Symptoms
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Symptomatic amalgamation of readings and highlights from a variety of areas: philosophy, clinical psychoanalysis, literature, art history, political theory, and everything in between. www.jouissance.net @DivyaRanjan1905
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Publicaciones del Canal
| 2 | Jennifer_Pitts_A_Turn_to_Empire_The_Rise_of_Imperial_Liberalism.pdf | 219 |
| 3 |  Sin texto... | 211 |
| 4 | https://en.wikipedia.org/wiki/Narcissism_of_small_differences | 289 |
| 5 | Autistici supplied much of the technical knowledge. Inventati brought its experience with publishing, cultural work and movement communication. Together they became Autistici/Inventati, usually shortened to A/I. The collective’s legal association was called Investici, but A/I never became a conventional organization. It had no coordinator, official leader or permanent spokesperson. Decisions were made collectively rather than by majority vote. Nobody was paid. Its resources came from voluntary donations, benefit events and the labor of the people maintaining it. The dual name was deliberate. A/I was a Janus-faced creature: one face technical, the other communicative; one facing the machine, the other facing the movements that needed it. | 322 |
| 6 | In solidarity with Autistici/Inventati whose email service I have uses for 3 years now. They are an example of how the Left must fight against the State and Capital!
https://cavallette.noblogs.org/2026/08/10083/2 | 504 |
| 7 | Take a book, the poorest one written, but read it with the passion that it is the only book you will read-ultimately you will read everything out of it, that is, as much as there was in yourself, and you could never get more out of reading, even if you read the best of books.
Soren Kierkegaard, Stages on Life's Way (1845) | 333 |
| 8 | What is this ache that afflicts me so
Do you know, can you sense it my beloved?
Can you sense it from afar?
A rain drenched darkness
A night streaked with lightning
The breeze throbbing to the tremors in my heart
Do you know, can you sense it my beloved?
This woeful wakefulness of mine
I wonder if it will be in vain
Do you know my beloved?
The Malati you planted at my doorstep
She has blossomed today
Do you know my beloved?
The Veena that you had tuned
She cries out in my lap today
The ache of being forgotten
Rabindranath Tagore, aamaar ki bedona shey ki jaano (tr. Rumela Sengupta) | 327 |
| 9 | আমার কী বেদনা সে কি জানো
ওগো মিতা, সুদূরের মিতা।
বর্ষণনিবিড় তিমিরে যামিনী বিজুলি-সচকিতা॥
বাদল-বাতাস ব্যেপে আমার হৃদয় উঠিছে কেঁপে--
সে কি জানো তুমি জানো।
উৎসুক এই দুখজাগরণ এ কি হবে বৃথা
ওগো মিতা, সুদূরের মিতা,
আমার ভবনদ্বারে রোপিলে যারে
সেই মালতী আজি বিকশিতা--সে কি জানো।
যারে তুমিই দিয়েছ বাঁধি
আমার কোলে সে উঠিছে কাঁদি--সে কি জানো তুমি জানো।
সেই তোমার বীণা বিস্মৃতা॥
রবীন্দ্রনাথ ঠাকুর | 295 |
| 10 | What my heart wants to tell remains untold within
What comes forth are my tears, my ache
I think of saying a few words
Why do I look at you and withdraw
I fear your gaze would make me faint
Why do my eyelids lower so
He walks away crestfallen
Do call him back, my friend
He could not fathom, he left in pain
My heart-creeper lies drooping in the dust
Rabindranath Tagore, "mone roye gelo moner kotha" (tr. Rumela Sengupta) | 307 |
| 11 | মনে রয়ে গেল মনের কথা--
শুধু চোখের জল, প্রাণের ব্যথা ॥
মনে করি দুটি কথা ব'লে যাই, কেন মুখের পানে চেয়ে চলে যাই।
সে যদি চাহে মরি যে তাহে, কেন মুদে আসে আঁখির পাতা ॥
ম্লানমুখে, সখী, সে যে চলে যায়-- ও তারে ফিরায়ে ডেকে নিয়ে আয়
বুঝিল না সে যে কেঁদে গেল-- ধুলায় লুটাইল হৃদয়লতা।
রবীন্দ্রনাথ ঠাকুর | 304 |
| 12 | https://thelampmagazine.com/issues/issue-36/over-the-borderline | 406 |
| 13 | https://open.substack.com/pub/awaisaftab/p/under-the-borderline-rensin-and-the | 415 |
| 14 | But have we forgotten the first contacts of our early youth with genius? We never deliberately chose anything; we had successive, or simultaneous, enthusiasms, often quite incompatible with each other. What young poet ever chose between Baudelaire and Jean Aicard (or even Théophile Gautier)? What novelist between Dostoevski and Dumas (or even Dickens)? What painter between Delacroix and Cormon (or even Decamps)? What musician between Mozart and Donizetti (or even Mendelssohn)? Tristan did not choose between Isolde and the lady beside her. Every young man’s heart is a graveyard in which are inscribed the names of a thousand dead artists but whose only actual denizens are a few mighty, often antagonistic, ghosts.
André Malraux, Voices of Silence (1974) | 490 |
| 15 | Erdmut_Wizisla_Walter_Benjamin_and_Bertolt_Brecht_The_Story_of_a.pdf | 481 |
| 16 |  Sin texto... | 498 |
| 17 |  Sin texto... | 469 |
| 18 |  Jalal al-Din Rumi, Masnavi | 583 |
| 19 | I say down with British Imperialism. You say India do not have peace. We have only slavery. Generations of so called civilization has brought for us everything filthy and degenerating known to the human race. All you have to do is read your own history. If you have any human decency about you, you should die with shame. The brutality and bloodthirsty way in which the so called intellectuals who call themselves rulers of civilization in the world are of bastard blood...
[....]
'I am standing before an English jury. I am in an English court. You people go to India and when you come back you are given a prize and put in the House of Commons. We come to England and we are sentenced to death.'
'I never meant anything; but I will take it. I do not care anything about it, but when you dirty dogs come to India there comes a time when you will be cleaned out of India. All your British Imperialism will be smashed.'
'Machine guns on the streets of India mow down thousands of poor women and children wherever your so-called flag of democracy and Christianity flies.'
'Your conduct, your conduct - I am talking about the British government. I have nothing against the English people at all. I have more English friends living in England than I have in India. I have great sympathy with the workers of England. I am against the Imperialist Government.'
'You people are suffering - workers. Everyone is suffering through these dirty dogs; these mad beasts. India is only slavery. Killing, mutilating and destroying - British Imperialism. People do not read about it in the papers. We know what is going on in India.'
Last Words of Udham Singh (Ram Mohammad Singh Azad) | 919 |
| 20 |  Sin texto... | 848 |
