اکنون در دسترس! پژوهش تلگرام ۲۰۲۵ — مهمترین بینشهای سال 
Artisaurus
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📈 تحلیل کانال تلگرام Artisaurus
کانال Artisaurus (@canvasaura) در بخش زبانی انگلیسی بازیگری فعال است. در حال حاضر جامعه شامل 26 969 مشترک است و جایگاه 1 059 را در دسته هنر و طراحی و رتبه 1 548 را در منطقه الولايات المتحدة الأمريكية دارد.
📊 شاخصهای مخاطب و پویایی
از زمان ایجاد در невідомо، پروژه رشد سریعی داشته و 26 969 مشترک جذب کرده است.
بر اساس آخرین دادهها در تاریخ 11 ژوئن, 2026، کانال فعالیت پایداری دارد. در ۳۰ روز گذشته تغییر اعضا برابر -8 075 و در ۲۴ ساعت گذشته برابر 49 بوده و همچنان دسترسی گستردهای حفظ شده است.
- وضعیت تأیید: تأیید نشده
- نرخ تعامل (ER): میانگین تعامل مخاطب 13.78% است و در ۲۴ ساعت نخست پس از انتشار، محتوا معمولاً 6.24% واکنش نسبت به کل مشترکان کسب میکند.
- دسترسی پستها: هر پست به طور میانگین 3 706 بازدید دریافت میکند. در اولین روز معمولاً 1 679 بازدید جمعآوری میشود.
- واکنشها و تعامل: مخاطبان بهطور فعال حمایت میکنند؛ میانگین واکنش به هر پست 11 است.
- علایق موضوعی: محتوا بر موضوعات کلیدی مانند artisaurus, canva, american, scene, william تمرکز دارد.
📝 توضیح و سیاست محتوایی
نویسنده این فضا را محل بیان دیدگاههای شخصی توصیف میکند:
“🎨 Raw creativity with a dino twist!”
به لطف بهروزرسانیهای پرتکرار (آخرین داده در تاریخ 12 ژوئن, 2026)، کانال همواره بهروز و دارای دسترسی بالاست. تحلیلها نشان میدهد مخاطبان بهطور فعال با محتوا تعامل دارند و آن را به نقطه اثرگذاری مهم در دسته هنر و طراحی تبدیل کردهاند.
26 969
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-1 5707 روز
-8 07530 روز
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جذب مشترکین
ژوئن '26
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| تاریخ | رشد مشترکین | اشارات | کانالها | |
| 12 ژوئن | +78 | |||
| 11 ژوئن | +52 | |||
| 10 ژوئن | 0 | |||
| 09 ژوئن | +75 | |||
| 08 ژوئن | +125 | |||
| 07 ژوئن | +81 | |||
| 06 ژوئن | +363 | |||
| 05 ژوئن | 0 | |||
| 04 ژوئن | +59 | |||
| 03 ژوئن | +63 | |||
| 02 ژوئن | +99 | |||
| 01 ژوئن | +97 |
پستهای کانال
"Window: A House on the Hudson River," 1863Artist: Thomas Worthington WhittredgeOil on canvas; 68.6×49.5 cmNew-York Historical Society, New York
Artisaurus
| 2 |  "Portrait of Alexandra Alekseyevna Venetsianova", 1826
Artist: Alexey Gavrilovich Venetsianov
Canvas, oil; 40.4×32.6 cm
State Tretyakov Gallery, Moscow
After his wife's death, the artist cared for his two daughters—eldest Sasha and younger Felitsata—with deep tenderness and affection, rejoicing in their growth and grieving over their illnesses:
My little ones console me with their progress and innocent hearts.
Alexandra showed artistic talent early on and began drawing and painting under her father’s guidance. Later, she wrote detailed memoirs about him, lovingly portraying a gifted yet humble, noble and wise man—someone cherished and respected by all who knew him.
Artisaurus | 2 024 |
| 3 |  "Пейзаж с водопадом"
Dutch artist: Allaert van Everdingen (1621–1675)
Canvas, oil; 119×114 cm
National Museum, Stockholm
Artisaurus | 2 130 |
| 4 |  "Sleeping," 1867
Artist: Alexander von Liezen-Mayer
Oil on canvas; 55×62.5 cm
Hungarian National Gallery, Budapest
Artisaurus | 3 276 |
| 5 |  "Window," 1886
Artist: Viktor Elpidiforovich Borisov-Musatov
Canvas, oil; 62.5×47 cm
State Tretyakov Gallery, Moscow
Borisov-Musatov depicts a window of a single-story annex in Saratov, where his family lived on a modest square grandly named Platz-Parade. Behind the house lay a garden that, from childhood, became a wellspring of inspiration for the artist. Throughout his brief life, he would return to this garden to paint plein-air studies for his larger compositions.
With meticulous precision, the artist renders on canvas everything his eye observes—the lush greenery of plants blooming with white, red, and pink flowers, the slightly ajar bluish shutters, the wide-open white window frames, and the parted lace curtains framing the window's opening.
Artisaurus | 3 143 |
| 6 |  "Peonies in the Garden", 1894
Danish artist: Peter Thomsen-Petersen (1861 – 1926)
Panel, oil
Private collection
Artisaurus | 3 182 |
| 7 |  "Terrace at Saint-Adresse", 1867
Artist: Oscar-Claude Monet
Canvas, oil; 98×130 cm
The Metropolitan Museum of Art, New York
The painting’s composition stands out—unusual high viewpoint, no clear focal center. On the right foreground, seated in a chair, is the artist’s father, Adolph. Slightly to the left, with her back to the viewer and sheltered under an umbrella, sits a woman—either Monet’s aunt, Madame Lecadre, or his sister, Sophie. In front of them, alongside a young man, stands the artist’s cousin, Jeanna Marguerite. The vast stretch of sea is dotted with sailing vessels of all sizes. Together with the sky—divided into cloudy and clear halves—nearly half the scene is taken up by the terrace itself, alive with bright gladioli and nasturtiums. The play of color intensifies with two flags placed just off-center, one on each side of the terrace.
Artisaurus | 4 289 |
| 8 |  "Marble Steps Leading to the Church of Santa Maria in Aracoeli, Rome", 1816
Artist: Christoffer Wilhelm Eckersberg
Oil on canvas; 32.5×36.5 cm
Statens Museum for Kunst, Copenhagen
Artisaurus | 4 253 |
| 9 |  Sunset
American artist: Frederic Judd Waugh (American, 1861–1940)
Canvas, oil; 76.2×101.6 cm
Private collection
Artisaurus | 4 682 |
| 10 |  "Roses. Marie Krøyer in a deckchair in Mrs. Bendixen's garden", 1893
Danish artist: Peder Severin Krøyer (Peder Severin Krøyer, 1851 – 1909)Oil on canvas; 67.5×76.5 cmSkagen Museum, Skagen
Artisaurus | 4 591 |
| 11 |  "Sunlight," 1868
American artist: John George Brown (1831–1913)
Oil on canvas; 76.8×50.8 cm
Private collection
Artisaurus | 4 114 |
| 12 |  "Chinese Coat", 1923
American artist: Leslie Prince Thompson (1880–1963)
Oil on canvas; 142.2×116.8 cm
Private collection
Artisaurus | 4 951 |
| 13 |  "Wood Engraver", 1882
American artist: Charles Frederic Ulrich (1858–1908)
Wood, oil; 47.3×25.7 cm
Private collection
Artisaurus | 4 679 |
| 14 |  "Sir's Right," 1874
Artist: Vasily Dmitrievich Polenov | Oil on canvas, 120×174 cm | State Tretyakov Gallery, Moscow
He steps into the courtyard after dinner, ready to inspect three young women brought for his pleasure. Hands on hips, he smirks—pleased they’re not unattractive, and that “enlightening” them will require little effort. The girl on the left blushes, lowering her gaze. The middle one stares back with quiet disdain. The one on the right remains naive, unaware. Their families—husbands, mothers, fathers—wait beyond the gates, barred by soldiers. Upstairs, the castle’s chaplain and companion joke: surely he won’t take all three—some will be left for them.
—From a letter by Polenov to Professor Fyodor Chizhov, a close friend of his father, describing the painting’s scene.
#ArtHistory #RussianArt #Painting
Artisaurus | 4 132 |
| 15 |  "Breakfast," 1880
Artist: Mary Hayllar
Oil on canvas; 19×24 cm
Private collection
Artisaurus | 3 598 |
| 16 |  Woman in an Evening Dress
Artist: Lilla Cabot Perry (1848–1933)
Oil on canvas; 91.5×61 cm
National Museum of Women in the Arts, Washington
Artisaurus | 3 280 |
| 17 |  "Three Musicians", 1958
Artist: John Koch
Canvas, oil; 76.2×121.9 cm
Artisaurus | 2 899 |
| 18 |  "Russian Village", 1889
Russian artist: Vasily Dmitrievich Polenov (1844–1927)
Canvas, oil; 89×142 cm
Radishchev Art Museum, Saratov
On the bank of a narrow river lies a small village of log houses, darkened by time. Between the dwellings stand rustic outbuildings with thatched roofs. In the foreground, children play by the water: a boy launches a little boat, a crow perches on a wattle fence, and chickens peck at the grass.
The composition guides the viewer’s eye from a wooden footbridge across the river toward the houses climbing the hillside, creating a sense of depth and open space.
Artisaurus | 2 428 |
| 19 |  "Chivalrous Gentleman"
English artist: Edmund Blair Leighton (1852–1922)
Panel, oil; 25×32.5 cm
Private collection
Artisaurus | 2 244 |
| 20 |  "Summer Landscape", 1891
Artist: Nikolai Aleksandrovich Sergeyev
Oil on canvas; 116×197 cm
Nizhny Novgorod State Art Museum
Nikolai Aleksandrovich Sergeyev dedicated his artistic gift to the natural beauty of his native Ukraine. He was especially drawn to the Ukrainian summer—generous, vibrant, and lush. He had a deep fondness for capturing the midday heat shimmering in the air, the dense canopies of trees, open valleys threaded by winding rivers, green meadows, and golden wheat fields.
The painting’s most striking feature is its breathtaking sense of boundless space—an expanse that instantly captures attention and stirs the viewer at first glance. Gentle, low hills stretch outward, with wide valleys unfolding between them, all viewed from an elevated vantage point. Groves of deciduous trees are scattered artistically across the hills and valleys, and here and there, the rooftops of wooden houses peek through the foliage.
Artisaurus | 1 948 |
