Rkive™

#Jazz - #Rock #JazzFusion - #JazzRock #ProgressiveRock, #AvantgardeJazz, #ThirdStream, #swedishProg 🇸🇪 #Swedish 📆 #70s - 1971

piano, organ, Moog, flute, led, produced & written by Björn J:son Lindh - full cast & more info

@Rkive

#Jazz - #Rock #JazzFusion - #JazzRock #ProgressiveRock, #AvantgardeJazz, #ThirdStream, #swedishProg 🇯🇵 #Swedish 📆 #70s - 1971

piano, organ, Moog, flute, led, produced & written by Björn J:son Lindh - full cast & more info

@Rkive

#ProgressiveRock - #Rock #bluesRock, #japaneseProg 🇯🇵 #Japanese 📆 #70s - 1976

Title translates to: "Time Passes Like The Wind" Album Credits: • 中野渡正光 (Masamitsu Nakanowatari) / lead guitar, backing vocals, music • 大塚敬子 / vocals, lyricist, composer • 石嶋利和 / guitar, backing vocals, lyricist, composer • 萩野潔/ bass • 川村一森 / drums • 宮澤謙 (Ken Miyazawa) / keyboards

@Rkive

#ProgressiveRock - #Rock #SymphonicProg, #NorwegianProg 🇳🇴 #Norwegian 📆 #2000s - 2009

Album Credits: - Geir Venom Larzen / drums, guitar, keyboards, vocals - Erik Andås / bass, vocals, keyboards - Ole Peder Teigen / keyboards, vocals - Øyvind Eriksen / vocals - Heidi Larzen / vocals - Mette Jensen / lute - Fløyte / vocals, keyboards - Bente Marit Ekker / violin

@Rkive

🇩🇪 #ProgressiveRock - #Rock #germanProg #German #Live, 1980 #80s A3 from this record

Bass – Anka Hauter Drums – Rotraut Colberg Electric Guitar – Sabine Neufeld Lyrics By – Hildegard Wohlgemuth Music By – Angi Domdey Violin – Bruni Regenbogen Vocals, Guitar – Angi Domdey

@Rkive

🇩🇪 #Electronic - #NewAge - #Rock #BerlinSchool, #Ambient #ProgressiveElectronic #germanProg #German recorded in 1978 - 1979, released in 1980. #70s #80s Side B

With influences from german folk music Robert Schröder: keyboards, electronics Udo Mattusch: guitar Wolfgang Tiepold: cello Eberhard Panne: recording engineer Klaus Schulze: mixing, producer Michael Haentjes: assistant producer Swami Deva Anubaddha: front cover

@Rkive

🇮🇹 #Jazz - #Rock #JazzFusion #JazzRock, #progressiveRock, #italianProg #Italian, #70s 1972

From "Azimut", mostly created by Giovanni Tommaso; leader, bassist, double-bassist & singer of Perigeo.

@Rkive

🇨🇦 #AvantProg, #ProgressiveRock, #JazzFusion, #AvantgardeJazz, #JazzRock, #canadianProg #Rock #Jazz #Canadian, 1972 #70s

From "Vol. 333"

@Rkive

🇬🇧 #ProgressiveRock #SymphonicProg, #britishProg #British, #70s 1972

- Robin Lamble / vocal, bass - Chas Jankel / vocal, guitar, keyboards - Nico Ramsden / vocal, guitar - Stephen Corduner / drums - Frank Riccotti / timpani

@Rkive

🇯🇵 #ProgressiveRock, #symphonicProg #psychedelicRock, #japaneseProg #Japanese, 1976 #70s

It's funny that currently on Discogs there's some 20+ sub-division styles of heavy metal, but no divisions whatsoever of prog rock. Like with this, it is prog rock, but has nothing in common whatsoever with the likes of Genesis or Yes. This Japanese band played a very unusual heavy concoction that fused a load of different influences into something often a bit closer to metal, which they saw fit to top with a bizarre female operatic singer. So untypical of prog then, it probably needs a style name all of its own! Source: discogs Listen More

@Rkive

🇬🇧 #ProgressiveFolk #PsychedelicFolk, #wyrdFolk #avantFolk #freakFolk, #radioPlay #britishProg #Live #70s 1972

The Malgaard Suite is something of a “lost epic” from Comus: it shows what the band might have done if the follow-up to First Utterance had gone ahead as initially conceived. Because of the poor audio quality, many listeners treat it more as a document / artifact rather than a polished work — the interest lies in hearing the ambition and intensity, rather than expecting studio-quality sound.

@Rkive

🇬🇧 #ProgressiveRock #bluesRock, #britishProg #British, #70s 1972

Outstanding performance by Legendary vocalist, Jenny Haan

@Rkive

🇦🇷 #ProgressiveFolk #ProgressiveRock #FolkRock, #symphonicProg, #latinProg #argentinianProg, #Latin #Argentinian, #70s 1976

Line-up / Musicians - Alejandro de Michele / guitar, vocals - Miguel Angel Erausquin / guitar, vocals with - Hugo Villareal / bass - Charly Garcia / keyboards - Oscar Moro / drums - Pino Marrone / electric guitar - Gustavo Beytelman / ?

From Humanos @Rkive

🇸🇮 #JazzFusion #JazzRock, #slovenianProg, #Slovenian, #70s 1979

SONCNA POT (En. "The Sunny Street/way/path") was one of the first groups in Yugoslavia to introduce ethno-fusion jazz elements. A short-lived trio consisting of saxophonist and composer Lado Jaksa (ex-PREDMESTJE, SEDMINA, BULDOZER), drummer Ratko Divjak (ex-TIME) and jazz bassist Jordan Gancev. Recorded only once, self-titled and highly recommended album in 1979, which is now a rare collectors item. by Sead S. Fetahagiæ source: progarchives

@Rkive