0/0
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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot
Show more📈 Analytical overview of Telegram channel 0/0
Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 11 277 subscribers, ranking 8 062 in the Religion & Spirituality category and 6 857 in the Saudi Arabia region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 11 277 subscribers.
According to the latest data from 09 November, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 144 over the last 30 days and by -5 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 10.64%. Within the first 24 hours after publication, content typically collects 5.32% reactions from the total number of subscribers.
- Post reach: On average, each post receives 1 200 views. Within the first day, a publication typically gains 600 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
- Thematic interests: Content is focused on key topics such as مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“0/0 = undefined
A labyrinth of ideas,
A diary of curiosities
Bot: @contactzero_bot”
Thanks to the high frequency of updates (latest data received on 10 November, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.
11 277
Subscribers
-524 hours
+237 days
+14430 days
Posts Archive
11 280
Marry, and you will regret it; don’t marry, you will also regret it; marry or don’t marry, you will regret it either way. Laugh at the world’s foolishness, you will regret it; weep over it, you will regret that too; laugh at the world’s foolishness or weep over it, you will regret both. Believe a woman, you will regret it; believe her not, you will also regret it… Hang yourself, you will regret it; do not hang yourself, and you will regret that too; hang yourself or don’t hang yourself, you’ll regret it either way; whether you hang yourself or do not hang yourself, you will regret both. This, gentlemen, is the essence of all philosophy.
— Soren Kierkegaard
11 280
اللوحة تذكرني بأساطير الخلق القديمة Genesis بالشرق الأوسط... أغلبها جانت تكول أنّ الكون بدأ بشكل محيط بدائي من الفوضى ومنه طلعت الآلهة بشكل أو بآخر: البابليين سموه تيامات، المصريين القدماء سموه نو Nu، وبالكتاب المقدس سموه Tehom (بالعربية يترجموه لكلمة "الغمر" أو "المحيط" أو الماء).
11 280
Repost from Conatus
«العرب كما تعنى بألفاظها فتصلحها وتهذبها وتراعيها، وتلاحظ أحكامها بالشعر تارة وبالخُطب أخرى وبالأسجاع التي تلتزمها وتتكلف استمرارها، فإن المعاني أقوى عندها وأكرم عليها وأفخم قدرًا في نفوسها.
فأول ذلك عنايتها بألفاظها، فإنها لما كانت عنوان معانيها وطريقًا إلى إظهار أغراضها ومراميها أصلحوها ورتبوها، وبالغوا في تحبيرها وتحسينها؛ ليكون ذلك أوقع لها في السمع وأذهب بها في الدلالة على القصد ألا ترى أن المثل إذا كان مسجوعا لذ لسامعه فحفظه فإذا هو حفظه كان جديرًا باستعماله ولو لم يكن مسجوعًا لم تأنس النفس به، ولا أنقت لمستمعه، وإذا كان كذلك لم تحفظه وإذا لم تحفظه لم تطالب أنفسها باستعمال ما وضع له وجيء به من أجله.
فإذا رأيت العرب قد أصلحوا ألفاظها وحسنوها وحموا حواشيها وهذبوها وصقلوا غروبها وأرهفوها فلا ترين أن العناية إذ ذاك إنما هي بالألفاظ بل هي عندنا خدمة منهم للمعاني وتنويه بها وتشريف منها. ونظير ذلك إصلاح الوعاء وتحصينه وتزكيته، وتقديسه وإنما المبغي بذلك منه الاحتياط للموعى عليه وجواره بما يعطر بشره ولا يعر جوهره كما قد نجد من المعاني الفاخرة السامية ما يهجنه ويغض منه كدرة لفظه وسوء العبارة عنه».
— ابن جني.
11 280
يا قَبرُ يا قَبرُ هل زالَت محاسِنُه
مَن فِيكَ أمْ زالَ ذاكَ المَنظَرُ النَّضِرُ
يا قَبرُ ما أنتَ لا رَوضٌ ولا فَلَكُ
فكيفَ يُجمَع فيكَ الشمسُ والقَمَرُ
11 280
أيَا مَن ذِكرُهم أضحى دِثاري
كما حبّي لهم أضحى شِعارُ
أمَا لأسيرِ حُبِّكُم فداءُ
أمَا لكسيرِ حُبِّكُم جبّارُ
أمَا لِعَليلِ وَصلِكم دواءُ
أمَا لقَتِيلِ هَجرِكم إنتصارُ
أحبَّتَنا إلى كَم ذا التمادي
وكم هذا التباعدُ والنّفارُ
11 280
In this sense, remembrance is an act of interpretation: When we remember some memory, we're essentially interpreting it in accordance with our current situation.
Just think about someone you once loved and now you don't... And think how your memory of them has changed (has been re-interpreted).
11 280
In this sense, remembrance is an act of interpretation:
When we remember some memory, we're essentially interpreting it in accordance with our current situation.
Just think about someone you once loved and now you don't... And think how your memory of them has changed (has been re-interpreted).
11 280
these mental images are momentary constructions, attempts at replication of patterns that were once experienced, in which the probability of exact replication is low but the probability of substantial replication can be higher or lower, depending on the circumstances in which the images were learned and are being recalled.
— Descartes' Error
11 280
What happens instead is that we perceive mainly what is significant to us and we discard the rest of the picture. A simple example is how you can listen to and understand someone's speech in the middle of a loud room. Yet, if you record that same situation with a microphone, you'll only hear a cacophony. This is because your ear listens actively; it perceives. While your microphone merely receives whatever input is there.
Afterwards, this perception is committed to memory, but not in its exact form. Your memory only keeps the gist of it. So when we remember something, we reconstruct the details from the gist. We do not recall them because they simply did not exist prior to the moment of remembrance. It's like a fridge that, instead of having cake in it, only has a recipe for making cake. Everytime you use that recipe, you'll make a slightly different cake.
11 280
We tend to imagine our brain to be a sort of a large library with innumerable shelves of books, or albums of pictures; when we remember a moment, it is simply retrieved/recalled from the library where it was quietly sitting.
But that's not how we humans operate. A camera is a passive instrument; it simply lets the light through, and records whatever it receives, while the eye is an active organ; it seeks what it wants to perceive. The eyes do not capture the moment like cameras do, and they are not sculptors that etch memories onto the brain.
