Faded Tune

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تا اخر تابستون پنج تا اثر هنری رو تو چنلت با دیدگاه خودت انالیز کن.(سخت) https://t.me/stchwe

Francesca Woodman 1958 — 1981 From a family of artists, Francesca Woodman began her studies at the Rhode Island School of Design (Providence) in 1975, before a sojourn in Rome in 1977 and 1978. Inspired by baroque sculptures, she developed an angelic theme in her photographic works On Being an Angel (1977–1978). Her first solo exhibition took place in 1978. At the end of her studies, she went to New York, working temporarily as a model and photographer’s assistant, as well as participating in various group shows. She became friends with the collector of Surrealist art Timothy Baum. Her photographs bear close links to Surrealist photography, such as the deformation of the female nude, the appeal for found objects, and the penchant for dilapidated interiors. In January 1981 she published her first artist book, Some Disordered Interior Geometries. The body F. Woodman exposes is almost exclusively her own – often nothing more than a fragment or a fleeting apparition, suggesting the transient. Her Untitled Photographs (1975–1976) feature her playing with mirrors so as to multiply movement and the illusory effect of the image.

Francesca Woodman 1958 — 1981 From a family of artists, Francesca Woodman began her studies at the Rhode Island School of Design (Providence) in 1975, before a sojourn in Rome in 1977 and 1978. Inspired by baroque sculptures, she developed an angelic theme in her photographic works On Being an Angel (1977–1978). Her first solo exhibition took place in 1978. At the end of her studies, she went to New York, working temporarily as a model and photographer’s assistant, as well as participating in various group shows. She became friends with the collector of Surrealist art Timothy Baum. Her photographs bear close links to Surrealist photography, such as the deformation of the female nude, the appeal for found objects, and the penchant for dilapidated interiors. In January 1981 she published her first artist book, Some Disordered Interior Geometries. The body F. Woodman exposes is almost exclusively her own – often nothing more than a fragment or a fleeting apparition, suggesting the transient. Her Untitled Photographs (1975–1976) feature her playing with mirrors so as to multiply movement and the illusory effect of the image.

Francesca Woodman, Self-Portrait with cat, New York,1980,gelatin silver print, private collection,adagp, Paris

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