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Sculpture Traditions in the Indus Valley Civilisation
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Introduction
🟢 The Indus Valley or Harappan Civilisation flourished during the Bronze Age.
🟢 Its artistic traditions are reflected in sculptures made of
stone, metal and terracotta.
🟢 The discovery of statues, figurines and seals indicates a high degree of artistic imagination and technical skill.
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Broad Phases of Ancient Indian Sculpture
🟢 Indus Valley Civilisation Phase
🟢 Mauryan/Buddhist Phase
🟢 Post-Mauryan Phase
🟢 Gupta Phase
🟢 South Indian Phase
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1. Stone Sculptures
🟢
Bearded Man/Priest-King
🟢 Made of
steatite
🟢 Found at
Mohenjo-daro
🟢 Depicted wearing a shawl decorated with
trefoil patterns
🟢 Features include a trimmed moustache and beard, middle-parted hair and a headband.
🟢 An armlet and perforations around the neck are also visible.
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Male Torso
🟢 Found at
Harappa
🟢 Made of
red sandstone
🟢 Socket holes in the neck and shoulders suggest that the head and arms were attached separately.
🟢 Despite being damaged, the sculpture reflects remarkable vitality and anatomical understanding.
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2. Metal Sculptures
🟢 Bronze casting was practised at major Harappan sites.
🟢 The
Lost Wax Technique (Cire Perdue) was used.
🟢
Bronze Dancing Girl
🟢 Found at
Mohenjo-daro
🟢 A small bronze figure, about
10.8 cm high
🟢 Depicted in a confident posture with one hand on the hip.
🟢 Adorned with numerous bangles and ornaments.
🟢 Represents exceptional mastery of bronze casting and naturalistic expression.
🟢 Other bronze figures include
animal sculptures such as buffaloes and bulls.
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Lost Wax Technique
🟢 A model of the desired figure was first made in wax.
🟢 It was covered with clay to create a mould.
🟢 The mould was heated, allowing the wax to melt and drain out.
🟢 Molten metal was then poured into the hollow mould.
🟢 After cooling, the clay covering was removed to reveal the metal sculpture.
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3. Terracotta Sculptures
🟢
Mother Goddess
🟢 One of the prominent terracotta figurines is associated with
Mohenjo-daro.
🟢 It is commonly interpreted as representing fertility and prosperity.
🟢 Such figurines are generally depicted standing and wearing ornaments and elaborate headgear.
🟢 Terracotta figurines also depict
humans, animals and everyday life, reflecting the social and cultural world of the Harappans.
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Seals of the Indus Valley Civilisation
🟢 Seals were mainly made of
steatite, though other materials were also used.
🟢 They depict animals, human figures, religious symbols and the undeciphered Indus script.
🟢 They were likely used for
identification, administration and commercial purposes.
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Important Seals
🟢
Pashupati Seal
🟢 Made of steatite and found at
Mohenjo-daro
🟢 Depicts a central figure seated in a yogic or cross-legged posture.
🟢 Surrounded by an elephant, tiger, rhinoceros and buffalo, with two animals below the seat.
🟢 The figure has a distinctive horned headgear.
🟢 It is often interpreted as a possible
proto-Shiva or Pashupati figure, though this interpretation remains debated.
🟢
Unicorn Seal
🟢 Depicts a distinctive, possibly mythical one-horned animal.
🟢 Reflects the Harappans’ artistic imagination and symbolic tradition.
🟢 One of the most common motifs on Indus seals.
🟢
Bull Seal
🟢 Depicts a powerful humped bull.
🟢 Reflects the sculptors’ close observation of animals and knowledge of anatomy.
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Significance of Harappan Sculpture and Seals
🟢 Reflects advanced artistic and technical skills.
🟢 Provides insights into
dress, ornaments and hairstyles.
🟢 Indicates commercial and administrative practices.
🟢 Offers clues about religious beliefs and symbolic traditions.
🟢 Demonstrates a sophisticated understanding of
human and animal forms.
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The sculpture tradition of the Indus Valley Civilisation laid the foundation for India’s long and diverse artistic heritage.
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