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Kanalga Telegramโ€™da oโ€˜tish

0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

Ko'proq ko'rsatish

๐Ÿ“ˆ Telegram kanali 0/0 analitikasi

0/0 (@error0error) Arab til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 10 459 obunachidan iborat bo'lib, Din & Maสผnaviyat toifasida 8 944-o'rinni va Saudiya Arabistoni mintaqasida 7 390-o'rinni egallagan.

๐Ÿ“Š Auditoriya koโ€˜rsatkichlari va dinamika

ะฝะตะฒั–ะดะพะผะพ sanasidan buyon loyiha tez oโ€˜sib, 10 459 obunachiga ega boโ€˜ldi.

12 Iyun, 2026 dagi oxirgi maโ€™lumotlarga koโ€˜ra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni 347 ga, soโ€˜nggi 24 soatda esa 3 ga oโ€˜zgardi va umumiy qamrov yuqori darajada qolmoqda.

  • Tasdiqlash holati: Tasdiqlanmagan
  • Jalb etish (ER): Auditoriya oโ€˜rtacha 15.49% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 7.21% ini tashkil etuvchi reaksiyalarni toโ€˜playdi.
  • Post qamrovi: Har bir post oโ€˜rtacha 1 620 marta koโ€˜riladi; birinchi sutkada odatda 754 ta koโ€˜rish yigโ€˜iladi.
  • Reaksiyalar va oโ€˜zaro taโ€™sir: Auditoriya faol: har bir postga oโ€˜rtacha 0 ta reaksiya keladi.
  • Tematik yoโ€˜nalishlar: Kontent ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู† kabi asosiy mavzularga jamlangan.

๐Ÿ“ Tavsif va kontent siyosati

Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida taโ€™riflaydi:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Yuqori yangilanish chastotasi (oxirgi maโ€™lumot 13 Iyun, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli boโ€˜lib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Din & Maสผnaviyat toifasidagi muhim taโ€™sir nuqtasiga aylantirishini koโ€˜rsatadi.

10 459
Obunachilar
+324 soatlar
+837 kunlar
+34730 kunlar
Postlar arxiv
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ุดุฑุญ ุงู„ุจูŠุช ุจุงุฎุชุตุงุฑ: ูŠุฑูŠุฏู‡ ุณุงุฏุฉ ุจุฏูˆู† ู…ูƒุงุณุฑ

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ุงุฌุชูŽู…ูŽุนูŽ ู‚ูˆู…ูŒ ุนู„ู‰ ุงู„ุดุฑุงุจู ูุชุบู†ู‘ู‰ ู…ุบู†ู‘ูŠู‡ู… ุจุดูุนุฑู ุญุณู‘ุงู†ุŒ ูู‚ุงู„ูŽ ุจุนุถูู‡ู…: ุงู…ุฑุฃุชูŠ ุทุงู„ูู‚ูŒ ุฅู†ู’ ู„ูŽู… ุงุณุฃู„ู ุงู„ู„ูŠู„ุฉูŽ ุนูุจูŽูŠุฏูŽ ุงู„ู„ู‡ ุจู† ุงู„ุญุณู† ุงู„ู‚ุงุถูŠ ุนู† ุนูู„ู‘ุฉูŽู ู‡ุฐุง ุงู„ุดู‘ูุนุฑุŒ ู„ูู…ูŽ ู‚ุงู„ ยซุฅู†ู‘ ุงู„ุชูŠยป ููˆูŽุญู‘ุฏุŒ ุซูู…ู‘ ู‚ุงู„ ยซูƒูู„ุชุงู‡ูู…ุงยป ููŽุซูŽู†ู‘ู‰ุŸ ูุฃุดููŽู‚ูˆุง ุนู„ู‰ ุตุงุญูุจูู‡ู… ูˆุชูŽุฑูŽูƒูˆุง ู…ุง ูƒุงู†ูˆุง ุนู„ูŠู‡ ูˆู…ูŽุถูˆุง ููˆูŽุฌุฏูˆุง ุนูุจูŽูŠุฏ ุงู„ู„ู‡ ูŠุตู„ู‘ูŠุŒ ูู„ู…ู‘ุง ููŽุฑูุบูŽ ู…ู† ุตู„ุงุชู‡ ุดุฑุญูˆุง ู„ู‡ ุงู„ุฎุจุฑ ูˆุณุฃู„ูˆู‡ ุงู„ุฌูˆุงุจ. ูู‚ุงู„ูŽ ู…ุน ุฒู‡ุฏู‡ ูˆุชูŽู‚ูŽุดู‘ูููู‡ุŒ ยซุฅู†ู‘ ุงู„ุชูŠ ู†ุงูˆูŽู„ุชูŽู†ูŠ ููŽุฑูŽุฏุฏูŽุชูู‡ุงยป ุนู†ู‰ ุจู‡ุง ุงู„ุฎู…ุฑุฉ ุงู„ู…ู…ุฒูˆุฌุฉ ุจุงู„ู…ุงุกุŒ ุซูู…ู‘ ู‚ุงู„ ยซูƒูู„ุชุงู‡ูู…ุง ุญูŽู„ูŽุจู ุงู„ุนุตูŠุฑยป ูŠุฑูŠุฏู ุงู„ุฎู…ุฑุฉ ุงู„ู…ุชุญู„ู‘ูุจุฉูŽ ู…ู† ุงู„ุนู†ุจ ูˆุงู„ู…ุงุกูŽ ุงู„ู…ุชุญู„ู‘ูุจูŽ ู…ู† ุงู„ุณุญุงุจุŒ ุงู„ู…ูƒู†ู‘ู‰ ุจุงู„ู…ูุนุตูุฑุงุชู ููŠ ู‚ูˆู„ู‡ ุชุนุงู„ู‰ ยซูˆูŽุฃูŽู†ุฒูŽู„ู’ู†ูŽุง ู…ูู†ูŽ ุงู„ู’ู…ูุนู’ุตูุฑูŽุงุชู ู…ูŽุงุกู‹ ุซูŽุฌู‘ูŽุงุฌู‹ุงยป. ูˆู‚ุฏ ุจูŽู‚ููŠูŽ ููŠ ุงู„ุดู‘ูุนุฑูู…ุง ูŠูŽุญุชุงุฌู ู„ุชูุณูŠุฑุ› ุฃู…ู‘ุง ุงู„ุจูŠุชู ุงู„ุฃูˆู„ ูุฅู†ู‘ู‡ ุฎุงุทุจูŽ ุจู‡ ุงู„ุณุงู‚ูŠ ุงู„ุฐูŠ ู†ุงูˆู„ู‡ ูƒุฃุณู‹ุง ู…ู…ุฒูˆุฌุฉู‹ ุจุงู„ู…ุงุกุ› ู„ุฃู†ู‡ ูŠูู‚ุงู„: ู‚ูŽุชูŽู„ุชู ุงู„ุฎู…ุฑุฉูŽ ุฅุฐุง ู…ูŽุฒูŽุฌุชูŽู‡ุงุŒ ููƒุฃู†ู‘ู‡ ุฃุฑุงุฏ ุฃู†ู’ ูŠูุนู„ูู…ูŽู‡ ุฃู†ู‘ู‡ ููŽุทูู†ูŽ ู„ูู…ุง ููŽุนูŽู„ูŽู‡ุŒ ุซูู…ู‘ ู…ุง ุงู‚ุชู†ุนูŽ ุญุชู‰ ุฏุนุง ุนู„ูŠู‡ ุจุงู„ู‚ุชู„ุ› ุซูู…ู‘ ุฅู†ู‘ู‡ ุนูŽู‚ู‘ูŽุจูŽ ุงู„ุฏุนุงุก ุนู„ูŠู‡ ุจุฃู† ุงุณุชุนุทู‰ [ุทู„ุจูŽ] ู…ู†ู‡ ุงู„ุฎู…ุฑุฉ ุงู„ุชูŠ ู„ูŽู… ุชูู‚ุชูŽู„. ูˆู‚ูŽูˆู„ูู‡ ยซุฃุฑุฎุงู‡ูู…ุง ู„ู„ู…ููุตูŽู„ยป ูŠุนู†ูŠ ุจู‡ ุงู„ู„ุณุงู†ุŒ ูˆุณูู…ู‘ููŠูŽ ู…ููุตูŽู„ู‹ุง ู„ุฃู†ู‘ู‡ ูŠูุตู„ ุจูŠู† ุงู„ุญู‚ู‘ู ูˆุงู„ุจุงุทู„. โ€” ุซู…ุฑุงุช ุงู„ุฃูˆุฑุงู‚ ู„ู€ ุงุจู† ุญุฌุฉ ุงู„ุญู…ูˆูŠ

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ุฅู†ู‘ ุงู„ุชูŠ ู†ุงูˆูŽู„ุชูŽู†ูŠ ููŽุฑูŽุฏูŽุฏุชูู‡ุง ู‚ูุชูู„ูŽุชู’ โ€“ ู‚ูุชูู„ู’ุชูŽ ููŽู‡ุงุชูู‡ุง ู„ูŽู…ู’ ุชูู‚ุชูŽู„ู ูƒูู„ุชุงู‡ูู…ุง ุญูŽู„ูŽุจู ุงู„ุนูŽุตูŠุฑู ููŽุนุงุทูู†ูŠ ุจุฒูุฌุงุฌุฉู ุฃุฑุฎุงู‡ูู…ุง ู„ู„ู…ููุตูŽู„ู โ€” ุญุณู‘ุงู† ุจู† ุซุงุจุช

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Repost from Resident's Diary
๐Ÿ”บ ุงู„ุจูŠุงู† ุงู„ุตุงุฏุฑ ุนู† ู…ู…ุซู„ูŠุฉ ุงู„ุฃุทุจุงุก ุงู„ู…ู‚ูŠู…ูŠู† ุงู„ุฏูˆุฑูŠูŠู† ูˆุงู„ุชุฏุฑุฌ ูˆุงู„ุฎุฑูŠุฌูŠู† ููŠ ุนู…ูˆู… ุงู„ุนุฑุงู‚ .. โ€ข ุงู„ุฎู…ูŠุณ - ูกูฅ/ูก/ูขู ูขูฆ ๏ดฟูˆูŽุชูŽุนูŽุงูˆูŽู†ููˆุง
๐Ÿ”บ ุงู„ุจูŠุงู† ุงู„ุตุงุฏุฑ ุนู† ู…ู…ุซู„ูŠุฉ ุงู„ุฃุทุจุงุก ุงู„ู…ู‚ูŠู…ูŠู† ุงู„ุฏูˆุฑูŠูŠู† ูˆุงู„ุชุฏุฑุฌ ูˆุงู„ุฎุฑูŠุฌูŠู† ููŠ ุนู…ูˆู… ุงู„ุนุฑุงู‚ .. โ€ข ุงู„ุฎู…ูŠุณ - ูกูฅ/ูก/ูขู ูขูฆ ๏ดฟูˆูŽุชูŽุนูŽุงูˆูŽู†ููˆุง ุนูŽู„ูŽู‰ ุงู„ู’ุจูุฑู‘ู ูˆูŽุงู„ุชู‘ูŽู‚ู’ูˆูŽู‰๏ดพ ๐Ÿ”ท ุฅู„ู‰ ุฃุณุงุชุฐุชู†ุง ูˆุฃุนู…ุงู…ู†ุง ู…ู† ุฃุทุจุงุก ุงู„ุฅุฎุชุตุงุต ูˆุงู„ู‰ ุฌู…ูŠุน ุฒู…ู„ุงุฆู†ุง ุจู…ุฎุชู„ู ู…ุณู…ูŠุงุช ุชุฏุฑุฌ ุงู„ุฃุทุจุงุก ููŠ ุนู…ูˆู… ุงู„ุนุฑุงู‚ .. - ุฅู† ุงู„ู…ุฑุญู„ุฉ ุงู„ุฑุงู‡ู†ุฉ ุชุชุทู„ุจ ู…ู†ุง ุฌู…ูŠุนุงู‹ ุชูˆุญูŠุฏ ุงู„ู…ูˆู‚ู ูˆุงู„ูƒู„ู…ุฉ ุŒ ูู€ ุจู‚ูˆุฉ ูˆุญุฏุชู†ุง ุชุชุญู‚ู‚ ู…ุทุงู„ุจู†ุง ูˆุจุตูˆุช ูˆุงุญุฏ ุชูุตุงู† ุงู„ุญู‚ูˆู‚ .

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Loveโ€”loving, loses itself in the other, lives in the other, unites itself with the other, is wholly and entirely not hedonistic, although it establishes joys, โ€œhighโ€ joys. โ€” Edmund Husserl

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An account of phenomenology: Experience takes place in a shared world of presence. Our flesh installs each of us in this world together with others, thereby establishing the interplay of things being present to us and absent from us. Speech, which begins in presence, opens us up to a world of far-flung absences. Truth arises as the confirmation of what is said with what is experienced in the flesh. Human life is the unique mode of living in the truth of things. Love opens us up to the beloved and allows us to share intensely one and the same understanding of things. Wonder awakens us to the depths of experience and leads us to the truth of things. โ€” Phenomenology, by Chad Engelland

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ู†ุตูŠุญุฉ ู„ูˆุฌู‡ ุงู„ู„ู‡: ู„ุง ุชุญุฌูŠ ุจู…ูˆุถูˆุน ุงู†ุช ู…ุง ู…ุชุฃูƒุฏ ู…ู†ู‡ 150%ุŒ ุฎุงุตุฉู‹ ุณูˆุงู„ู ุงู„ุณูŠุงุณุฉ ูˆุงู„ุชุงุฑูŠุฎ ูˆุงู„ุนู„ูˆู… ูˆุงู„ูู„ุณูุฉ... ูŠุฌูˆุฒ ู…ุฑุฉ ูˆู…ุฑุชูŠู† ุชุจูŠู† ุชูุชู‡ู…ุŒ ุจุณ ุจุงู„ู†ู‡ุงูŠุฉ ุฑุญ ูŠู„ูƒููƒ ูˆุงุญุฏ ูˆูŠุนุฑู ุจูŠูƒ ุดูƒุฏ ุบุจูŠ ูˆููˆูƒุงู‡ุง ุฌุฐุงุจ

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ุนูˆุฏ ู‡ุฐุง ุงู„ู‚ุงุถูŠ "ุงู„ูุงุถู„"

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ู…ูู† ุบุฑูŠุจู ู…ุง ู†ูู‚ูู„ูŽ ุนู† ุงู„ูู‚ูŠู‡ ุนูู…ุงุฑุฉ ุงู„ูŠู…ู†ูŠ ุงู„ุดุงุนุฑ ุฃู†ู‘ู‡ ู…ูŽุฑู‘ูŽ ุจู…ูŽุตู„ูˆุจู ูู‚ุงู„: ูˆู…ูŽุฏู‘ูŽ ุนู„ู‰ ุตูŽู„ูŠุจู ุงู„ุตู‘ูŽู„ุจู ู…ู†ู‡ ูŠู…ูŠู†ู‹ุง ู„ุง ุชูŽุทูˆู„ู ุฅู„ู‰ ุงู„ุดู‘ูู…ุงู„ ูˆู†ูŽูƒู‘ูŽุณูŽ ุฑุฃุณูŽู‡ ู„ูุนูุชุงุจู ู‚ูŽู„ุจู ุฏูŽุนุงู‡ู ุฅู„ู‰ ุงู„ุบูŽูˆุงูŠุฉู ูˆุงู„ุถู‘ูŽู„ุงู„ ููŽู„ูŽู… ูŠูŽู…ุถู ุซู„ุงุซุฉ ุฃูŠุงู…ู ุญุชู‰ ุตูู„ูุจูŽ ุจูŠู† ุงู„ู‚ูŽุตุฑูŽูŠู†. ูˆู…ุง ูŠูŽุจุนูุฏู ุฃู†ู‘ ุงู„ู‚ุงุถููŠูŽ ุงู„ูุงุถู„ูŽ ูƒุงู†ูŽ ู„ู‡ ู…ูŽูŠู„ูŒ ุฅู„ู‰ ู‡ู„ุงูƒูู‡ุ› ู„ุฃู†ู‘ู‡ ู„ูŽู…ู‘ุง ุงุณุชุดุงุฑูŽู‡ ุงู„ุณู„ุทุงู†ู ุตู„ุงุญ ุงู„ุฏูŠู† [ุงู„ุฃูŠูˆุจูŠ] ููŠ ุถูŽุฑุจูู‡ุŒ ู‚ุงู„: ุงู„ูƒูŽู„ุจู ูŠูŽุณูƒุชู ุซูู…ู‘ ูŠูŽู†ุจูŽุญ. ู‚ุงู„: ููŠูุณุฌูŽู†ุŒ ู‚ุงู„: ูŠูุฑุฌู‰ ู„ู‡ ุงู„ุฎู„ุงุต. ู‚ุงู„: ููŠูู‚ุชูŽู„ุŒ ู‚ุงู„: ุงู„ู…ู„ูˆูƒู ุฅุฐุง ุฃุฑุงุฏูˆุง ุดูŠุฆู‹ุง ูุนู„ูˆู‡. ูˆู†ูŽู‡ูŽุถูŽ ูุฃู…ูŽุฑูŽ ุจุตูŽู„ุจูู‡. โ€” ุซูŽู…ูŽุฑุงุชู ุงู„ุฃูˆุฑุงู‚ ู„ู€ ุงุจู† ุญุฌู‘ุฉ ุงู„ุญู…ูˆูŠ

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Death (or reference to death) makes men precious and pathetic; their ghostliness is touching; any act they perform may be their last; there is no face that is not on the verge of blurring and fading away like the faces in a dream. Everything in the world of mortals has the value of the irrecoverable and contingent. โ€” The Immortal, by Jorge Luis Borges

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Dead sea scrolls: Death (or reference to death) makes men precious and pathetic; their ghostliness is touching; any act they perform may be their last; there is no face that is not on the verge of blurring and fading away like the faces in a dream. Everything in the world of mortals has the value of the irrecoverable and contingent. โ€” The Immortal, by Jorge Luis Borges

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ุณูŽุฆูู…ูŽุช ู†ูŽูุณูŠ ุงู„ุญูŽูŠุงุฉูŽ ู…ูŽุนูŽ ุงู„ู†ุงุณู ูˆูŽู…ูŽู„ู‘ูŽุช ุญูŽุชู‘ู‰ ู…ูู†ูŽ ุงู„ุฃูŽุญุจุงุจู ูˆูŽุชูŽู…ูŽุดู‘ูŽุช ููŠู‡ุง ุงู„ู…ูŽู„ุงู„ูŽุฉู ุญูŽุชู‘ู‰ ุถูŽุฌูุฑูŽุช ู…ูู† ุทูŽุนุงู…ูู‡ูู… ูˆูŽุงู„ุดูŽุฑุงุจู ุตูŽุบูุฑูŽุช ุญููƒู…ูŽุฉู ุงู„ุดููŠูˆุฎู ู„ูŽุฏูŽูŠู‡ุง ูˆูŽุงูุณุชูŽุฎูŽูู‘ูŽุช ุจููƒูู„ู‘ู ู…ุง ู„ูู„ุดูŽุจุงุจู ู‚ุงู„ูŽุชู ุงูุฎุฑูุฌ ู…ูู†ูŽ ุงู„ู…ูŽุฏูŠู†ูŽุฉู ู„ูู„ู‚ูŽูุฑู ููŽููŠู‡ู ุงู„ู†ูŽุฌุงุฉู ู…ูู† ุฃูŽูˆุตุงุจูŠ ูˆูŽู„ูŠู‘ููƒู ุงู„ู„ูŽูŠู„ู ุฑุงู‡ูุจูŠ ูˆูŽุดูู…ูˆุนูŠ ุงู„ู€ ู€ุดูู‡ุจู ูˆูŽุงู„ุฃูŽุฑุถู ูƒูู„ู‘ูู‡ุง ู…ูุญุฑุงุจูŠ ู†ู‘ูŽู…ุง ู†ูŽูุณูŠ ุงู„ู‘ูŽุชูŠ ู…ูŽู„ูŽุชู ุงู„ุนูู…ู€ ู€ุฑุงู†ูŽ ู…ูŽู„ู‘ูŽุช ููŠ ุงู„ุบุงุจู ุตูŽู…ุชูŽ ุงู„ุบุงุจู ููŽุฃูŽู†ุง ููŠู‡ู ู…ูุณุชูŽู‚ูู„ู‘ูŒ ุทูŽู„ูŠู‚ูŒ ูˆูŽูƒูŽุฃูŽู†ู‘ูŠ ุฃูŽุฏูุจู‘ู ููŠ ุณูุฑุฏุงุจู ุนูŽู„ู‘ูŽู…ูŽุชู†ูŠ ุงู„ุญูŽูŠุงุฉู ููŠ ุงู„ู‚ูŽูุฑู ุฃูŽู†ู‘ูŠ ุฃูŽูŠู†ูŽู…ุง ูƒูู†ุชู ุณุงูƒูู†ู‹ุง ููŠ ุงู„ุชูุฑุงุจู โ€” ุฅูŠู„ูŠุง ุฃุจูˆ ู…ุงุถูŠ

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It is easy in the world to live after the world's opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude. - Ralph Waldo Emerson

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ุฎูู„ุชู ุฃูŽู†ู‘ููŠ ููŠ ุงู„ู‚ูŽูุฑู ุฃูŽุตุจูŽุญุชู ูˆูŽุญุฏูŠ ููŽุฅูุฐุง ุงู„ู†ุงุณู ูƒูู„ู‘ูู‡ูู… ููŠ ุซููŠุงุจูŠ โ€” ุฅูŠู„ูŠุง ุฃุจูˆ ู…ุงุถูŠ

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To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will seperate between him and what he touches. The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood. - Ralph Waldo Emerson

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Friendship arises from the mutual ability to communicate what each considers great and noble. It strengthens or diminishes with the success of this exchange, and it dissolves entirely when what appears noble to one seems brutal or debased to the other.

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