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0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot
Ko'proq ko'rsatish📈 Telegram kanali 0/0 analitikasi
0/0 (@error0error) Arab til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 10 545 obunachidan iborat bo'lib, Din & Maʼnaviyat toifasida 8 820-o'rinni va Saudiya Arabistoni mintaqasida 7 313-o'rinni egallagan.
📊 Auditoriya ko‘rsatkichlari va dinamika
невідомо sanasidan buyon loyiha tez o‘sib, 10 545 obunachiga ega bo‘ldi.
24 Iyun, 2026 dagi oxirgi ma’lumotlarga ko‘ra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni 300 ga, so‘nggi 24 soatda esa 10 ga o‘zgardi va umumiy qamrov yuqori darajada qolmoqda.
- Tasdiqlash holati: Tasdiqlanmagan
- Jalb etish (ER): Auditoriya o‘rtacha 17.72% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 5.84% ini tashkil etuvchi reaksiyalarni to‘playdi.
- Post qamrovi: Har bir post o‘rtacha 1 869 marta ko‘riladi; birinchi sutkada odatda 616 ta ko‘rish yig‘iladi.
- Reaksiyalar va o‘zaro ta’sir: Auditoriya faol: har bir postga o‘rtacha 0 ta reaksiya keladi.
- Tematik yo‘nalishlar: Kontent مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن kabi asosiy mavzularga jamlangan.
📝 Tavsif va kontent siyosati
Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida ta’riflaydi:
“0/0 = undefined
A labyrinth of ideas,
A diary of curiosities
Bot: @contactzero_bot”
Yuqori yangilanish chastotasi (oxirgi ma’lumot 25 Iyun, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli bo‘lib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Din & Maʼnaviyat toifasidagi muhim ta’sir nuqtasiga aylantirishini ko‘rsatadi.
10 545
Obunachilar
+1024 soatlar
+477 kunlar
+30030 kunlar
Postlar arxiv
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We spend our lives in tension between reacting to what life throws at us and our attempts to gain/regain control over our own fate.
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*Feelings like excitement and happiness require their opposites in order to exist and be truly appreciated: excitement cannot exist without boredom preceeding it, and happiness feels like walking into open space because it follows the suffocating, drowning feeling of unhappiness. They are felt the same way a change of weather is felt, like a cool breeze of air in a hot summer day.
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Also, if I may be allowed to crudely generalize:
When you examine Western culture's fantasies and expectations, you find them all seeking a steady state of things; they want to achieve a state of eternal happiness, of excitement, and of tranquility all at the same time even though these concepts are antithetical, and even though it's impossible to maintain such euphoric feelings continuously over a long period of time (have you ever known a person who's been happy or excited* for more than a month or even a week?).
The fantasies of Arabian-Islamic literature and life appreciate the ups and downs of life more realistically. A good marriage (notice that prior to modern era, it was very uncommon to hear the term "happy marriage" in our culture) is only maintained because both parties have actively decided to make it work without primarily relying on the oscillating, fleeting nature of love and emotions (not to say that they are unimportant or irrelevant). The priority in the Arabian-Islamic life is for duty; one lives a good life if one fulfills his duties in life, whatever they may be. In this context, love and its moments act as sweet interjections into the ordinary, dutiful pace of life:
دي ليلة حب حلوة
بألف ليلة وليلة
بكل العمر، هو العمر إيه غير ليلة
زي الليلة...
A man must be prudent, wise, and proud in his conduct, except in love where he is allowed to be heedless, a fool, and be humbled by it:
قد كُنتُ ذا صبرٍ وذا سَلْوَةٍ
فإستَشهَدا في طاعةِ الحُبِ
لا جَعَلَ اللّٰهُ رَسِيسَ الهَوى
أشَدَّ سُلطاناً على القَلبِ
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This reminded me of a metaphor about love as a "house," but it can be extended to marriage:
أنْ تحبّ شخصًا أشبه بالإنتقال إلى منزل جديد. في البداية تقع في حب كلِّ الأشياءِ الجديدة، مُندهشًا كل صباح من أنّ كل هذا يخصّك؛ كما لو كُنت خائفًا من أنْ يأتي أحدهم فجأةً ويقتحم الباب ليقول لك أنّ خطًأ فظيعًا قد حدث، وأنّه لم يكن مقدّرًا لك في الواقع العيش في مكان رائع كهذا. ثم على مر السنوات تتقشّر الجدران، ويتشقق الخشب هنا وهناك، وتبدأ بحب ذلك البيت كثيرًا؛ ليس بسبب كل حسناته، وإنما بالأحرى بسبب علّاته. وشيئًا فشيئًا تُصبح على معرفة بكل ركن من أركانه وزاويةٍ من زواياه، وكيف تتجنّب نسيان المفتاح داخل القفل عندما يكون الطقس باردًا في الخارج، وأيًّا من ألواح الأرضية يتحرّك قليلًا عندما يدوس أحدهم عليه، أو بالضبط كيف تفتح باب خزانة الملابس دون إحداث صرير. هذه هي الأسرار الصغيرة التي تجعل منه منزلك.
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Repost from Chaotic mind
I think the tragedy is the expectation that marriage brings novelty.
It won't and it never claimed to,
Marriage is about familiarity and boredom not sparks and excitement,
You want someone that you can be familiar with enough to be your home,
A place you can rest your head at the end of the day.
و القرآن حطها بكلمات تختصر كلشي بهاي الاية:
"﴿ وَمِنْ آيَاتِهِ أَنْ خَلَقَ لَكُم مِّنْ أَنفُسِكُمْ أَزْوَاجًا لِّتَسْكُنُوا إِلَيْهَا وَجَعَلَ بَيْنَكُم مَّوَدَّةً وَرَحْمَةً ۚ إِنَّ فِي ذَٰلِكَ لَآيَاتٍ لِّقَوْمٍ يَتَفَكَّرُونَ﴾
لتسكنوا اليها
هنا السكون هو الطمأنينة
So the idea of marriage is tranquility.. At least in our religion,
Westerners brought the idea of thrill and excitement in marriage, so they always suffer trying to "bring back the spark".
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The commonplace tragedy where the average love of the "average man and the average woman" withers ten years into marriage, and high expectations are replaced by deep disappointments.
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"I bet she's not ugly. The only sin she's committed is being familiar."
"Because he doesn't know what he wants."
"He knows. It's just the way he is. And maybe it's just the way she is."
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This is one reason why I never take this channel (or you tbh) too seriously... Because it's all too public
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عمومًا بالنهاية لما تحجي بمكان عام (والسوشيل ميديا مكان عام) لازم تتقبل النقد والتحشيش والتسخيف... ببساطة لأن كلامك صار ملكية عامة ومو بيدك
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Bot:
لا والله، الصدگ، متى نخلص من "خريط" المثقف هذا؟ الواحد ما عاد يگدر يحجي كلمتين أو ينشر صورة، أو يضمن حديثه كم مصطلح علمي، بدون ما يقولون عليه "مسوي فيها مثقف" وتبدي الشخصنة. وتفك!
