THE UNKNOWN SOLUTION TEAM

So apart from science subjects cus only sciences that involves calculation has same version ,arts will always have different versions as simple as that, that’s how I Mr unknown does his stuff ✌️

*NOTE:* -There are *FOUR* sections in this paper [Section A, B, C, D] -You are required to answer *FOUR* questions in all -You are to answer *ONE* question from each section *SECTION A [1, 2, 3, 4]* *SECTION B [4, 5, 6, 7]* *SECTION C [9 & 10]* *SECTION D [11 & 12]*

*LITERATURE III* *(NUMBER 9 VERSION 1)* (9) A Government Driver on His Retirement vividly depicts the life and tragic end of a government driver who, after thirty-five years of faithful service, succumbs to reckless celebration upon his retirement. The storyline provides a critical look at the vanity of human existence and the inherent dangers of living a careless life. The government driver, after years of adhering to strict rules, especially the prohibition against drinking and driving, is finally free from his duties. His retirement is a moment of great celebration, marking an end to his years of dedicated service without any record of mishaps. The poet describes the driver as someone who has pledged allegiance to sobriety while on duty, reflecting his commitment to his role and his country. The driver’s impending freedom signifies a release from the stringent regulations that governed his life, allowing him to indulge in previously forbidden pleasures, such as drinking. Upon retirement, the driver decides to celebrate his newfound freedom by drinking excessively. This celebration is not only a personal indulgence but also a communal event, as he invites friends to join in his revelry. The driver’s intent to drink and drive home recklessly underscores a dramatic shift from his previous adherence to rules, revealing a deep-seated desire to compensate for years of self-restraint. His declaration that he will drink to forget his sufferings highlights the toll his years of service have taken on him, both physically and emotionally. The government rewards the driver’s exemplary service with a brand new car, a symbol of appreciation and recognition for his undented record over three and a half decades. This gesture is meant to honor his diligence and loyalty, providing him with a tangible reminder of his accomplishments. However, the irony of this reward becomes painfully clear as the driver, in his state of inebriation, takes to the wheel of his new car. The car, intended as a gift for his service, becomes the instrument of his demise. The driver’s overindulgence in alcohol leads to a loss of judgment and coordination, resulting in a fatal accident. The poet describes how the driver’s impaired vision and judgment cause him to crash the very car that was meant to celebrate his retirement. This tragic end serves as a powerful commentary on the dangers of reckless behavior and the fleeting nature of human life. The driver’s life, which had been characterized by careful adherence to rules and regulations, ends in a moment of careless abandon. The driver’s death raises questions about the appropriateness of his reward and the nature of his legacy. On one hand, his thirty-five years of faithful service warrant recognition and celebration. The new car symbolizes the respect and gratitude of the government for his unwavering dedication. On the other hand, the driver’s inability to handle his newfound freedom responsibly leads to his untimely death, suggesting that his reward, while deserved, also contributed to his downfall.

*LITERATURE III* *(NUMBER 9 VERSION 2)* (9) A Government Driver on His Retirement is a moving account of the life and terrible demise of a government driver who, upon retiring from thirty-five years of devoted service, recklessly celebrates his newfound freedom. The plot offers a critical examination of human conceit and the risks associated with leading a negligent life. The government driver is finally relieved of his responsibilities after years of abiding by stringent regulations, including the ban on driving after intoxication. His retirement, which ends his years of devoted work without a record of accidents, is a cause for tremendous jubilation. The driver, according to the poet, has sworn devotion to sobriety while performing his job, demonstrating his dedication to both his nation and his position. With his coming liberation, the driver will no longer be subject to the strict rules that had previously restricted his life, enabling him to enjoy previously outlawed activities like drinking. The driver chooses to indulge in binge drinking to commemorate his newfound freedom after retiring. He asks others to participate in his celebration, making it both a social gathering and a personal indulgence. The driver's intention to drink and drive home carelessly highlights a significant departure from his prior observance of the law and reveals a deep-seated desire to make up for years of self-control. His admission that he will drink to ignore his pains serves as a stark reminder of the physical and psychological toll that his years of duty have taken. The government gives the driver a brand-new automobile as a token of gratitude and acknowledgment for his impeccable service over the course of three and a half decades. This is a physical memento of his achievements, given to him in appreciation for his hard work and devotion. When the driver gets behind the wheel of his new automobile while intoxicated, the absurdity of this gift becomes all too evident. The automobile, which was supposed to be a present for his service, ends up becoming the means of his death. A deadly collision occurs as a result of the driver's impaired judgment and coordination brought on by their excessive alcohol consumption. The poet tells how the driver wrecks the automobile that was supposed to be a celebration of his retirement due to poor vision and judgment. This terrible outcome offers a potent remark on the perils of careless actions and the transient nature of human existence. The driver's life, which had previously been marked by meticulous observance of laws and regulations, comes to an abrupt end with reckless abandonment. Concerns over the driver's legacy and the suitability of his prize are brought up by his passing. On the one hand, it is right that we celebrate and honor his thirty-five years of devoted service. The government's appreciation and thanks for his continuous devotion are symbolized by the new automobile. However, the driver's tragic death results from his incapacity to manage his newfound freedom appropriately, implying that although his award was well-deserved, it also played a role in his demise.

*LITERATURE III* *(NUMBER 10 VERSION 1)* (10) The poet explores the dynamics of leadership and followership through the symbolic representation of animals in the animal kingdom. This metaphorical approach highlights the leadership challenges prevalent in African politics, particularly in Nigeria. The animals' quest to find a suitable leader serves as a critique of the qualities often found in human leaders and the reasons such qualities are rejected. The poem opens with the lion staking his claim to leadership, reflecting how certain politicians assert their authority through dominance and fear. The lion’s ferocious nature and aggressive tactics make him an unsuitable leader, as the other animals are too frightened to challenge his rule. This mirrors the political landscape in Nigeria, where leaders often use intimidation and violence to maintain power, causing the masses to feel powerless and afraid to demand change. The hyena is another animal whose leadership qualities are rejected due to his "lethal appetite." This symbolizes politicians who are motivated by personal gain and corruption, feeding off the resources meant for the public. The impalas, representing the people, shudder at the thought of being led by someone whose intentions are purely self-serving. This rejection highlights the need for leaders who prioritize the welfare of the masses over their own desires. The elephant, despite being the largest and potentially most powerful animal, is also deemed unfit to lead. The other animals dread his "trampling feet," suggesting that his leadership style would be oppressive and dictatorial. This critique points to the rejection of leaders who use their power to dominate and control, rather than to serve and uplift their followers. It emphasizes that sheer size or power should not be the sole criteria for leadership; rather, it should be the ability to govern with fairness and respect. The giraffe, with his lofty perspective, is rejected because "his eyes are too far from the ground." This symbolizes leaders who are out of touch with the realities and needs of the people they are supposed to serve. Such leaders fail to see and address the everyday struggles of the masses, making them ineffective and disconnected. This rejection underscores the importance of leaders who are empathetic and responsive to the concerns of their constituents. The zebra is dismissed due to the "duplicity of his stripes," symbolizing leaders who are untrustworthy and inconsistent. The zebra's inability to inspire confidence and trust among the animals highlights the rejection of leaders who are perceived as deceitful and unreliable. Trustworthiness and integrity are essential qualities in leadership, as they ensure that leaders act in the best interest of those they lead. The warthog and the rhino are also rejected based on their inherent traits. The warthog is seen as "too ugly," and the rhino is deemed "too riotous," reflecting the rejection of leaders who are either too unattractive in their conduct or too chaotic in their approach to governance. This critique emphasizes the need for leaders who present themselves with dignity and maintain order and stability.

*LITERATURE III* *(NUMBER 10 VERSION 2)* (10) The poet uses metaphorical animal representations from the animal realm to examine the dynamics of leadership and followership. This allegoric method draws attention to the difficulties with leadership that are common in African politics, especially in Nigeria. The animals' search for a good leader is a critique of the traits that human leaders frequently possess and the reasons why these traits are disregarded. The poem begins with the lion asserting his claim to leadership, alluding to the ways in which certain politicians use fear and intimidation to establish their power. since of his vicious demeanor and forceful methods, the lion is an inappropriate leader since the other animals are too afraid to oppose his authority. This is similar to the political climate in Nigeria, where politicians frequently resort to violence and intimidation in order to hold onto office, leaving the populace feeling helpless and unwilling to call for change. Another animal whose leadership abilities are disregarded is the hyena because of his "lethal appetite." This represents corrupt politicians who use public funds for their own benefit as a source of motivation. The idea of being governed by someone whose goals are only self-serving makes the impalas, who stand in for the people, tremble. This rejection emphasizes how important it is for leaders to put the needs of the people above their own. Even though it is the biggest and maybe strongest animal, the elephant is also considered unsuited to lead. The other animals fear his "trampling feet," implying that he will exercise repressive and autocratic control as leader. This critique highlights the need to reject leaders who abuse their position of authority in order to control and dominate their followers rather than to uplift and serve them. It highlights that the ability to rule with justice and respect should be the primary criterion for leadership, not one of mere bulk or force. Because of his elevated viewpoint, the giraffe is disqualified because "his eyes are too far from the ground." This represents leaders who are disconnected from the needs and reality of the people they are meant to represent. These leaders are distant and ineffectual because they do not recognize and confront the common issues of the people. The significance of having leaders who are sympathetic and attentive to the needs of their community is highlighted by this refusal. Because of the "duplicity of his stripes," which stands for leaders who are erratic and unreliable, the zebra is rejected. The animals' rejection of leaders who are viewed as dishonest and untrustworthy is shown by the zebra's failure to instill confidence and trust in them. Since they guarantee that leaders behave in the best interests of people they serve, trustworthiness and integrity are crucial traits in leaders. Due to their natural characteristics, the warthog and the rhino are likewise rejected. The rhino is considered "too riotous," while the warthog is considered "too ugly," signifying the disapproval of leaders who are either too chaotic in their methods of government or too hideous in their behavior. This criticism highlights how important it is for leaders to uphold stability and order as well as conduct themselves with dignity.

*LITERATURE III* *(NUMBER 11 VERSION 1)* (11) D.H. Lawrence explores the poet's deep-seated aversion to bats while highlighting the varied perceptions of this nocturnal creature across different cultures. The poet's attitude towards bats is one of disdain and disgust, vividly portrayed through his descriptive language and contrasting imagery. The poem opens with a serene depiction of the evening in Italy, where the poet sits on a terrace, observing the tranquil scenery around the Ponte Vecchio bridge and the Arno River. This peaceful setting soon shifts as the poet notices "things are flying" in the evening sky. Initially, the poet describes the swallows with admiration, noting their graceful and acrobatic flight patterns. The swallows are seen as symbols of hope and fulfillment, especially for sailors who view their appearance as a sign of nearing their destination. This positive depiction of swallows sets the stage for a stark contrast when the poet turns his attention to bats. As the night falls, the swallows give way to bats, marking a significant shift in the poem's tone. The poet's language becomes harsh and critical as he describes the bats' erratic and unsettling movements. The bats are portrayed as "wildly vindictive" and their flight is likened to the erratic flapping of "bits of umbrella." This imagery evokes a sense of chaos and malevolence, reflecting the poet's deep dislike for these creatures. The bats' presence in the night sky causes the poet unease, associating them with darkness, bad luck, and misfortune. The poet's disdain for bats is further emphasized through vivid and repulsive descriptions. He describes how bats "hang themselves up like an old rag to sleep," painting a grotesque image of these creatures suspended in the air like "disgusting old rags." This comparison to rags underscores the poet's perception of bats as dirty and undesirable. The bat's nocturnal nature, flying madly overhead and swooping through the night, adds to the poet's sense of repulsion and discomfort. In contrast to his own negative view, the poet acknowledges that bats are seen differently in other cultures. Specifically, in China, bats are considered symbols of happiness and good luck, even being consumed as food. This cultural difference highlights the subjective nature of perceptions and the idea that "one man's meat is another man's poison." Despite this acknowledgment, the poet firmly asserts his own stance with the declaration "Not for me," indicating that he cannot reconcile his disdain for bats with their positive symbolism in other cultures.

*LITERATURE III* *(NUMBER 12 VERSION 2)* (12) T.S. Eliot uses the wise men's trip to Bethlehem in "The Journey of the Magi" as a metaphor for the difficult and sometimes difficult route of life. The poem explores the different challenges and roadblocks that the pilgrims encountered, which represent the larger human experience of hardship, tenacity, and eventually hope. The wise men went off during a hard winter, an unlucky start to their mission. Not only is the cold a background, but it also causes a great deal of difficulty and misery. Both the passengers and their animals suffer physically as a result of the harsh circumstances. The wise men themselves suffer from the bitter cold, which depletes their strength and will, and the camels' feet swell. This challenging atmosphere emphasizes the physical toll that tough and lengthy travel can have on people, emphasizing the need of persevering through difficult circumstances. The wise men get more and more tired and frustrated as they go. The mental and emotional strain of the voyage exacerbates the physical challenges. The passengers' continuous complaining, swearing, and whispering express their mounting weariness and dissatisfaction. Often, their minds go back to their cozy homes, where they are used to the luxury of having maids and ladies who take care of them. This want for familiarity and comfort highlights the hardships and sacrifices people make along the way. The hostile and unwelcoming cities they pass through are among the outward difficulties that the travelers must overcome. The wise men may not have hoped for the kind welcome or hospitality that these metropolitan regions provide. Rather, they come across outrageous costs for products and services, which exacerbates their annoyance and feeling of isolation. This incident brings to light the challenges of looking for safety and assistance in strange or unwelcoming environments—a recurring motif throughout the longer human journey. The voyage is met with suspicion by others around them who think it is "folly," as well as misgivings from their inner voices, but the wise men go on. Their tenacity in the face of difficulty reveals their unshakable dedication to their objective. Despite having plenty of reasons to give up and turn back, they continue on their journey. This steadiness acts as a potent metaphor for the resilience needed to navigate life's path, where perseverance frequently results in success and fulfillment in the end.

*LITERATURE III* *(NUMBER 8 VERSION 1)* (8) Troy Maxson’s past profoundly shapes his present circumstances, influencing his actions, relationships, and worldview. Troy's experiences as a young man and his struggles with racial discrimination have left deep scars that manifest in his interactions with his family and his approach to life. Troy's history as a talented baseball player who never made it to the major leagues is central to understanding his present outlook. Despite his skill, Troy was barred from the major leagues due to racial discrimination, which occurred just as these leagues began accepting black players. This exclusion has left him bitter and resentful, coloring his perception of the opportunities available to his son, Cory. When Cory is recruited by a college football team, Troy vehemently opposes it, fearing that Cory will face the same racial barriers and disappointments he did. This fear and protective instinct drive Troy to sabotage Cory’s football aspirations, believing he is shielding his son from inevitable heartache. Troy's harsh and domineering attitude towards his family is another consequence of his past struggles. Having endured a brutal upbringing and the hardships of life as a black man in a racially segregated society, Troy has developed a rigid, authoritarian approach to parenting. He imposes his own failed dreams and fears on his children, particularly Cory, whom he demands to abandon football and focus on practical, stable employment. Troy’s inability to express love and support is rooted in his own experiences of deprivation and hardship, leading him to equate providing materially with fulfilling his paternal duties. The complexity of Troy’s character is further revealed through his relationship with his wife, Rose. Despite his genuine affection for her, Troy's past failures and frustrations contribute to his extramarital affair with Alberta. The affair is an escape from the pressures and disappointments of his life, offering him a fleeting sense of control and freedom. However, when Alberta dies during childbirth, Troy is forced to confront the consequences of his actions. Rose’s decision to raise Alberta’s baby, Raynell, but distance herself emotionally from Troy, underscores the destructive impact of his inability to reconcile his past with his present. Troy's relationship with his eldest son, Lyons, also highlights the enduring influence of his past. Lyons, an aspiring musician, is often met with Troy’s disdain and skepticism. Troy’s experiences have made him cynical about artistic pursuits, which he views as impractical and unstable. He begrudgingly supports Lyons financially but does so with a sense of superiority and disappointment, unable to appreciate his son’s passion for music. This dynamic reflects Troy’s internal conflict between his desire to support his family and his deep-seated belief that dreams are futile in a world marred by racial and economic injustices. Moreover, Troy’s interactions with his friend Bono reveal the enduring bonds and shared history that shape his present reality. Bono admires Troy’s strength and integrity, qualities forged through years of struggle. Their friendship, spanning over thirty years, is a testament to the solidarity and resilience required to navigate the harsh realities of their lives. Bono’s respect for Troy’s determination to challenge racial injustices at work, as seen in Troy's questioning of why black employees are not allowed to drive garbage trucks, highlights the persistence of Troy’s fight against systemic oppression.

*LITERATURE III* *(NUMBER 5 VERSION 2)* (5) The play is full with the sharp resonances of sarcasm, which may be used in a variety of ways to analyze the inner conflicts, interpersonal relationships, and social criticisms of the characters. Osborne's deft use of irony makes the play a moving examination of post-war disillusionment, class conflict, and the intricacies of interpersonal relationships. Jimmy Porter, the play's main character, is a master of cutting wit and stinging sarcasm who uses them as both armor and a weapon in his constant fight against what he perceives to be societal injustices. Jimmy is full of caustic jabs, aimed not only at larger society structures but also at his closest confidants, Cliff and Alison. His harsh comments directed at his wife Alison and his buddy Cliff, who is a member of the working class, show a deep-seated annoyance with their perceived shortcomings and the limitations imposed by their different social classes. Jimmy expresses his dissatisfaction with the current situation through sarcasm, utilizing comedy as a front for his underlying hurt and insecurity. Alison and Cliff, on the other hand, use sarcasm to establish their agency and defend themselves in their turbulent interactions with Jimmy. After being presented as timid and obedient at first, Alison eventually learns to use sarcasm as a tactic to question Jimmy's authority and claim her own independence. Her sardonic responses demonstrate her growing disenchantment with their marriage and with society in general, acting as a subliminal protest against Jimmy's controlling actions. In addition, the play uses sarcasm as a kind of conflict resolution, letting individuals work through their complicated relationships without coming to blows with one another. Characters use caustic exchanges to air concerns and make their viewpoints known, rather than having open conversations. This deceptive method of resolving disputes highlights the individuals' underlying fears and the brittleness of their relationships with one another. Sarcasm is a powerful tool for social commentary that extends beyond personal relationships. It may be used to provide biting criticism of the class divide and social mores that characterized post-war England. Osborne examines the discrepancy between society aspirations and life reality by exposing the absurdity and hypocrisy present in the strict social order through sardonic discourse. The characters' unhappiness with the ossified institutions of privilege and class is expressed via sarcasm, which satisfies their need for change and disruption. In the end, the characters use sarcasm as a coping strategy to help them work through the difficulties in their life when things are chaotic and unclear. Characters regain some agency and empowerment through sardonic conversation, giving them a feeling of control in an otherwise hopeless and disillusioned environment.

*LITERATURE III* *(NUMBER 6 VERSION 2)* (6) Cliff's handling of Alison is very different from Jimmy's. Cliff is a kind and sympathetic person who offers Alison emotional support and shields her from Jimmy's harsh actions. He is a more understanding and caring presence in Alison's life. First of all, Cliff plays a soothing figure because of his kind nature and sincere affection for Alison. In contrast to Jimmy, who frequently demonstrates wit, fire, and a bullying demeanor, Cliff does not engage in verbal or physical violence. He is far more appreciative of Alison's cleaning efforts and publicly shows his appreciation than Jimmy is. Cliff shows how much he cares about Alison by physically bandaging her arm after she is burned, demonstrating how concerned he is for her welfare. Cliff's sensitive nature and capacity for empathy set him apart even further. Not only does he participate in other people's difficulties, but he also seems to have a natural empathy for other people. Cliff gives up his time and effort to serve as a mediator between Jimmy and Alison in an attempt to keep things peaceful in their turbulent relationship. Cliff slyly implies that Helena may perhaps have stronger feelings for Jimmy when she shows her contempt for him. In addition, he is the only one who notices Alison's increasing desire to dissolve her marriage, demonstrating his keen awareness of her emotional condition. In addition, Cliff provides stability to the play with his easygoing demeanor and intellect that he self-taught. Though there is some sexual tension in their relationship, his devotion for Alison is based more on a cozy warmth than on intense need. of the midst of the turmoil of her marriage, Alison finds comfort in this close but platonic relationship. But Cliff finally makes the decision to leave Jimmy's flat, indicating his desire for independence and personal development as he realizes he needs to live his own life. Cliff is a confidant to Alison because of his kindness and helpful demeanor. He is always ready to lend his support and advice, urging her to think again before deciding to part ways with Jimmy. Cliff gently chastises Alison for her disillusionment with love and exhorts her to stick with her relationship. His unwavering support demonstrates his dedication to Alison's happiness and his faith in their potential for reunification.

*LITERATURE III* *(NUMBER 7 VERSION 2)* (7) Friday is a pivotal day that highlights a number of important facets of the lives and relationships of the characters, signifying both everyday events and big moments. The play's repeated mention of Friday highlights how cyclical their conflicts, goals, and problems are. Wilson creates a complicated narrative that emphasizes the significance of Fridays in forming the experiences of the characters and the overarching plot through a variety of Friday-related occurrences. On a Friday in 1957, when the play starts, Troy and Bono—two close friends and garbage collectors—are getting paid. This day represents a little reprieve from their arduous work, enabling them to partake in their custom of drinking and conversing. Troy and Bono's relationship is strengthened by the payday ritual, which also provides insight into their common challenges as working-class African American males. Troy confronts their manager, Mr. Rand, about racial prejudice at work, and their interaction demonstrates Troy's bravery and tenacity. Friday is a day for introspection and resistance since Troy's fight against systematic racism is reflected in his desire for equitable work chances. Troy and his family's conflict is exacerbated by Friday as well. Today, Cory, Troy's son, talks about wanting to play college football, something Troy strongly disagrees with. Troy's own encounters with racial prejudice in athletics are the reason behind his inability to endorse Cory's goals. His doubts about Cory's football career highlight the generational divide and divergent views on success and opportunity. When Troy tells Cory's coach that he can no longer play, thereby dashing his son's ambitions, the tension is increased even further. In this sense, Friday is significant because it represents a day when familial and personal tensions escalate, compelling people to face their wants and anxieties. The Friday events also bring Troy's nuanced connections with other characters to light. For example, the tense connection between father and son is shown when Lyons, Troy's oldest son from a previous marriage, comes to borrow money. The fact that Lyons asks Troy for money on payday not only shows how dependent he is on him, but it also highlights Troy's mixed feelings as a parent who both supports and resents his son's desire to pursue music. Furthermore, Troy's relationship with his wife Rose is made more difficult by Bono's charge of his adultery, which was prompted by Troy purchasing a drink for a different lady. These Friday conversations reveal the underlying tensions that underlie their lives and the brittleness of familial connections. The play goes on to show how important Fridays are. Troy celebrates becoming the first black garbage truck driver in the city in Act One, Scene Four, which also takes place on a Friday. Even though this accomplishment is noteworthy, there is still continuous family strife, so it is bittersweet. When Cory confronts Troy, it foreshadows deeper issues as his resentment for ruining his football ambitions reappears. This day highlights the dichotomy of accomplishment and agony as Troy considers his background, his hardships, and his duties as a husband and parent. Troy's life begins to fall apart in the second act, with major incidents that likewise center around Fridays. Troy's relationships become more difficult as a result of his romance with Alberta and her eventual pregnancy. Troy is forced to deal with the fallout from his actions when Alberta passes away during delivery. A turning point in Rose and Troy's marriage was her decision to raise Raynell while emotionally separating herself from him. The fact that these occurrences culminate on Fridays highlights the significance of the day as a representation of both disruption and regularity, which reflects Troy's life's ups and downs.

*LITERATURE III* *(NUMBER 4 VERSION 2)* (4) Lakunle has a complicated and nuanced attitude toward Baroka in Wole Soyinka's "The Lion and the Jewel," which reflects his enduring hostility and ideological disagreements with the elder man. Lakunle harbors a deep-seated animosity and hostility with Baroka, the Bale of Ilujinle, for a number of reasons. First of all, Lakunle's hatred of Sidi is heightened by Baroka's interest in her, which is prompted by her unexpected prominence. The arrogant girl rejects Sadiku, Baroka's oldest wife, when she tries to deliver the Bale's love letter to Sidi. Lakunle, who already has a great deal of animosity for the Bale, finds that Baroka's pursuit of Sidi is a major source of disagreement. Lakunle's animosity is heightened by his perception of Baroka's goals as just another example of his tyrannical and antiquated methods. Lakunle also accuses Baroka of impeding Ilujinle's advancement. He believes that Baroka is afraid of the changes and attractions that come with progress, thus he blames the Bale of purposefully obstructing the train that would have traveled through the village. According to Lakunle, this deed embodies Baroka's opposition to modernity and advancement, which Lakunle ardently supports. Lakunle's dislike of Baroka is heightened by his perception of the elderly man as a symbol of the immobility and backwardness that he detests. Even though Baroka is very offended by Lakunle, he doesn't give up on Sidi. Actually, Baroka's desire seems to be heightened by Lakunle's hatred—possibly in an effort to rile up his opponent. Baroka uses devious methods because he is determined to gain Sidi's love. He fabricates an act of sudden impotence and uses Sadiku to tell Sidi a lie. Baroka is using this lie as part of his plan to get Sidi to lower her guard so he may entice her. Sadiku is an essential component of Baroka's plan. Because she gullibly accepts the false narrative of Baroka's helplessness, she unintentionally becomes the messenger of the Bale's deception. Sadiku teases Baroka in a playful way, believing she has defeated the formidable Bale. But in the end, Sidi's acceptance of a falsehood brings her into Baroka's arms, whereupon she marries him and rejects Lakunle. Lakunle's response to Sidi being married to Baroka perfectly captures his demise and the pointlessness of his endeavors. Even though Lakunle is fiercely against Baroka and tries to stop the Bale's schemes, he can't stop Sidi from falling for Baroka's cleverness and charm. This result not only confirms Baroka's supremacy but also emphasizes how different Baroka's cunning and practical tactics are from Lakunle's idealistic but ineffectual strategy.

*LITERATURE III* *(NUMBER 3 VERSION 2)* (3) The playwright employs dramatic irony, which occurs when the audience knows something that the character does not. This creates a layer of meaning in the character’s innocent remarks or actions that the audience understands, but the character does not. For instance, dramatic irony is evident when Sidi goes to Baroka’s palace to mock and taunt him for his supposed impotence. The audience is well aware that Baroka’s widely publicized impotence is merely a ruse to lure Sidi and win her for marriage. It is also ironic that Sadiku, the head wife, is unwittingly involved in the scheme and manipulation. When Sidi decides to honor Baroka’s visit, which she initially rejected, both the audience and Baroka are aware that she will ultimately become the target of his elaborate scheme. Another example of dramatic irony occurs when Lakunle anxiously awaits Sidi’s return from Baroka’s palace. The audience knows that Sidi has been deceived by Baroka’s feigned impotence. Meanwhile, the women make sarcastic and mocking remarks about Baroka’s supposed impotence, unaware that he is actually asserting his manliness with Sidi in the palace. There is also an instance of situational irony in the play. Situational irony occurs when actions have the opposite effect of what was intended, and the outcome is contrary to what is expected. For example, it is ironic that the old Baroka, who opposes the construction of a railway through Ilujinle and even bribes the surveyor to halt the project, ultimately decides to embrace modernity by acquiring a stamp machine to print Sidi’s images. This decision is prompted by his dissatisfaction with how his own images are poorly treated, being placed next to the latrine in the magazines.

*LITERATURE III* *(NUMBER 3 VERSION 1)* (3) The playwright makes use of some dramatic irony. Dramatic irony refers to the audience’s knowledge of something that the character who is speaking does not know. When the character makes an innocent remark action that refers to the “inside knowledge” that the audience has the character does not have, contains dramatic irony. For example, dramatic irony is seen when Sidi goes to the Bale’s palace to mock and taunt his impotence. The audience is very much aware that Baroka’s much-publicized impotence is just a ploy to have Sidi to himself and woo her for marriage. It is also ironic that Sadiku, the head wife has also dragged into the trick and manipulation also. When Sidi makes up her mind to honor Baroka’s visit which she earlier turns down, the audience and the Bale himself are pretty aware that she will become the object of Baroka’s expensive joke when he eventually wins. Another instance of dramatic irony is evident in the scene when Lakunle expects Sidi to be back from Bale’s palace. He is very much tensed and anxious to have her back. The audience is aware that Sidi has fallen victim to Baroka’s fake impotence. Also, the women are busy making sarcastic and sneering comments about the Bale’s supposed impotence while Baroka is busy exercising his manliness on Sidi in the palace. There is also an instance of situational irony in the play. Situation irony is a situation in which actions that are opposite occurring that are not intended and the outcome is contrary to what is expected. For instance, it is ironic that the old Baroka, a man who does not want the railway to be built through llunjunle and consequently bribes the surveyor to stop the project, decides he must embrace modernity by having a stamp machine that would print Sidi’s images, given that his images are poorly treated as they are placed next to the latrine in the magazines.

*LITERATURE III* *(NUMBER 2 VERSION 1)* (2) Foreshadowing is a powerful literary device that adds depth, suspense, and anticipation to storytelling. In the play about Madam Yoko, foreshadowing is expertly used to hint at future events and outcomes, allowing the audience to anticipate key developments and their consequences. Through subtle clues and hints scattered throughout the narrative, the playwright effectively creates a sense of foreboding and tension, enriching the dramatic experience for the audience. One prominent use of foreshadowing in the play is evident in Gbanya's promise to pass power over to Yoko upon his death. This initial promise sets the stage for the power struggle that unfolds after Gbanya's demise. As the audience witnesses Gbanya's determination to uphold his promise and Yoko's eagerness to assume leadership, they are subtly foreshadowed about the potential conflict and turmoil that will arise regarding Yoko's succession to power. The impending danger of Gbanya's death is foreshadowed through various ominous signs and events. The arrival of the messenger with the Governor's message and the subsequent accusations against Gbanya hint at the events that lead to his downfall. Gbanya's insistence on Yoko inheriting the chiefdom further reinforces the audience's anticipation of the turmoil that will follow his passing, setting the stage for the tragic events that unfold. Lamboi's treachery and plot to kill Gbanya with poison are also foreshadowed through secretive conversations and hesitant actions. The audience senses the impending danger as Lamboi's true intentions become clear, creating a palpable sense of foreboding and suspense. The tension builds as the plot unfolds, leading to the inevitable tragedy that befalls Gbanya and sets the stage for further conflict and turmoil within the kingdom. As Yoko assumes the role of chief after Gbanya's death, the challenges she faces are foreshadowed through ongoing interference from the Governor and conspiracies orchestrated by Lamboi and Musa. The audience anticipates the struggles Yoko will encounter in maintaining her reign and protecting her people, heightening the tension and suspense as the narrative progresses. Ultimately, Yoko's decision to commit suicide serves as the climax of the play and is foreshadowed by her mounting despair and disillusionment. The Governor's betrayal and the betrayal of her own people serve as the final catalysts for her tragic end. Through Yoko's declaration of finding peace in death and the absence of mourning for her departure, the audience is foreshadowed about her ultimate fate, bringing the narrative full circle and leaving a lasting impact on the audience.

*SECTION- D(Pls Answer One From each part!!!!!* (11) In the poem "Bat," the poet D.H. Lawrence presents a negative attitude towards bats. He describes them as "queer little house-creatures" that are "like brown paper parcels." The poet also mentions that bats "hide in corners" and "dart out with an air of galantry." -These descriptions suggest that the poet sees bats as strange and sneaky creatures that are not to be trusted. -Furthermore, the poet compares bats to "old women" who "must be secretly in league with the devil." -This comparison reinforces the negative attitude towards bats, as it implies that they are associated with evil or dark forces. In other words on one hand, the poet expresses: -Revulsion: Comparing bats to "disgusting old rags" and "bits of umbrella" conveys a sense of disgust and discomfort. -Fear: The poet describes bats as "wildly vindictive" and "grinning in their sleep," emphasizing their unsettling nature. On the other hand, the poet also displays: -Fascination: The poet is drawn to the bats' " queer little bodies" and "leathern wings," suggesting a morbid curiosity. -Empathy: The poet acknowledges the bats' "blind, helpless faces" and "tiny, terrified eyes," revealing a sense of understanding and compassion. Overall, the poet's attitude towards bats is one of ambivalence, oscillating between repulsion and fascination, highlighting the complexities of human emotions and perceptions. (12) In "The Journey of the Magi," the poet T.S. Eliot portrays the suffering of the travellers as a necessary part of their spiritual journey. The poem describes the harsh winter conditions that the Magi face as they travel to Bethlehem, including "the worst time of year for a journey, and such a long journey." -The poet also mentions the "camels galled, sore-footed, refractory" and the "cities hostile and the towns unfriendly" that the Magi encounter on their journey. -These descriptions suggest that the Magi are facing numerous obstacles and challenges that make their journey difficult and painful. -However, the suffering of the Magi is not portrayed as a punishment or a curse, but rather as a transformative experience. -The poem suggests that the Magi's suffering is necessary for them to reach their spiritual destination and experience the birth of Christ. -The poet writes, "We returned to our places, these Kingdoms, / But no longer at ease here, in the old dispensation." This suggests that the Magi's journey has changed them, and they can no longer go back to their old way of life. Overall, the poem portrays the suffering of the Magi as a necessary part of their spiritual journey and a transformative experience that leads to a deeper understanding of the divine.