Blues Rock
Kanalga Telegram’da o‘tish
@bluezrock is a cool telegram channel for fans of blues rock! The atmosphere is like in a smoky bar with good sound. Ideal for discovering something new or getting nostalgic with authentic blues. web: www.bluesrock.top email: data@bluesrock.top
Ko'proq ko'rsatish7 572
Obunachilar
+11024 soatlar
+1397 kunlar
+52230 kunlar
Ma'lumot yuklanmoqda...
O'xshash kanallar
Taglar buluti
Kirish va chiqish esdaliklari
---
---
---
---
---
---
Obunachilarni jalb qilish
Iyul '26
Iyul '26
+1 137
0 kanalda
Iyun '26
+2 062
0 kanalda
Get PRO
May '26
+2 558
0 kanalda
Get PRO
Aprel '26
+1 049
0 kanalda
Get PRO
Mart '26
+1 678
0 kanalda
Get PRO
Fevral '26
+1 331
0 kanalda
Get PRO
Yanvar '26
+276
0 kanalda
Get PRO
Dekabr '25
+524
0 kanalda
Get PRO
Noyabr '25
+666
0 kanalda
Get PRO
Oktabr '25
+524
0 kanalda
Get PRO
Sentabr '25
+1 102
0 kanalda
Get PRO
Avgust '25
+1 276
0 kanalda
Get PRO
Iyul '25
+867
0 kanalda
Get PRO
Iyun '25
+1 291
0 kanalda
Get PRO
May '25
+640
0 kanalda
Get PRO
Aprel '25
+855
0 kanalda
Get PRO
Mart '25
+573
0 kanalda
Get PRO
Fevral '25
+808
0 kanalda
Get PRO
Yanvar '25
+1 221
0 kanalda
Get PRO
Dekabr '24
+1 386
0 kanalda
Get PRO
Noyabr '24
+1 239
0 kanalda
Get PRO
Oktabr '24
+1 082
0 kanalda
Get PRO
Sentabr '24
+1 068
0 kanalda
Get PRO
Avgust '24
+1 990
0 kanalda
Get PRO
Iyul '24
+1 611
0 kanalda
Get PRO
Iyun '24
+2 242
0 kanalda
Get PRO
May '24
+1 912
0 kanalda
Get PRO
Aprel '24
+2 469
0 kanalda
Get PRO
Mart '24
+1 858
0 kanalda
Get PRO
Fevral '24
+3 458
0 kanalda
Get PRO
Yanvar '24
+3 525
0 kanalda
Get PRO
Dekabr '23
+10 137
0 kanalda
| Sana | Obunachilarni jalb qilish | Esdaliklar | Kanallar | |
| 13 Iyul | +152 | |||
| 12 Iyul | +149 | |||
| 11 Iyul | +178 | |||
| 10 Iyul | 0 | |||
| 09 Iyul | +1 | |||
| 08 Iyul | +112 | |||
| 07 Iyul | +144 | |||
| 06 Iyul | +95 | |||
| 05 Iyul | +200 | |||
| 04 Iyul | 0 | |||
| 03 Iyul | 0 | |||
| 02 Iyul | 0 | |||
| 01 Iyul | +106 |
Kanal postlari
#albumbluesrock Vol.22/2026 Today we continue reviewing anniversary editions from 30 years ago. We'll reminisce about the youthful '80s and listen to newly minted releases. We'll look back at the COVID-19 2020 and recall the now distant guitar year of 2014. A very busy agenda is expected.
Foreigner - 4 (1981) This is the iconic fourth studio album by the British-American hard rock band Foreigner, released on July 3, 1981, by Atlantic Records. The album became the band's most commercially successful release, reaching number one on the Billboard 200 chart and holding the top spot for 10 weeks. In the US, the album has been certified six-times platinum. More fact and music on our website. Best Cuts on Blues Rock Charts tg app soon.
| 2 |  #bluesrockmix Vol. 135. A new playlist was dropped on our website today. It features as ever 50 songs running for 4 hours. Main focus is on the first and second decades of this century. There is plenty of cult and funky stuff there. Overall, it’s a top-notch compilation. We’ve chosen 16 standout tracks to post them soon on our Blues Rock Charts telegram app. | 2 503 |
| 3 |  #bluesrock 2002. Funk and blues-rock were closely linked in 2002, thanks to their shared roots in African-American music and the major "retro" movement. Early rock pioneers directly borrowed the blues scale and syncopated rhythms. By 2002, bands were naturally blending these percussive funk rhythms with the hard, guitar-driven blues. More reading and listening on our website. Top 10 will be available soon on our Blues Rock Charts telegram app. | 2 395 |
| 4 | #bluesrock 2016 Vol.5 (WBR). Today we have our fifth review of blues rock from the past decade, and it's dedicated to the women of blues rock. 2016 was a pivotal and significant period for women in blues rock, marked by a powerful combination of rising young virtuoso guitarists and genre veterans pushing the boundaries.
What made 2016 unique for women in blues-rock was the fundamental shift in power, sound, and visibility. It was the year when female artists ceased to be treated as a "subgenre" or a curiosity, and instead became dominant innovators, driving the entire blues-rock movement forward. The sound of female-fronted blues-rock in 2016 became significantly heavier. Influenced by 1970s stadium rock, female artists infused traditional blues structures with a powerful dose of distortion, aggressive riffs, and dark rhythm sections. In 2016, women abandoned the traditional 12-bar blues formula to create incredibly ambitious, boundary-pushing records.
More facts and music on our website. The calibrated Top 20 Digest is coming up soon on Blues Rock Charts telegram media app. | 2 189 |
| 5 |  #bluesrock 2016 Vol.5 (Women of Blues Rock). | 2 706 |
| 6 |  #albumrecap #2/2026 Today, the website “50 Shades of Blues Rock” posted the second compilation of the latest 10 blues rock album releases (Vol. 11–20) on our Telegram channel @bluezrock and its media app, Blues Rock Charts. These issues were released from April through June 2026, inclusive. They are now compiled together on our website. As a reminder, the retention period (TTL) for the #albumbluesrock music compilation on the Blues Rock Charts channel is 3 months. So for now, all 10 of the latest music issues are still available there. Let’s go!
#albumrecap #2/2026 Сегодня на интернет-странице 50 Оттенков Блюз-рока вышла вторая подборка последних 10 выпусков альбомного блюз-рока (Vol.11-20) на нашем тедеграм-канале @bluezrock его медийным приложении Blues Rock Charts. Эти выпуски выходили с апреля по июнь 2026 года включительно. Теперь они собраны воедино. Напомним, TTL музыкальной подборки #albumbluesrock на канале Blues Rock Charts - 3 месяца. Так что все 10 последних музыкальных выпусков по-прежнему там. | 2 095 |
| 7 |  #albumbluesrock Vol.21/2026 Today's issue of Album Blues-Rock will be entirely dedicated to releases from 1996. It's an anniversary, and Blues Rock Archives channel already reviews the highlights of the blues rock scene 30 years ago. More reading and listening on our website. Top 10 hits to follow later on Blues Rock Charts telegram media channel. | 2 341 |
| 8 |  #shotgunblues Vol.2 We have launched a new harsh episode of Shotgun Blues series. It’s posted on our website together with a playlist. 50 Tracks with a TTL of 30 days. Top 10 to be added soon to our Blues Rock Charts telegram media channel. | 2 391 |
| 9 | Today we brought you the second roundup of slow-burning '90s blues-rock. 185 tracks for 22 hours of your precious time. It will be on the air through November of this year. It’s most enjoyable when streamed in the background.
The slow-burning blues-rock of the ’90s is deep, low-key, and deeply emotional music, blending heavy rock with the melancholy of classic blues. This decade saw the genre shed the excessive gloss of the ’80s. Musicians returned to a raw, honest, and dense sound, where every note of the electric guitar literally “cries” and lingers as long as possible. Below is a detailed description of how this genre evolved, who its leading figures were, and what the secret behind this sound is.
In the 1990s, drawn-out blues-rock evolved in several directions—from classic ballads to raw and heavy Southern rock.
Gary Moore: An Irish guitarist who released the cult classic album *Still Got the Blues* in 1990. It was his style that became the benchmark for “sustained” playing: Moore could hold a single note on his guitar and make it ring out for more than ten seconds, conveying an incredible intensity of emotion.
Stevie Ray Vaughan: Tragically killed in early 1990, this Texan genius managed to set the tone for the entire decade. His slow compositions (such as “Texas Flood” or “Riviera Paradise”) demonstrated how to play in a drawn-out style while remaining powerful and technically proficient.
Gov't Mule: A band formed by members of the famous Allman Brothers Band. They blended slow, drawn-out blues with heavy rock and psychedelia. Their music was slow, dark, and very dense.
Kenny Wayne Shepherd and Jonny Lang: Young guitarists who, in the second half of the ’90s, revived the trend for classic, “mature” blues-rock, infusing it with fresh energy.
The drawn-out blues-rock of the ’90s is easily recognizable by several key details: “Wailing” guitar: The electric guitar is the lead voice here. Musicians used special effects (such as heavy overdrive) to make the sound linger long and smoothly. Slow tempo: The songs take their time. The drums and bass create a laid-back yet very heavy and groovy rhythm. Deep vocals: Singers often perform songs with a hoarse, strained, and passionate voice, just as the old blues masters did a hundred years ago. In the 1990s, the grunge style emerged in Seattle (bands like Nirvana, Soundgarden, and Pearl Jam). Grunge was also heavy, slow, and melancholic. This had a major influence on the blues-rock of that era. The music became darker, grittier, and more authentic. The flashy hairstyles and shiny suits of the ’80s disappeared; musicians took the stage in simple jeans and flannel shirts, focusing entirely on emotion and sound. | 2 151 |
| 10 |  #bluesrockballads 90's | 2 068 |
| 11 |  #erincoburn Erin Coburn is a rising blues and hard rock star known for her virtuoso guitar skills, powerful vocals, and dynamic stage presence. Beginning her career at a young age in Cincinnati, Ohio, she quickly earned a reputation as a talented performer, performing locally as a teenager. Her music blends blues, rock, and alternative influences, creating a sound that is both traditional and daring. Coburn draws on personal experience in her songs, deeply touching listeners. She is rapidly developing as an artist, gaining a devoted fan base, critical acclaim, and a spot on major festival stages. Erin Coburn is a force in the music world, poised to make a lasting impact. More music and reading on our website's page Women Of Blues Rock. Preselected track to be available soon in Blues Rock Charts media channel | 2 327 |
| 12 |  #womenofbluesrock Between 2016 and 2025, women experienced a true renaissance in blues-rock, dominating the Billboard charts, earning Grammy nominations, and taking center stage as lead guitarists, vocalists, and bandleaders. Breaking free from a historically male-dominated genre, these artists pushed boundaries, fusing roots blues with rock, soul, and country. More music and reading on our website's page Women of Blues Rock The Top 20 will be posted on Blues Rock Charts telegram media channel | 2 236 |
| 13 |  Follow updates and reviews in our telegram & meta channels. More New Music on Blues Rock Charts. Stay tuned in July! | 2 002 |
| 14 | #bluesrock 2012 was a watershed year for blues rock, characterized by genre-bending crossover albums and high-profile releases from both traditional icons and standout artists. It was a powerful year of neo-blues rock. Some of the defining events of 2012 included Gary Clark Jr.'s breakthrough. He released his major label debut Blak and Blu, which combined traditional blues with hip-hop, neo-soul and rock. This made him a generational talent, able to bridge the gap between old school blues and modern genres. Jack White released his critically acclaimed debut solo album, Blunderbuss, which dominated the blues rock charts with its 1960s soul and garage blues vibe. The Alabama Shakes exploded onto the scene with their debut album Boys & Girls, giving it a deep, soulful twist on Southern rock in a traditional blues-rock format. The genre has produced highly anticipated recordings by well-known artists, including ZZ Top's La Futura and Joe Bonamassa's Driving Towards the Daylight, which retain the traditional guitar virtuoso sound.
Among the most successful and iconic tracks that topped the charts, received Grammy awards and played on radio around the world in 2012 were: The Black Keys - “Lonely Boy”. It was the main commercial engine of blues rock in 2012. The song won two Grammy Awards (including Best Rock Song) and topped the Billboard rock charts. Alabama Shakes - "Hold On". It was the breakthrough of the year. The single received a Grammy nomination and was named the best song of 2012 by Rolling Stone magazine, cementing the group's status as platinum stars. The Black Keys - "Little Black Submarines". It was a platinum hit, reaching top 2 on the Billboard Rock Songs chart. Became a cult classic due to its dramatic transition from acoustic to stadium guitar solo. Jack White - "Sixteen Saltines". It is the lead single from the album Blunderbuss, which debuted at number 1 on the Billboard 200. The song actively stormed the alternative charts around the world. Gary Clark Jr. - "Bright Lights". It was this track that made Gary a superstar. His performances on major TV shows and festivals led Eric Clapton and the Rolling Stones to recognize him as the top young guitarist on the planet. Joe Bonamassa - "Driving Towards the Daylight". The album of the same name peaked at No. 1 on the Billboard Blues Albums and entered the top 30 on the overall chart. This track became the main radio hit in Bonamassa's career. The Black Keys - "Gold on the Ceiling". This would be another stadium giant of 2012. The song went double platinum and was featured in commercials, films and video games, popularizing the dirty blues riff. Jack White - "Freedom at 21". The track earned Jack White a Grammy nomination for Best Rock Song and featured a crazy, experimental guitar solo featuring phase effects. ZZ Top - "I Gotsta Get Paid", the lead single from La Futura, which became their most successful release in 20 years, debuting in the top 10 of the Billboard 200. The Heavy - "What Makes A Good Man?" This is a British indie blues hit that became a global phenomenon thanks to mass pop culture (it was heard in the trailer for the game Borderlands 2 and many TV series).
2012 was in our focus on 50 Shades of Blues Rock back in 2022 (450 Top Hits) in 2 huge installments (a kinda 0 years anniversary) and in late 2024 (+150 more Songs).
Today we have 80 tracks from 2012 that have been slightly forgotten. This is the first of two planned compilations. The Top 20 will be available soon on the Blues Rock Charts Telegram channel. Top 80 is at large on Blues Rock 2000-2025 channel already. Do not forget to check up the published playlist there. | 2 248 |
| 15 |  #bluesrock 2012 | 2 223 |
| 16 |  #cultbluesrock Vol. 3/2026 Today saw the latest issue of Cult Blues Rock review. There’s not much left from the previous one. The overall vibe leans slightly toward psychedelia. 555 tracks to last two days. It sounds great on shuffle mode. It’ll be on the air until October, so there’s plenty of time to share it to your heart’s content! Preselected Top 20 will be available soon on Blues Rock Charts telegram media channel. Stay tuned for more music! | 3 082 |
| 17 |  #bluesrockmix Vol. 134. Today saw the 134th mix released today. It features a lot of heavy blues and slow tracks. The selection is evenly split across the three decades of this century. There are many tracks from the 2021–2025 Album Blues Rock web channel, so the chances of recalling something specific are minimal, since the page’s lifespan is limited to 10 days. Much of what we’re featuring today hasn’t made its way into the 50 Shades of Blues Rock playlists. 16 handpicked tracks will be out soon on our @Blues Rock Charts channel. Let’s start it out! You can never have too much blues. | 2 354 |
| 18 |  #albumbluesrock Vol.20/2026 Today’s Review incorporates mainly 2024-2026 years. We will dive deep into the 90's of the last century initiating a thorough analysis of albums released 30 years awhile back. This will be a kinda supplement to the 1996 retrospective currently airing on the Blues Rock Archives web page. More reading and listening... Top 10 as usual to appear shortly on Blues Rock Charts telegram channel | 2 055 |
| 19 |  #50shadesofbluesrock We’re back with another round of quick blues-rock reviews as part of the main 50 Shades of Blues-Rock channel. Today we’re releasing the 3rd release of 360 tracks. Lots of epic music, heavy blues, and soulful blues-rock. TTL: 3 months to absorb. The 25th and 26th years are not covered in this educational program, as they are reviewed separately on the channels “Blues Rock 2000–2025” and “Blues Rock 2026”. Let’s get started! It wouldn’t be a bad idea to review the key moments of modern blues rock. Top 20 is looming out on our Blues Rock Charts telegram channel. | 1 758 |
| 20 |  #outstanding Fire in the Field is a Boston-based hard rock band known for blending elements of heavy blues, funk, and R&B with a punk edge. Frontman Mike Moore is known for his virtuoso Hendrix-esque guitar playing, while the rhythm section lends their signature brashness to their sound. More music & reading on our website. Top 10 will be available on our telegram Blues Rock Charts channel shortly | 2 371 |
