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رفتن به کانال در Telegram

0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

نمایش بیشتر

📈 تحلیل کانال تلگرام 0/0

کانال 0/0 (@error0error) در بخش زبانی عربی بازیگری فعال است. در حال حاضر جامعه شامل 10 609 مشترک است و جایگاه 8 703 را در دسته دین و مذهبی و رتبه 7 218 را در منطقه المملكة العربية السعودية دارد.

📊 شاخص‌های مخاطب و پویایی

از زمان ایجاد در невідомо، پروژه رشد سریعی داشته و 10 609 مشترک جذب کرده است.

بر اساس آخرین داده‌ها در تاریخ 03 ژوئیه, 2026، کانال فعالیت پایداری دارد. در ۳۰ روز گذشته تغییر اعضا برابر 250 و در ۲۴ ساعت گذشته برابر 5 بوده و همچنان دسترسی گسترده‌ای حفظ شده است.

  • وضعیت تأیید: تأیید نشده
  • نرخ تعامل (ER): میانگین تعامل مخاطب 13.49% است و در ۲۴ ساعت نخست پس از انتشار، محتوا معمولاً 7.09% واکنش نسبت به کل مشترکان کسب می‌کند.
  • دسترسی پست‌ها: هر پست به طور میانگین 1 431 بازدید دریافت می‌کند. در اولین روز معمولاً 752 بازدید جمع‌آوری می‌شود.
  • واکنش‌ها و تعامل: مخاطبان به‌طور فعال حمایت می‌کنند؛ میانگین واکنش به هر پست 0 است.
  • علایق موضوعی: محتوا بر موضوعات کلیدی مانند مُشَاعَرَة, رَجُل, ظِلّ, نِسَاءَة, اِبن تمرکز دارد.

📝 توضیح و سیاست محتوایی

نویسنده این فضا را محل بیان دیدگاه‌های شخصی توصیف می‌کند:
0/0 = undefined A labyrinth of ideas, A diary of curiosities Bot: @contactzero_bot

به لطف به‌روزرسانی‌های پرتکرار (آخرین داده در تاریخ 04 ژوئیه, 2026)، کانال همواره به‌روز و دارای دسترسی بالاست. تحلیل‌ها نشان می‌دهد مخاطبان به‌طور فعال با محتوا تعامل دارند و آن را به نقطه اثرگذاری مهم در دسته دین و مذهبی تبدیل کرده‌اند.

10 609
مشترکین
+524 ساعت
+577 روز
+25030 روز
آرشیو پست ها
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— The Eden Project: In Search of the Magical Other.

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One of the false ideas that drive humankind is the fantasy of the Magical Other, the notion that there is one person out there who is right for us ... a soul-mate who will repair the ravages of our personal history; one who will be there for us, who will read our minds, know what we want and meet those deepest needs; a good parent who will protect us from suffering and, if we are lucky, spare us the perilous journey of individuation.

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More people look for salvation through relationship than in the houses of worship. One may even suggest that romantic love has replaced institutional religion as the greatest motive power and influence in our lives ... the search for love has replaced the search for God.

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Informational Tourism Tourism is defined as "traveling for pleasure." You seek new places in search of pleasurable experience. Informational tourism is a similar phenomenon; it is traveling—metaphorically—through endless seas of information in search of some knowledge, facts, did-you-know's that are simply interesting. The problem with informational tourism is the same as with real tourism: the traveller is active, he searches for adventure and almost "studies" and tries to penetrate deep into the new culture he is in. While the tourist is passive, he goes to "popular tourist destinations" and expects interesting things to happen to him. The traveller steps away from his comfort zone and bears danger and estrangement, but the tourist, in a sense, never leaves the comfort of his residence. Informational tourists give the illusion of knowledge and wisdom, while in reality they are nothing more than trivia books on two legs. Many of those perceived to be educated or smart in the simple sense are mere tourists in the vast lands of knowledge. They pick up interesting, safe, and welcoming places to visit and get some souvenirs (trivia) to exhibit them back at home.

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Reading is like eating, you have to give yourself the time to digest what you just consumed. Contemplation, reflection, discussion, argumentation, thinking and rethinking are way more important than mere ingestion of new information. A world so focused on getting so much done in so little time, loses the ability to contemplate, to fully understand and incorporate separate informations into the whole body of knowledge.

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Repost from L'appel du Vide.
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شكو مادة سختت بيها بأول 3 مراحل دترجعلي وتطيح حظي هسة...

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ذكرني بسشن الأشعة هواي مرات أصفن على الأشعة وماشوف شي لحد ما الدكتور يأشر على الـ abnormality وفجأة تصير واضحة كلش وماكدر ماشوفها بعد

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Perhaps Osler was mistaken when he said that more diagnoses were missed because of not seeing than not knowing. Perhaps not knowing is what caused not seeing. The expectations of the viewer are the primary shapers of what is seen, and that the unexpected will often be missed. We become better seers when we have better expectations.

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You only see what you look for, and you only look for what you know.

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Courage, The Spirit of Daring and Bearing Courage was scarcely deemed worthy to be counted among virtues, unless it was exercised in the cause of Righteousness. Confucius defines Courage by explaining what its negative is. ‘Perceiving what is right, and doing it not, argues lack of courage.’ To run all kinds of hazards, to jeopardize one's self, to rush into the jaws of death – these are too often identified with Valour, and in the profession of arms such rushness of conduct – what Shakespeare calls, ‘valour misbegot’ – is unjustly applauded; but not so in the Precepts of Knighthood. Death for a cause unworthy of dying for was called a ‘dog's death.’ ‘To rush into the thick of battle and to be slain in it,’ says a Prince of Mito, ‘is easy enough, and the merest churl is equal to the task; but it is true courage to live when it is right to live, and to die only when it is right to die,’ and yet the Prince had not even heard of the name of Plato, who defines courage as ‘the knowledge of things that a man should fear and that he should not fear.’ — Inazo Notibé, Bushido

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Repost from CHAOS
The Wonderful Story of Henry Sugar (2023)
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The Wonderful Story of Henry Sugar (2023)

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— The Agony of Eros

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the Internet is “position[ing] the modern individual as a desiring subject, longing for experiences, daydreaming about objects or forms of life, and living experiences in an imaginary and virtual mode.” Increasingly, the modern self realizes its wishes and feelings in imaginary ways, through commodities and media images. Its imaginative faculty is determined by the market and mass culture.