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Rkive™

Rkive™

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Prog, folk, jazz & more from planet Earth. Listen more, share & discuss music in The @OrderOfMusicEnthusiasts contact owner: @ProgFolk

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asbe som tala

درود و احترام، برای یک پژوهش دانشگاهی در حوزه استفاده از هوش مصنوعی و تجربه‌های روان‌شناختی مرتبط با آن در شرابط پساجنگ و قطعی اینترنت، از دانشجویان واجد شرایط دعوت می‌کنیم در پرسشنامه ما شرکت کنند. شرایط شرکت: · دانشجو بودن (هر مقطع و رشته‌ای) · استفاده از هوش مصنوعی در فعالیت‌های تحصیلی یا روزمره · زمان تقریبی: حدود ۱۰ تا ۱۲ دقیقه · شامل چند بخش کوتاه درباره تجربه‌ها، نگرش‌ها و حالات روان‌شناختی · پاسخ‌ها بی‌نام و محرمانه است و فقط به‌صورت تجمیعی تحلیل می‌شود 🔗 لینک پرسشنامه: [https://forms.gle/ZyFf7svgcVgtrsCH9]

#Jazz - #Rock #JazzFusion - #JazzRock #ProgressiveRock, #AvantgardeJazz, #ThirdStream, #swedishProg 🇸🇪 #Swedish 📆 #70s - 1971
piano, organ, Moog, flute, led, produced & written by Björn J:son Lindh - full cast & more info
@Rkive

#Jazz - #Rock #JazzFusion - #JazzRock #ProgressiveRock, #AvantgardeJazz, #ThirdStream, #swedishProg 🇯🇵 #Swedish 📆 #70s - 1971
piano, organ, Moog, flute, led, produced & written by Björn J:son Lindh - full cast & more info
@Rkive

#ProgressiveRock - #Rock #bluesRock, #japaneseProg 🇯🇵 #Japanese 📆 #70s - 1976
Title translates to: "Time Passes Like The Wind" Album Credits: • 中野渡正光 (Masamitsu Nakanowatari) / lead guitar, backing vocals, music • 大塚敬子 / vocals, lyricist, composer • 石嶋利和 / guitar, backing vocals, lyricist, composer • 萩野潔/ bass • 川村一森 / drums • 宮澤謙 (Ken Miyazawa) / keyboards
@Rkive

#ProgressiveRock - #Rock #SymphonicProg, #NorwegianProg 🇳🇴 #Norwegian 📆 #2000s - 2009
Album Credits: - Geir Venom Larzen / drums, guitar, keyboards, vocals - Erik Andås / bass, vocals, keyboards - Ole Peder Teigen / keyboards, vocals - Øyvind Eriksen / vocals - Heidi Larzen / vocals - Mette Jensen / lute - Fløyte / vocals, keyboards - Bente Marit Ekker / violin
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🇩🇪 #ProgressiveRock - #Rock #germanProg #German #Live, 1980 #80s A3 from this record
Bass – Anka Hauter Drums – Rotraut Colberg Electric Guitar – Sabine Neufeld Lyrics By – Hildegard Wohlgemuth Music By – Angi Domdey Violin – Bruni Regenbogen Vocals, Guitar – Angi Domdey
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🇩🇪 #Electronic - #NewAge - #Rock #BerlinSchool, #Ambient #ProgressiveElectronic #germanProg #German recorded in 1978 - 1979, released in 1980. #70s #80s Side B
With influences from german folk music Robert Schröder: keyboards, electronics Udo Mattusch: guitar Wolfgang Tiepold: cello Eberhard Panne: recording engineer Klaus Schulze: mixing, producer Michael Haentjes: assistant producer Swami Deva Anubaddha: front cover
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🇮🇹 #Jazz - #Rock #JazzFusion #JazzRock, #progressiveRock, #italianProg #Italian, #70s 1972
From "Azimut", mostly created by Giovanni Tommaso; leader, bassist, double-bassist & singer of Perigeo.
@Rkive

🇨🇦 #AvantProg, #ProgressiveRock, #JazzFusion, #AvantgardeJazz, #JazzRock, #canadianProg #Rock #Jazz #Canadian, 1972 #70s
From "Vol. 333"
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🇬🇧 #ProgressiveRock #SymphonicProg, #britishProg #British, #70s 1972
- Robin Lamble / vocal, bass - Chas Jankel / vocal, guitar, keyboards - Nico Ramsden / vocal, guitar - Stephen Corduner / drums - Frank Riccotti / timpani
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🇯🇵 #ProgressiveRock, #symphonicProg #psychedelicRock, #japaneseProg #Japanese, 1976 #70s
It's funny that currently on Discogs there's some 20+ sub-division styles of heavy metal, but no divisions whatsoever of prog rock. Like with this, it is prog rock, but has nothing in common whatsoever with the likes of Genesis or Yes. This Japanese band played a very unusual heavy concoction that fused a load of different influences into something often a bit closer to metal, which they saw fit to top with a bizarre female operatic singer. So untypical of prog then, it probably needs a style name all of its own! Source: discogs Listen More
@Rkive

🇬🇧 #ProgressiveFolk #PsychedelicFolk, #wyrdFolk #avantFolk #freakFolk, #radioPlay #britishProg #Live #70s 1972
The Malgaard Suite is something of a “lost epic” from Comus: it shows what the band might have done if the follow-up to First Utterance had gone ahead as initially conceived. Because of the poor audio quality, many listeners treat it more as a document / artifact rather than a polished work — the interest lies in hearing the ambition and intensity, rather than expecting studio-quality sound.
@Rkive

2. Donya Be Akhar Mirese.mp324.97 MB

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🇬🇧 #ProgressiveRock #bluesRock, #britishProg #British, #70s 1972
Outstanding performance by Legendary vocalist, Jenny Haan
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