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رفتن به کانال در Telegram
0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot
نمایش بیشتر📈 تحلیل کانال تلگرام 0/0
کانال 0/0 (@error0error) در بخش زبانی عربی بازیگری فعال است. در حال حاضر جامعه شامل 11 313 مشترک است و جایگاه 8 038 را در دسته دین و مذهبی و رتبه 6 849 را در منطقه المملكة العربية السعودية دارد.
📊 شاخص‌های مخاطب و پویایی
از زمان ایجاد در невідомо، پروژه رشد سریعی داشته و 11 313 مشترک جذب کرده است.
بر اساس آخرین داده‌ها در تاریخ 14 نوامبر, 2026، کانال فعالیت پایداری دارد. در ۳۰ روز گذشته تغییر اعضا برابر 163 و در ۲۴ ساعت گذشته برابر 11 بوده و همچنان دسترسی گسترده‌ای حفظ شده است.
- وضعیت تأیید: تأیید نشده
- نرخ تعامل (ER): میانگین تعامل مخاطب 11.94% است و در ۲۴ ساعت نخست پس از انتشار، محتوا معمولاً 5.52% واکنش نسبت به کل مشترکان کسب می‌کند.
- دسترسی پست‌ها: هر پست به طور میانگین 1 351 بازدید دریافت می‌کند. در اولین روز معمولاً 625 بازدید جمع‌آوری می‌شود.
- واکنش‌ها و تعامل: مخاطبان به‌طور فعال حمایت می‌کنند؛ میانگین واکنش به هر پست 0 است.
- علایق موضوعی: محتوا بر موضوعات کلیدی مانند مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن تمرکز دارد.
📝 توضیح و سیاست محتوایی
نویسنده این فضا را محل بیان دیدگاه‌های شخصی توصیف می‌کند:
“0/0 = undefined
A labyrinth of ideas,
A diary of curiosities
Bot: @contactzero_bot”
به لطف به‌روزرسانی‌های پرتکرار (آخرین داده در تاریخ 15 نوامبر, 2026)، کانال همواره به‌روز و دارای دسترسی بالاست. تحلیل‌ها نشان می‌دهد مخاطبان به‌طور فعال با محتوا تعامل دارند و آن را به نقطه اثرگذاری مهم در دسته دین و مذهبی تبدیل کرده‌اند.
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مشترکین
+1124 ساعت
+217 روز
+16330 روز
آرشیو پست ها
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Repost from N/a
"Well, I must endure the presence of a few caterpillars if I wish to become acquainted with the butterflies."
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Repost from N/a
You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.
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The art of painting, and particularly of the “Persian miniature”—exquisitely detailed scenes surrounded by floral and geometric borders—climaxed in Safavid Persia. Calligraphy, regarded as a major art form in the Islamic world due to Muslim reverence for the written Qur’an, also reached perfection here. The two arts came together in illuminated books, the highest artistic products of the age, and the culminating work in this form was a Book of Kings شاهنامه, Firdausi’s epic, produced for a Safavid monarch: it had 258 paintings and sixty thousand lines of calligraphy by various artists—essentially, an entire museum between two covers.
— Destiny Disrupted
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Safavid creativity climaxed in architecture. For example, unlike the monumental Ottoman mosques—those somber mounds of domes bracketed by minarets—the Safavids built airy structures that shimmered with glazed mosaic tiles and seemed almost to float, so that even gigantic mosques looked like they were made of lace and light.And if architecture was the highest art form of Safavid Persia, then city building was its meta-art. The Safavids kept moving their capital (seeking safety from the ever-looming Ottomans) and every time they adopted a new city as their home, they remade it aesthetically. In 1598, after choosing Isfahan as his new capital, Shah Abbas launched a building program that transformed the entire city into a single integrated jewel: by the time he was done, it abounded in public squares, gardens, mosques, mansions, pools, palaces, and public buildings interlaced with handsome boulevards. Awestruck visitors coined the phrase Isfahan Nisfi-Jahan, “Isfahan, half the world” اصفهان نصف جهان (their point being that if you hadn’t seen Isfahan, you’d missed half of all there was to see in the world).
— Destiny Disrupted
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Repost from N/a
Feelings, along with the emotions they come from, are not a luxury. They serve as internal guides, and they help us communicate to others signals that can also guide them. And feelings are neither intangible nor elusive. Contrary to traditional scientific opinion, feelings are just as cognitive as other percepts. They are the result of a most curious physiological arrangement that has turned the brain into the body's captive audience.
(P.16)
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Repost from N/a
"Nowadays people know the price of everything and the value of nothing."
(The Picture of Dorian Gray 📖)
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A curious footnote to the Mongol holocaust occurred in 653 AH (1256 CE), when Hulagu was passing through Persia. A Muslim jurist near Alamut complained to the Mongol khan that he had to wear armor under his clothes all the time for fear of the Assassins headquartered nearby. A short time later, two Fedayeen فدائيين (suicidal Assassin agents) disguised as monks tried to kill Hulagu—and failed. The cult that could kill anyone met the army that could kill everyone. Hulagu took time out from his westward drive to storm Alamut آلموت. He then did to the Assassins what the Mongols had done and would do to many others: he destroyed them physically; he destroyed their stronghold; he destroyed their records, libraries, and papers—in that moment, the menace of the Assassins came to an end.
— Destiny Disrupted
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Which is why feminism first started among women who came from well-off or at least middle-class families, not among peasants or low-paid factory workers... Because the latter were too busy scraping a living than to worry about voting or higher education.
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Feminism's deepest desire is not freedom nor equality, it's envy. Not even envy of men, but envy of affluent men. They want to live the luxurious life of rich men, not to acquire the same rights of typical men, because typical men, like typical women, have little rights if any.
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وبعد اكو تحشيش هواي
بس بيه حمامات عامة وخاوليات توكع... فنمتنع عن ذكره إحترامًا للذوق العام
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ورأيت واحدًا منهم جاء إلى الأمير معين الدين رحمه الله وهو في الصخرة، فقال تريد تبصر الله صغيرًا؟ قال نعم. فمشى بين أيدينا حتى أرانا صورة مريم والمسيح عليه الصلاة والسلام صغير في حِجرها، فقال هذا الله صغير—تعالى الله عما يقول الكافرون علوًا كبيرًا.
