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Lessons for different levels of Tatar in English 🌐 learntatar.com 🤍 paypal.me/aygulahmetcan 🧡 patreon.com/LearnTatar 📷 instagram.com/learn_tatar Grammar posts loosely based on "Tatar Grammar" by G. Burbiel Author – Aygöl

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آرشیو پست ها
1. "Qoş kötüçe" / "Bird shepherd" (2016) 2. "Peçən çabu waqıtında" / "During the mowing" (2019) 3. "Yəşel ülənlektə" / "On th
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1. "Qoş kötüçe" / "Bird shepherd" (2016) 2. "Peçən çabu waqıtında" / "During the mowing" (2019) 3. "Yəşel ülənlektə" / "On the green meadow" (2020)

1. "Yaz yılğada" / "Spring on the river" (2014) 2. "Zəñgər külmək" / "Blue dress" (2013)
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1. "Yaz yılğada" / "Spring on the river" (2014) 2. "Zəñgər külmək" / "Blue dress" (2013)

1. "Bəyrəm aldınnan" / "Before the holiday" (2025) 2. "Sabantuy. Körəş" / "Sabantuy. Wrestling" (2014)
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1. "Bəyrəm aldınnan" / "Before the holiday" (2025) 2. "Sabantuy. Körəş" / "Sabantuy. Wrestling" (2014)

"Awılda yaz" / "Spring in the village” (2022)
"Awılda yaz" / "Spring in the village” (2022)

1. "İrtən yulğa" / "On the road in the morning" (1993) 2. "Qışqı işeğaldı" / "Winter courtyard" (2010) 3. "Munçağa" / "To the
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1. "İrtən yulğa" / "On the road in the morning" (1993) 2. "Qışqı işeğaldı" / "Winter courtyard" (2010) 3. "Munçağa" / "To the bathhouse" (2022)

More than anything, his art serves as a visual archive of Tatar history. For viewers both within Tatarstan and far beyond it, his paintings reopen a world that often feels distant: the spirit of Bulgar warriors, the atmosphere of old Kazan, and the quiet grace of everyday life centuries ago.

1. "Qunaq töşte. İske Tatar bistəsendə" / (2003) 2. "Qunaqlar kilde" / "The guests have arrived" (2009)
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1. "Qunaq töşte. İske Tatar bistəsendə" / (2003) 2. "Qunaqlar kilde" / "The guests have arrived" (2009)

1. "Eçke qazaqlar" / "Inner cossacks" (1993) 2. "Azan yañğırıy" / "Adhan sounds" (2018)
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1. "Eçke qazaqlar" / "Inner cossacks" (1993) 2. "Azan yañğırıy" / "Adhan sounds" (2018)

"Qazan işeğaldı. XVI ğasır" / "Kazan courtyard. 16th century" (2022)
"Qazan işeğaldı. XVI ğasır" / "Kazan courtyard. 16th century" (2022)

"XVI ğasır Qazanı" / "Kazan in the 16th Century" (1990, 1992)
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"XVI ğasır Qazanı" / "Kazan in the 16th Century" (1990, 1992)

Another recurring theme is medieval Kazan. He paints the city not just as a historical reconstruction, but as a living memory: sloping roofs, watchtowers, winding streets, and the quiet rhythm of daily life. His Kazan is calm and intimate, a place shaped by the artist’s own childhood impressions and emotional ties.

"Bilərdə irtə" / "Morning in Bilər" (2016)
"Bilərdə irtə" / "Morning in Bilər" (2016)

"Bolğar xanbikəse" / "Bulgar duchess" (2019)
"Bolğar xanbikəse" / "Bulgar duchess" (2019)

1. "Qıpçaq suğışçısı" / "Qıpçaq warrior" (2017) 2. ? 3. "Bolğar saqçıları" / "Guards of Bolgar" (1993)
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1. "Qıpçaq suğışçısı" / "Qıpçaq warrior" (2017) 2. ? 3. "Bolğar saqçıları" / "Guards of Bolgar" (1993)

"Bolğarlarnıñ küçenüwe" / "The migration of the Bulgars" (1997)
"Bolğarlarnıñ küçenüwe" / "The migration of the Bulgars" (1997)

"Bolğarlar İdel buyında" / "Bulgars on the Volga". Triptych (1985)
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"Bolğarlar İdel buyında" / "Bulgars on the Volga". Triptych (1985)

At the heart of Zagidullin’s work is a single, continuous theme: the story of his people. He often returns to the era of Volga Bulgaria as a central motif in his work. On steep riverbanks, his Bulgar warriors stand firm and dignified, as if time has paused around them. Even in small canvases, Zagidullin manages to create a sense of vastness, open horizons, wide skies, and landscapes.

1. "Əbilər" / "Grandmothers" (1984) 2. "Bişek cırı" / "Lullaby" (2019)
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1. "Əbilər" / "Grandmothers" (1984) 2. "Bişek cırı" / "Lullaby" (2019)

#tt_culture Ravil Zagidullin. Painting the memory of the Tatar people One day, my grandmother showed me a painting, and I immediately wanted to share it with you as well. It was the work of Ravil Zagidullin (tat. Rawil Zahidullin), one of the most prominent Tatar painters of our time. His art brings to life the worlds of Volga Bulgaria, the Golden Horde, and the Kazan Khanate – periods of history that shaped the identity of today’s Tatars. Through bright colors and a sense of nostalgia, the artist creates paintings that feel both historically rich and deeply personal. His attention to detail – clothing, architecture, everyday objects – gives his paintings a documentary quality, as if they were windows into another time.

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