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Referring to the Turks of the Qutsi, Lulobis and Turok.
Zaminski, a professor at the University of Chicago, points out some points in his book under ancient studies about the Urartos.
1- In this book, the compatibility of the Urartian language with the Caucasian and Turkic languages is mentioned.
2- The author, quoting from the Archeology magazine published by the University of Chicago, has mentioned the opinion of Yusuf Yusufov Turklog and the Azerbaijani historian about Quti, Lulobi and Turoks:
Etymological documents show that the Qutsi, Lulobi and Turuk were Turkic in Urmia.
Yusifov, Yusif B. 1986. On the Ancient Population of the Urmia Lake Region. Archaologiscbe Mitteilungen aus Iran 19:87-93.
[Source]:
Tuaz
🇷🇺🇫🇮The argument that Russians are essentially Finns finds support in 19th-century theories, particularly those of Polish scholar Franciszek Duchiński.
Duchiński posited that Russians, unlike Poles, are not true Slavs but rather originating from a mix of Finno-Ugric and Mongol elements. This view aligns with the observation that Russians have been shaped by their assimilation with Finno-Ugric peoples, making them distinct from other Eastern Slavs like Ukrainians and Belarusians, who are more closely related to Poles.
According to this theory, Russians are more Finnic than Slavic. Russia is Finno-Ugric🐺🇫🇮
@proturan
🇫🇮The Birth of Väinämöinen in Finnish Mythology
In the Kalevala, Väinämöinen is the son of Ilmatar, the maiden of the Air and the Sea, who floats on the Sea. He spends thirty years in the womb of his mother, and is born already as an adult. Upon his birth, as the goldeneye's eggs shattered and he emerged from the fragments, he began to assist in the creation of the World. His arrival was accompanied by celestial music that echoed through the newly formed world.
Legend has it that Väinämöinen's first cries were not ordinary sounds but enchanting melodies that resonated with the rhythm of creation itself. The wind carried his harmonious tunes across land and sea, awakening the dormant forces of nature. Trees swayed in rhythmic dance, rivers flowed with newfound vigor, and creatures of the earth gathered to witness the birth of this magical being.
#Finland #Mythology
@proturan
🐺The Wife of Dzhantyura
During the Patriotic War of 1812 and the Russian army's foreign campaigns of 1813-1814, 20 Bashkir, 2 Tepter, and 2 Mishar regiments were formed in Bashkiria. These regiments participated in driving Napoleon's troops out of Russia and liberating Europe.
The painting "The First Cossacks in Berlin on February 20, 1813" by German artist Jugel shows a mixed unit of irregular cavalry, including Don Cossacks and Bashkirs. Among them is a woman, confirming reports that many Bashkirs took their wives on campaigns.
Dzhantyura described his experience in the war. He wore a heavy chainmail, which he noted could only be pierced by a bullet at close range.
Dzhantyura shared that his wife accompanied him on the campaign and even earned a medal for her bravery. In one battle near Dresden, after he was wounded, his wife alerted a nearby Cossack detachment, which rescued him and others from capture. He credited her quick thinking with saving his life, calling her a "remarkable woman."
#Bashkirs
🇫🇮Lemminkäinen is a heroic figure from Finnish mythology, often depicted in the Kalevala, Finland's national epic.
Known for his charm, bravery, and impetuous nature, he embarks on perilous quests, such as his journey to the underworld to retrieve the magical Sampo.
His tales are rich with themes of love, loss, and resurrection, embodying the resilience and complexity of Finnish folklore.
#Finland #Mythology
@proturan
🇭🇺St. Stephen’s Hall
St. Stephen’s Hall was established on the first floor of the extension that connected the Baroque palace with the Krisztinaváros wing, which is now the main entrance to the Budapest History Museum.
In 1897, Vilmos Zsolnay petitioned the King with a proposal for a Hungarian-style state hall featuring majolica decoration. While Zsolnay wanted to oversee the decorations himself, Alajos Hauszmann reserved this task for the castle’s construction committee.
The hall’s design included an iconographic program developed by Gyula Pauler. The walls displayed paintings of ten members of the Árpád dynasty, based on cartoons by Ignác Roskovics. Above the doors, historical scenes were showed, including St. Stephen and St. Gellért proclaiming Christianity, the coronation of Stephen, and the founding of the Hungarian state.
St. Stephen’s Hall was the first of three "historical" state halls in Buda Palace and was also featured in the Hungarian pavilion of the 1900 Paris World’s Fair.
#Hungary
