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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature. Tiny, but cosy discussion group [Not to be taken too seriously!]: https://t.me/+I522TcNiXNwwYTM6

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Posts Archive
Edward Weston Tupátaro Michoacán, Mexico 1926
Edward Weston Tupátaro Michoacán, Mexico 1926

Sophie Bueno-Boutellier Karmic Bond 2009
Sophie Bueno-Boutellier Karmic Bond 2009

Agnes Martin Drift of Summer 1965
Agnes Martin Drift of Summer 1965

Petr Miturich Ten Cubes 1919-1921
Petr Miturich Ten Cubes 1919-1921 

Ernst Haas Jean Cocteau Paris, 1952
Ernst Haas Jean Cocteau Paris, 1952

Max Cooper — Unspoken Words 2022 [x]
Max CooperUnspoken Words 2022 [x]

Katalin Ladik Poemim 1978/2016
Katalin Ladik Poemim 1978/2016

Sylvano Bussotti Solo da La Passion selon Sade 1966 [x]
Sylvano Bussotti Solo da La Passion selon Sade 1966 [x]

Toshi Ichiyanagi 鷹 = Taka (Hawk) Unac Tokyo, 1982 [x]
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Toshi Ichiyanagi 鷹 = Taka (Hawk) Unac Tokyo, 1982 [x]

Hans Namuth Marisol Escobar 1964
Hans Namuth Marisol Escobar 1964

WHERE DO WE GO FROM HERE? Does dance depend? Or is it independent? Questions that seem political. They arose in an aesthetic situation. What's to be said? People and sounds interpenetrate. We thought that sounds took place in time. We see they're vibratory movements of particles in air. Each one, setting out from its point in space, gets to all its arrivals from a single departure. Thoughts about time drop off like dead skin. Dance takes place with one foot in the grave. "Dance or I'll shoot"- each time the curtain goes up. John Cage, from A Year from Monday: New Lectures and Writings, 1967 [x]

Joaquim Gomis Joan Miró Workshop at Passatge del Crèdit Barcelona, 1946
Joaquim Gomis Joan Miró Workshop at Passatge del Crèdit Barcelona, 1946

Nye Ffarrabas Punctuation Poems 1966
Nye Ffarrabas Punctuation Poems 1966

Isamu Noguchi The Ring 1945–1948 [x]
Isamu Noguchi The Ring 1945–1948 [x]

Hermann Finsterlin Stilspiel (The Play with Styles) 1916 [x]
Hermann Finsterlin Stilspiel (The Play with Styles) 1916 [x]

THIS TOO This too is your lot: to witness bitterly lewd silence and just at those moments when only the Underworld knows what a woman dares before a man decides, both right in the middle between the fallen tree of youth and the excrement of an old age. This too is your lot: bitterly to witness the adulterous lechery of music, exactly at those moments when, she, pushed into her crotch, thrusts forth her breasts so as to sough then from her nefarious mouth through the wall cracked by Agamemnon's fall to you… Vladimír Holan, This Too, from Walls, trans. Josef Tomáš

Ralph Eugene Meatyard Untitled 1960
Ralph Eugene Meatyard Untitled 1960

Shirazeh Houshiary Untitled (I) 2003
Shirazeh Houshiary Untitled (I) 2003

John Berger After “Madonna of the Pomegranate” 2000-2010 From the brochure “John Berger - Permanent Red”, Centre de la Imatge
John Berger After “Madonna of the Pomegranate” 2000-2010 From the brochure “John Berger - Permanent Red”, Centre de la Imatge, Barcelona [x]