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🔎The Enigma Realm🔍 - What the actual?? 👀

Historical cover-ups, codes, signs and symbols hidden in plain sight. Join the treasure hunt for the keys that unlock the secret knowledge 🐇

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"Consider for a moment, how you were created in the womb. Think of that skillful workmanship, and look for the craftsman who made such a beautiful God like image. Who traced the circles of your eyes? Who pierced your nostrils, ears and mouth? Who stretched your bones and wrapped your flesh with skin? Who shaped your heart and hollowed your lungs? Who made your beauty visible, and concealed your guts within? How many crafts have been employed, and how many works of art created to form one human being? Statues or portraits don't just happen without a sculptor or painter. Has such a sublime work no Creator?" Excerpt from The Hermetica, translation by T.Freke @EnigmaRealm
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The Great Jet Fuel Deception "According to the manufacturers specifications the Airbus A380 can take 130 tons of fuel in each wing, this is equivalent to approx 16 double decker buses on each wing" 🤔 So how are these engines really working? @EnigmaRealm
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Plate 81 Baalbec (Baalbek), the Doorway - After David Roberts | DOWLE FINE ART

David Roberts reached this ancient Temple on 7th May 1838 and wrote in his journal "This is, perhaps, the most elaborate work, as well as the most exquisite in its detail, of anything of its kind in the world. The pencil can convey but a faint idea of its beauty. One scroll alone, of acanthus leaves, with groups of children and panthers intertwined, might form a work of itself. Even independently of the beauty of the sculpture, and its excellent preservation, we are lost in wonder at the size of the stones, and at the nature of the machinery by which such masses were raised. Earthquakes have shaken this extraordinary remnant; but from the magnitude of the blocks which form the lintel, the central one, being wedge-shaped, has slipped only so far as to break away a portion of the blocks on either side, and thus remain suspended. "But its effect is injured by a wall which crosses the eastern Portico, and within a few feet of the doorway, so that the spectator is forced to look at it almost directly upwards. An eagle…

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Images of Cairo 1849 Cartographer/Artist DAVID ROBERTS 1849 @EnigmaRealm
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CAIRO FROM THE GATE OF THE CITIZENS Cartographer/Artist - DAVID ROBERTS 1849 London @EnigmaRealm
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Becoming a Light in the Darkness Out of nothing I return to the white sea foam. Beyond lies light no darkness knows. I walk to it, through years of pain, life times of suffering, despair that knew no comfort. I've known that tempting feast of death when, while darkness filled the mind the heart cried out. I've known weakness and madness of the heart. I know the terrible truth of darkness, and I say, bless the darkness, for in darkness I stumbled and fell on the crystal road. After years of doubt, the dark mind turns again to light. In the Black Mountain of the heart, I found my way home again. I am that light in the darkness. I am a diamond, a bright secret veiled in black cloth. The light beyond heaven, Is the light within. Exerpt- The Egyptian Book of the Dead) translation by Normandi Ellis @EnigmaRealm
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‘Hell hath no fury like a woman scorned’ that famous quote from the play The Mourning Bride (1697) by William Congreve. In the context of the phrase, ‘fury’ also carries a mythological meaning. The Furies, or Erinyes were female deities in ancient Greek associated with the Underworld, aka Hell. The Erinyes dwelt ‘under earth’ and took vengeance on men, especially men who had sworn a false oath. So, because the Furies were both female and associated with the underworld, it’s likely that when the phrase ‘hell hath no fury like a woman scorned’ was first used, ‘fury’ was intended to refer to the Furies, rather than simply a bout of uncontrollable rage. Or, to put the phrase in slightly different words, ‘there is not a Fury, or member of the Erinyes, in Hell or the Underworld who is more formidable than a mortal woman who has been slighted (usually by a man) Source Painting- Orestes Pursued by the Furies by William-Adolphe Bouguereau, 1862. @EnigmaRealm
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The fine structure constant hidden in Dürer’s Meloncholia. "But I'm sure it's just a coincidence" 🤔 @EnigmaRealm
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