fading away like the faces in a dream. Everything in the world of mortals has the value of the irrecoverable and contingent. โ€” The Immortal, by Jorge Luis Borges

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Dead sea scrolls: Death (or reference to death) makes men precious and pathetic; their ghostliness is touching; any act they perform may be their last; there is no face that is not on the verge of blurring and fading away like the faces in a dream. Everything in the world of mortals has the value of the irrecoverable and contingent. โ€” The Immortal, by Jorge Luis Borges

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ุณูŽุฆูู…ูŽุช ู†ูŽูุณูŠ ุงู„ุญูŽูŠุงุฉูŽ ู…ูŽุนูŽ ุงู„ู†ุงุณู ูˆูŽู…ูŽู„ู‘ูŽุช ุญูŽุชู‘ู‰ ู…ูู†ูŽ ุงู„ุฃูŽุญุจุงุจู ูˆูŽุชูŽู…ูŽุดู‘ูŽุช ููŠู‡ุง ุงู„ู…ูŽู„ุงู„ูŽุฉู ุญูŽุชู‘ู‰ ุถูŽุฌูุฑูŽุช ู…ูู† ุทูŽุนุงู…ูู‡ูู… ูˆูŽุงู„ุดูŽุฑุงุจู ุตูŽุบูุฑูŽุช ุญููƒู…ูŽุฉู ุงู„ุดููŠูˆุฎู ู„ูŽุฏูŽูŠู‡ุง ูˆูŽุงูุณุชูŽุฎูŽูู‘ูŽุช ุจููƒูู„ู‘ู ู…ุง ู„ูู„ุดูŽุจุงุจู ู‚ุงู„ูŽุชู ุงูุฎุฑูุฌ ู…ูู†ูŽ ุงู„ู…ูŽุฏูŠู†ูŽุฉู ู„ูู„ู‚ูŽูุฑู ููŽููŠู‡ู ุงู„ู†ูŽุฌุงุฉู ู…ูู† ุฃูŽูˆุตุงุจูŠ ูˆูŽู„ูŠู‘ููƒู ุงู„ู„ูŽูŠู„ู ุฑุงู‡ูุจูŠ ูˆูŽุดูู…ูˆุนูŠ ุงู„ู€ ู€ุดูู‡ุจู ูˆูŽุงู„ุฃูŽุฑุถู ูƒูู„ู‘ูู‡ุง ู…ูุญุฑุงุจูŠ ู†ู‘ูŽู…ุง ู†ูŽูุณูŠ ุงู„ู‘ูŽุชูŠ ู…ูŽู„ูŽุชู ุงู„ุนูู…ู€ ู€ุฑุงู†ูŽ ู…ูŽู„ู‘ูŽุช ููŠ ุงู„ุบุงุจู ุตูŽู…ุชูŽ ุงู„ุบุงุจู ููŽุฃูŽู†ุง ููŠู‡ู ู…ูุณุชูŽู‚ูู„ู‘ูŒ ุทูŽู„ูŠู‚ูŒ ูˆูŽูƒูŽุฃูŽู†ู‘ูŠ ุฃูŽุฏูุจู‘ู ููŠ ุณูุฑุฏุงุจู ุนูŽู„ู‘ูŽู…ูŽุชู†ูŠ ุงู„ุญูŽูŠุงุฉู ููŠ ุงู„ู‚ูŽูุฑู ุฃูŽู†ู‘ูŠ ุฃูŽูŠู†ูŽู…ุง ูƒูู†ุชู ุณุงูƒูู†ู‹ุง ููŠ ุงู„ุชูุฑุงุจู โ€” ุฅูŠู„ูŠุง ุฃุจูˆ ู…ุงุถูŠ

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It is easy in the world to live after the world's opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude. - Ralph Waldo Emerson

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ุฎูู„ุชู ุฃูŽู†ู‘ููŠ ููŠ ุงู„ู‚ูŽูุฑู ุฃูŽุตุจูŽุญุชู ูˆูŽุญุฏูŠ ููŽุฅูุฐุง ุงู„ู†ุงุณู ูƒูู„ู‘ูู‡ูู… ููŠ ุซููŠุงุจูŠ โ€” ุฅูŠู„ูŠุง ุฃุจูˆ ู…ุงุถูŠ

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To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will seperate between him and what he touches. The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood. - Ralph Waldo Emerson

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Friendship arises from the mutual ability to communicate what each considers great and noble. It strengthens or diminishes with the success of this exchange, and it dissolves entirely when what appears noble to one seems brutal or debased to the other.

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