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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

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๐Ÿ“ˆ Analytical overview of Telegram channel 0/0

Channel 0/0 (@error0error) in the Arabic language segment is an active participant. Currently, the community unites 10 548 subscribers, ranking 8 820 in the Religion & Spirituality category and 7 313 in the Saudi Arabia region.

๐Ÿ“Š Audience metrics and dynamics

Since its creation on ะฝะตะฒั–ะดะพะผะพ, the project has demonstrated rapid growth, gathering an audience of 10 548 subscribers.

According to the latest data from 24 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 300 over the last 30 days and by 10 over the last 24 hours, overall reach remains high.

  • Verification status: Not verified
  • Engagement rate (ER): The average audience engagement rate is 17.72%. Within the first 24 hours after publication, content typically collects 5.84% reactions from the total number of subscribers.
  • Post reach: On average, each post receives 1 869 views. Within the first day, a publication typically gains 616 views.
  • Reactions and interaction: The audience actively supports content: the average number of reactions per post is 0.
  • Thematic interests: Content is focused on key topics such as ู…ูุดูŽุงุนูŽุฑูŽุฉ, ุฑูŽุฌูู„, ุธูู„ู‘, ู†ูุณูŽุงุกูŽุฉ, ุงูุจู†.

๐Ÿ“ Description and content policy

The author describes the resource as a platform for expressing subjective opinions:
โ€œ0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_botโ€

Thanks to the high frequency of updates (latest data received on 25 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Religion & Spirituality category.

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+1024 hours
+477 days
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Posts Archive
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Is the English equivalent of ุงู„ู…ุจุงู„ุบุฉ. It's a figure of speech that employs rhetorical exaggeration for the sake of emphasis. It involves extravagant statements that are obviously untrue. Hyperboles are not the same as lying. Whereas hyperbolic statements are meant to be recognized and interpreted as figurative language with the intent to emphasize, lying involves making false statements with the intent to deceive. Hyperbole is common in love poetry, in which it is used to convey the loverโ€™s intense admiration for his beloved.

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ยซHyperboleยป

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ุฃุญุณูŽู†ู ุงู„ุดูุนุฑู ุฃูƒุฐูŽุจูู‡

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ุจุงุฎุชุตุงุฑ: ุงู„ุดุงุนูุฑ ุญุชู‰ ูŠูˆุถู‘ุญ ู…ู‚ุตุฏู‡ุŒ ุชู„ูƒุงู‡ ูŠุจุงู„ุบ ูƒู„ุด ุจุงู„ูˆุตู ุจุญูŠุซ "ูŠุฎุฑุฌ ุนู† ุงู„ู…ูˆุฌูˆุฏ ูˆูŠุฏุฎู„ ููŠ ุจุงุจ ุงู„ู…ุนุฏูˆู…" ุจู…ุนู†ู‰ ุฃู†ู‘ู‡ ูŠูƒูˆู… ูŠุณูˆู„ู ุนู† ุดูŠ ู…ุง ู…ูˆุฌูˆุฏ ุฃูˆ ุบูŠุฑ ู‚ุงุจู„ ู„ู„ูˆุฌูˆุฏ. ู„ูƒู† ู‡ุงูŠ ุงู„ู…ุจุงู„ุบุฉ ูˆุฅู† ูƒุงู†ุช ุบูŠุฑ ุตุญูŠุญุฉ ุจุงู„ู…ุนู†ู‰ ุงู„ุญุฑููŠุŒ ุฅู„ุง ุฃู†ู‡ุง ูƒู„ุด ุชุณุงุนุฏ ุงู„ู‚ุงุฑุฆ ุฃูˆ ุงู„ุณุงู…ุน ุจุฃู†ู’ ูŠุฑูƒู‘ุฒ ุนู„ู‰ ุงู„ู„ูŠ ูŠุฑูŠุฏู‡ ุงู„ุดุงุนูุฑ. ุฎุงุตุฉู‹ ุจุจุงุจ ุงู„ุบุฒู„ุŒ ุชู„ูƒุฉ ุงู„ุดุงุนุฑ ูŠูˆุตู ุงู„ูุชุงุฉ ุจุดูŠ ู…ุง ู…ูˆุฌูˆุฏ ุจูŠู‡ุงุŒ ุฃูˆ ูŠุณุชุญูŠู„ ุฃู† ูŠูˆุฌุฏ ุจุจุดุฑุŒ ุจุณ ู‡ุงู„ุดูŠ ูŠููŠุฏ ุญุชู‰ ูŠุจูŠู‘ู† ุฃู†ู‡ุง ุญู„ูˆุฉ ูƒู„ุดุŒ ูƒู„ุด

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โ€” ูƒุชุงุจ 'ู†ู‚ุฏ ุงู„ุดูุนุฑ' ู„ู€ ู‚ูุฏุงู…ุฉ ุจู† ุฌุนูุฑ

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ุงู„ุบู„ูˆู‘ ุจุงู„ุดูุนุฑ ุนู†ุฏูŠ ุฃูŽุฌูˆูŽุฏู ุงู„ู…ุฐู‡ูŽุจูŽูŠู†ุŒ ูˆู‡ูˆ ู…ุง ุฐู‡ุจูŽ ุฅู„ูŠู‡ ุฃู‡ู„ู ุงู„ูู‡ู…ู ุจุงู„ุดูุนุฑ ูˆุงู„ุดูุนุฑุงุกู ู‚ุฏูŠู…ู‹ุง. ูˆู‚ุฏ ุจูŽู„ูŽุบูŽู†ูŠ ุนู† ุจุนุถูู‡ู… ุฃู†ู‘ู‡ ู‚ุงู„: ุฃุญุณูŽู†ู ุงู„ุดูุนุฑู ุฃูƒุฐูŽุจูู‡.

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ู‡ูŠ ุฃู†ู’ ูŠุฐูƒุฑ ุงู„ุดุงุนูุฑู ุญุงู„ู‹ุง ู…ูู† ุงู„ุฃุญูˆุงู„ ููŠ ุดูุนุฑู ู„ูˆ ูˆู‚ู ุนู„ูŠู‡ุง ู„ุฃุฌุฒุฃู‡ [ุฃูŽูŠู’ ูƒูŽูุงู‡] ุฐู„ูƒ ููŠ ุงู„ุบุฑุถ ุงู„ุฐูŠ ู‚ูŽุตูŽุฏูŽู‡ุŒ ูู„ุง ูŠู‚ู ุญุชู‰ ูŠูŽุฒูŠุฏ ููŠ ู…ูŽุนู†ู‰ ู…ุง ุฐูŽูƒูŽุฑูŽู‡ ู…ู† ุชู„ูƒ ุงู„ุญุงู„ ู…ุง ูŠูƒูˆู† ุฃุจู„ุบูŽ ููŠู…ุง ู‚ูŽุตูŽุฏ ู„ู‡

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ยซุงู„ู…ุจุงู„ุบุฉยป

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- Lisa Sanders

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In medicine, it is essential to rule out diseases that can kill, and then move on to those that may only make you wish you were dead.

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ูŠูู†ู‚ูŽู„ ุนู† ุงู„ุฃุฎ ุฃุจูˆ ุฌุงุณู…: ุฃูƒูˆ ู…ุซู„ ุนู†ุฏ ุฃู‡ู„ ุงู„ุบุฑุจูŠุฉ "ูƒุงูˆู† ุจุญูŠู„ ุฑุฌุงู„...ูˆุฃุถุฑุจ ุจฺฏู„ุจ ู…ุฑุฉ" ู„ุงู† ุงู„ู…ุฑุฃุฉ ู‚ู„ุจู‡ุง ู‚ุงุณูŠ ุฃูƒุซุฑ ู…ู† ู…ุง ู†ุชุฎูŠู„

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In revenge and in love, a woman is more barbaric than man is. - Friedrich Nietzsche

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Prisoner 1: Why are you here? Prisoner 2: I said something bad about comrade Kalabanov, how about you? Prisoner 1: That's odd
Prisoner 1: Why are you here? Prisoner 2: I said something bad about comrade Kalabanov, how about you? Prisoner 1: That's odd I am in here for saying something good about comrade Kalabanov. Prisoner 1 and 2 turn their heads and exclaim: Why are you here comrade? Prisoner 3: I am comrade Kalabanov!

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ูŠุง ู…ูŽู† ูˆูŽุตูŽู„ุชูŽ ุฅู„ู‰ ุจุงุจู ุงู„ุฅู„ู‡ ู„ูƒูŠ ุชูŽู‚ูˆู„ูŽ ู„ู„ุฎูŽู„ู‚ู ู‡ุฐุง ุงู„ุจุงุจู ู…ุง ูˆูุตูุฏุง ู…ูู† ู‚ุงุจู ู‚ูŽูˆุณูŽูŠู†ู ุฃูˆ ุฃุฏู†ู‰ ุชูŽุตูŠุญู ุจูู‡ูู… ู„ูŽู…ู’ ูŠูŽู…ุชู†ูุน ุฑุจู‘ูƒู… ุนูŽู†ูƒูู… ูˆู„ุง ุจูŽุนูุฏุง ููŽุชู‚ู ุงู„ุณู…ุงูˆุงุชู ูˆุงู„ุฃุฑุถููŠู†ูŽ ุชูŽุฑุชู‚ูู‡ ุจุฅุฐู†ู ุฑุจู‘ูƒ ุญุชู‰ ุนุงุฏูŽ ู…ูู†ุณูŽุฑูุฏุง ุฃูุฏููŠ ูƒุณุงุกูŽูƒ ู„ูŽูู‘ ุงู„ุฃุฑุถูŽ ู‚ุงุทูุจูŽุฉู‹ ู‚ูŽู…ูŠุตูŽ ูŠูˆุณููŽ ุฏุงูˆู‰ ุฌูŽูู†ูŽู‡ุง ุงู„ุฑู‘ูŽู…ูุฏุง ู…ูŽุฏูŽุฏุชูŽ ู…ูู† ููŽูˆู‚ู ุฃู‡ู„ู ุงู„ู„ู‡ู ุฎูŽูŠู…ูŽุชูŽู‡ ููŠ ูƒูู„ู‘ู ู‚ูุทุฑู ุนูŽู‚ูŽุฏุชูŽ ุงู„ุญูŽุจู„ูŽ ูˆุงู„ูˆูŽุชูŽุฏุง

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ุดูŽูŠุฎูŒ ุจูŠุซุฑูุจูŽ ูŠูŽู‡ูˆุงู†ุง ูˆู„ูŽู… ูŠูŽุฑูŽู†ุง ู‡ูฐุฐูŠ ู‡ุฏุงูŠุงู‡ู ููŠู†ุง ู„ูŽู… ุชูŽุฒูŽู„ ุฌูุฏูุฏุง ูŠุง ุฏุงุนูŠู‹ุง ู„ูŽู… ุชูŽุฒูŽู„ ุชูŽุดู‚ู‰ ุงู„ู…ูู„ูˆูƒู ุจูู‡ ูˆุงู„ุนูŽุจุฏู ู„ูˆ ุฒูุฑุชูŽู‡ ููŠ ุญูู„ู…ูู‡ ุณูŽุนูุฏุง

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ูˆูŽุฃูŽุญุณูŽู†ู ู…ูู†ูƒูŽ ู„ูŽู… ุชูŽุฑูŽ ู‚ูŽุทู‘ู ุนูŽูŠู†ูŠ ูˆูŽุฃูŽุฌู…ูŽู„ู ู…ูู†ูƒูŽ ู„ูŽู… ุชูŽู„ูุฏู ุงู„ู†ูุณุงุกู ุฎูู„ูู‚ุชูŽ ู…ูุจูŽุฑู‘ูŽุกู‹ ู…ูู† ูƒูู„ู‘ู ุนูŽูŠุจู ูƒูŽุฃูŽู†ู‘ูŽูƒูŽ ู‚ูŽุฏ ุฎูู„ูู‚ุชูŽ ูƒูŽู…ุง ุชูŽุดุงุกู

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