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John Baldessari Luna Kim 2018

Luiz Sacilotto Study 1982

Florence Homolka Erika Mann 1948

Joan Miró Constellations 1959

Peter Hujar David Wojnarowicz In Dianne B. Fashion Shoot II 1983

Francesca Woodman Untitled Providence, Rhode Island 1975–78

Between Forms of Representation and Interpretation. On the Work of Andres Ramirez Gaviria Designed by Lesley Moore Cabinet project, Onomatopee Eindhoven, 2012

Yvonne Rainer Trio A 1978 Trio A consists of a four-and-a-half-to-five-minute sequence of discrete movements that, with the exception of walking, are never repeated. Although it appears effortless, the dance is painstaking to learn in its precise articulation of hands, arms, shoulders, feet, and legs. It is a signature work by Rainer, who in the 1960s transposed to dance the ideas that were then giving shape to the era’s Minimalist sculpture and painting, abandoning the aesthetics of classical and modern dance—which were rooted in virtuosic technique and expression—in favor of an unenhanced physicality and uninflected continuity of motion. [x]

Distel Herbert Kegelplastik V 1965

Limite / Limit Directed by Mário Peixoto 1931 [x]

Alexander Calder Lobster Trap and Fish Tail 1939

It is the time when the cabbage is served with wrath and the calf with hate, it is the time when death draws wine from nightshade, it is the time when the blinder you are the more you stare, it is the time when field boundaries are ploughed up, it is the time when the hot tear knows that it cries alone, it is the time when the wolf grabs letter and book, it is the time when the searchlight is on the spirit it is the time when you cannot love your own unhappiness because it is everyone's. Vladimír Holan, Verses, from Vladimír Holan, Selected poems, trans. Jarmila and Ian Milner

Meret Oppenheim Modell für Brunnen “Kristall / Crystal (Model for Fountain) 1979

1) Michael de Courcy, Geodesic Dome construction at 4th and Arbutus, 1970 2) Michael de Courcy, Bazaar day at the Dome Show, 1970 Dome Show was Intermedia’s third and final exhibition at the Vancouver Art Gallery. The unifying structure of the Dome Show was the geodesic dome, Intermedia members were invited to build a dome individually or communally. A variety of art events and community events took place in the gallery and in the geodesic domes. [x]

Anni Albers With Verticals 1946 From: “Connections 1925–83”portfolio, 1984

Guy Rombouts oei Posture Editions Gand-Ghent, 2023

Group Ludic The Playground Project, Les Halles Paris, France 1970 “Les Halles, the former wholesale market in the center of Paris, had already been closed by 1970 but the structures were still there for some time, waiting to be demolished the following year. Xavier de la Salle, Simon Koszel and David Roditi were given one the pavilions, a ten thousand square feet area with no walls and a roof made of glass and iron. What they set up there was not so different from their earlier works, and the formal vocabulary was more or less the same. They had a very innovative approach to outdoor games as they were influenced by psychologist Jean Piaget […] What made this project particularly distinctive was the context. François Mathey became interested in the first place not just because of the design but also “the social issues raised by the intention to install them in public spaces.” [x]

Maryanne Gjersvik From Green Fun: Instant Toys, Tricks, and Amusements Anyone Can Make from Common Weeds, Seeds, Leaves and Flowering Things The Chatham Press 1972

Clotilde Olyff Stone Alphabet 1994