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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature. Tiny, but cosy discussion group [Not to be taken too seriously!]: https://t.me/+I522TcNiXNwwYTM6
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Incoming and Outgoing Mentions
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| Date | Subscriber Growth | Mentions | Channels | |
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Channel Posts
| 2 | Sophie Bueno-Boutellier
Karmic Bond
2009 | 0 |
| 3 | Agnes Martin
Drift of Summer
1965 | 0 |
| 4 | Petr Miturich
Ten Cubes
1919-1921 | 0 |
| 5 | Ernst Haas
Jean Cocteau
Paris, 1952 | 0 |
| 6 | Max Cooper — Unspoken Words
2022
[x] | 0 |
| 7 | Katalin Ladik
Poemim
1978/2016 | 0 |
| 8 | Sylvano Bussotti
Solo da La Passion selon Sade 1966
[x] | 0 |
| 9 | https://youtu.be/_WnmJVrkGbM?si=DxxX1TBrnD5S3ww5 | 0 |
| 10 | Toshi Ichiyanagi
鷹 = Taka (Hawk)
Unac Tokyo, 1982
[x] | 0 |
| 11 | Hans Namuth
Marisol Escobar
1964 | 0 |
| 12 | WHERE DO WE GO FROM HERE?
Does dance depend? Or is it independent? Questions that seem political. They arose in an aesthetic situation. What's to be said? People and sounds interpenetrate.
We thought that sounds took place in time. We see they're vibratory movements of particles in air. Each one, setting out from its point in space, gets to all its arrivals from a single departure. Thoughts about time drop off like dead skin. Dance takes place with one foot in the grave. "Dance or I'll shoot"- each time the curtain goes up.
John Cage, from A Year from Monday: New Lectures and Writings, 1967
[x] | 0 |
| 13 | Joaquim Gomis
Joan Miró Workshop at Passatge del Crèdit
Barcelona, 1946 | 0 |
| 14 | Nye Ffarrabas
Punctuation Poems
1966 | 0 |
| 15 | Isamu Noguchi
The Ring
1945–1948
[x] | 0 |
| 16 | Hermann Finsterlin
Stilspiel (The Play with Styles)
1916
[x] | 0 |
| 17 | THIS TOO
This too is your lot: to witness bitterly lewd silence
and just at those moments when only the Underworld knows
what a woman dares before a man decides,
both right in the middle between the fallen tree of youth
and the excrement of an old age.
This too is your lot:
bitterly to witness the adulterous lechery of music, exactly at those moments when, she, pushed into her crotch,
thrusts forth her breasts
so as to sough then from her nefarious mouth
through the wall cracked by Agamemnon's fall to you…
Vladimír Holan, This Too, from Walls, trans. Josef Tomáš | 0 |
| 18 | Ralph Eugene Meatyard
Untitled
1960 | 0 |
| 19 | Shirazeh Houshiary
Untitled (I)
2003 | 0 |
| 20 | John Berger
After “Madonna of the Pomegranate”
2000-2010
From the brochure “John Berger - Permanent Red”, Centre de la Imatge, Barcelona
[x] | 0 |
