ПРОМТЫ | INTEGER
Готовые промты для трендовых фото и видео
Show more📈 Analytical overview of Telegram channel ПРОМТЫ | INTEGER
Channel ПРОМТЫ | INTEGER (@integer_promt) is an active participant. Currently, the community unites 70 585 subscribers, ranking in the Other category.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 70 585 subscribers.
According to the latest data from 23 October, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 6 997 over the last 30 days and by 76 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 11.97%. Within the first 24 hours after publication, content typically collects 4.99% reactions from the total number of subscribers.
- Post reach: On average, each post receives 8 430 views. Within the first day, a publication typically gains 3 513 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 14.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“Готовые промты для трендовых фото и видео”
Thanks to the high frequency of updates (latest data received on 24 October, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Other category.
A photorealistic cinematic night scene of a grand European corner building in winter, light snow falling. A giant curved LED billboard shows Santa Claus emerging from the screen, leaning forward realistically. Santa wears a classic red velvet suit with white fur trim, glasses, and gloves. He reaches out of the billboard, holding an uploaded object in the foreground, oversized for dramatic scale. Wet cobblestone street below with warm shop lights, reflections, and blurred pedestrians. Cold blue night tones contrasted with warm golden lighting, ultra-detailed, high-end VFX advertising style, shallow depth of field. 4K realism.
Теперь, загружаем готовое изображение в kling и оживляем с помощью промпта👇🏼
Cinematic 3D billboard animation.
Santa Claus remains inside the screen at all times.
Only his upper body partially extends beyond the screen frame.
His lower body stays inside the billboard screen.
No walking, no stepping forward.
Santa slowly turns his head left and right, observing the city.
He holds a Kazakhstan chocolate bar in his hand.
Subtle natural movement only.
Soft falling snow.
City environment remains static.
Ultra realistic, cinematic lighting.
No distortion, no morphing.
No full body exit.
No walking.
No leg movement.
No camera zoom.The model — use the face, appearance, body proportions, and individual features strictly from the provided photo reference, with no changes.
The model is sitting, slightly turned to the side, legs bent, in a relaxed, natural pose.
The model is wearing: — a pink knitted beanie, — a white sweater with a red bow, — plaid pajama pants, — light-colored socks, — suede slippers.
The model is holding a coffee drink in a transparent cup with a straw, the gesture is natural and casual. Facial expression is calm and lively.
Background and environment: a festive pink-and-red Christmas setup, a decorated Christmas tree with ornaments and ribbons, gift boxes, decorative pillows, candles, and holiday props.
Lighting: soft, even studio lighting, no harsh shadows. Colors: warm and natural, no artistic color grading.
Далее, берём готовое фото из первого результата, загружаем и вводим промпт👇🏼
Photorealistic close-up.
The model without a hat, soft loose curls, face centered.
Christmas tree in the background, warm festive lighting, high facial detail, no stylization.Cinematic motion-blur photography shot on a Leica SL3 with a 50mm Summilux at f/2.8, captured from a chest-level frontal angle using slow shutter panning.
Use the person from the uploaded reference photo as the main subject. Preserve the identity strictly 1:1 — same face, bone structure, proportions, skin tone, facial features, age, and expression. No beautification, no face replacement, no stylization of identity.
Lighting setup: flat overcast daylight acting as soft diffusion, allowing long blur trails without harsh contrast.
Color tone: muted concrete greys and pale skin neutrals inspired by A24 films.
Subject: the referenced person standing completely still, sharp focused eyes, symmetrical face, real skin pores visible, wearing a tailored modern black coat — minimalist, high-fashion, clean silhouette, matte fabric, structured shoulders, mid-length or long cut, no logos, no patterns.
Crowd action: hundreds of commuters rushing past in all directions, bodies stretched into smooth horizontal and diagonal motion blur, long exposure trails.
Emotion: quiet rebellion through stillness.
Aesthetic: editorial calm versus urban chaos.
Post-processing: clean and realistic motion physics, fine cinematic grain, high realism.
Constraints: no glitches, no face distortion, no warped anatomy, no changes to facial identity, no AI artifacts.A humorous cinematic holiday scene viewed through a hole in a slice of bread held by another person's hand close to the camera. The bread slice has an irregular natural torn circle in the center, creating a vignette-like frame. Through this bread-hole, we clearly see a woman sitting at a festive New Year dinner table. Her face and appearance must match the uploaded reference photo (same hairstyle, same facial features). She is wearing a beautiful festive dress (elegant, evening, holiday style). In her hands she holds a big bowl of Olivier salad, eating it with a spoon with a slightly exaggerated, humorous enjoyment.
Scene details:
• New Year table with traditional decorations: champagne glasses, fairy lights bokeh, maybe candles
• Warm cozy lighting, soft golden festive glow
• The framing through the bread is sharp at the edges, with shallow depth of field
• The bread slice is very close to the lens, textured, realistic, crisp
• The woman and the table are in focus through the opening
• Background: holiday atmosphere, sparkling lights, soft blur Mood: funny, warm, slightly absurd New Year humor.
Ultra realistic, 8K, shallow depth of field, cinematic holiday aesthetic.From the left side of the frame, Santa Claus slowly walks into the scene. He looks classic and realistic: red coat, white fur trim, boots, gloves, natural fabric textures, no cartoon style.
Santa approaches the Christmas tree, gently bends down, and carefully places an additional wrapped gift under the tree. He pauses for a moment, looks at the tree with satisfaction, then turns toward the camera.
Santa smiles warmly.
He raises one hand, snaps his fingers, and instantly disappears into a soft magical effect — subtle sparkling particles and light mist, no explosion, elegant and clean.
The room remains unchanged after he vanishes: the tree lights continue glowing, the gift stays under the tree, the space feels quiet and magical.
Ultra-realistic lighting, soft shadows, cinematic color grading, shallow depth of field, smooth natural motion, no camera shake, no cuts, seamless animation, high detail, film-like quality.A hyper-realistic photograph, strictly referencing the attached image, captured as a casual selfie while seated in a large, dimly lit IMAX theater.
The image looks unmistakably like it was shot on an iPhone 17 Pro, using the native wide camera (24mm equivalent), with Apple computational photography fully applied.
The man is wearing a polo and skinny grey jeans. Her posture is relaxed and natural, slightly leaning in. Watches on his hand
Beside her are two Na’vi characters from Disney’s Avatar: Jake Sully and Neytiri, rendered with extreme realism. They wear authentic Na’vi clothing, jewelry, and weapons, with lifelike skin texture, pores, bioluminescent tones, and organic material detail.
The woman’s head is gently tilted toward Neytiri. Jake Sully’s arm rests naturally around her shoulder. All three pose with soft, understated smiles.
The woman looks directly into the camera lens with a calm, candid expression.
Behind them, a large IMAX screen displays an Avatar: Fire and Ash movie poster, softly glowing and slightly out of focus.
Lighting feels like real cinema lighting:
subtle directional key light from the screen, gentle edge light on faces and shoulders, realistic falloff, no studio harshness.
Skin tones are natural and balanced, with Apple-style Smart HDR preserving highlights and shadow detail.
Visual characteristics of an iPhone 17 photo:
• shallow but realistic depth of field with natural computational bokeh
• slight wide-angle perspective distortion typical of a handheld selfie
• ultra-sharp eyes with micro-contrast
• realistic low-light noise, not overly clean
• natural skin texture, no plastic smoothing
• true-to-life fabric detail and stitching
• perfectly matched lighting, shadows, and reflections between real and Na’vi characters
Film-grade yet mobile-authentic color science, warm nostalgic mood, subtle cinematic grading that still feels like a genuine iPhone photo
9:16»
Теперь, если ты хочешь оживить фото, заходи в kling, загружай готовое изображение и пиши промпт👇🏼
Subtle emotional animation.
Soft smiles forming naturally.
Gentle eye movement and blinking.
Keep original facial features exactly the same.
No exaggeration, no cartoon effect.
Photorealistic.A photorealistic family portrait in a winter outdoor setting. [кол-во людей] people: a man and a woman standing behind, children standing in front of them. Preserve faces, features, age proportions, and individual appearance strictly according to the photo reference. A snowy coniferous forest in the background, soft diffused winter light, light snow in the air. Clothing in a unified beige and milky color palette: coats, knitted sweaters, scarves, gloves, hats. A warm, calm atmosphere, natural poses, gentle smiles. Eye-level camera angle, medium shot, shallow depth of field, natural skin tones, no stylization or artistic effects. Maximum realism, looks like a professional outdoor family photoshoot.
Далее, берём готовое фото и снова загружаем в Nano Banana, но на этот раз, с промптом ниже👇🏼
A photorealistic holiday greeting card in the aesthetic of 1975–1980, created based on the uploaded reference image. The family is standing together at a snowy European Christmas market at night. Faces and individual features are recognizable and preserved strictly according to the reference, while the clothing is adapted to mid-1970s fashion: classic-cut wool coats, scarves, gloves, knitted hats, and a calm, elegant color palette of the era.
Printing technology: 1970s color photo printing, soft film grain, slightly muted colors, warm creamy and burgundy-red tones, moderate contrast. Lighting is soft and diffused, characteristic of studio and street photography of that period.
Background: a Christmas market with strings of warm lights, wooden stalls, and light falling snow. Subtle background bokeh, without modern digital sharpness.
In the foreground, neatly and delicately integrated into the composition, a general greeting appropriate to the era:
С Новым Годом!Ultra high-resolution, cinematic Christmas advertising scene.
A realistic Santa Claus character is emerging through a torn red paper wall, frozen mid-motion. The ripped paper edges are sharp, layered, and textured, with realistic depth and natural shadows. Santa's upper body is visible through the opening. Santa Claus appearance: elderly male with natural white beard and hair, warm and friendly facial expression, classic red velvet Santa suit with white fur trims, white gloves, hyper-realistic skin texture, natural wrinkles, and detailed fabric realism. Replace the object in Santa's hand with the uploaded reference product. Perspective and distance rule: if the reference product is small, Santa extends his hand forward toward the camera, bringing the product closer to the lens with a slight perspective enlargement and a delicate finger grip. If the product is medium-sized, Santa holds it at a neutral distance with a natural arm extension and balanced perspective. If the product is large or bulky, Santa holds it slightly closer to his body so the product remains further from the camera, with a firm and believable grip that reflects its weight and volume. Hand interaction rule: hand pose, finger curvature, wrist angle, and grip pressure must dynamically adapt to the product's size, shape, and weight. The product must feel physically supported, realistic, and stable, with no distortion, clipping, or floating.
The product must always be clearly visible and must never cover Santa's face, and its orientation should adjust naturally to its form. Scene and lighting are locked: deep red monochrome background, soft cinematic key light focused on Santa and the product, subtle rim light outlining the gloves and shoulders, clean shadows, shallow depth of field, and no additional props or decorations. Text and graphics rule: remove all text, typography, logos, labels, watermarks, symbols, and Ul elements. Camera and style: medium close-up framing, slight low-angle cinematic perspective, professional commercial photography style, ultra-realistic textures, high contrast, clean and premium composition. Aspect ratio 4:5 vertical. Style hyper-realistic, cinematic Christmas product photography. Output must be clean, text-free, and fully product-focused.Create an ultra-HD, hyper-realistic digital poster of a floating miniature island shaped like ВАШ ГОРОД, resting on white clouds in the sky. Blend iconic landmarks, natural landscapes, and cultural elements unique to [ВАШ ГОРОД]. Carve “ВАШ ГОРОД” into the terrain using large white 3D letters. Add artistic details like birds (native to ВАШ ГОРОД), cinematic lighting, vivid colors, aerial perspective, and sun reflections to enhance realism. Ultra-quality, 4K+ resolution. 1080x1080 format