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https://twitter.com/00DEZZthe congress is a 2013 animated/live action hybrid that predicted the reason why WGA and SAG-AFTRA went on strike by 10 years with how it depicts movie studios wanting to digitally scan actors. starring robin wright, danny huston, and paul giamatti, the film tackles the theme of the ethics of artificial intelligence in the entertainment industry. i started working on this video in July of last year but had to keep delaying it for one reason or another, so if you enjoy it, please comment, like, subscribe, + join my patreon for more videos on animation! β§ο½₯οΎ: *β§ο½₯οΎ:*social media*:ο½₯οΎβ§*:ο½₯οΎβ§ β’ instagram:
https://instagram.com/livmendelβ’ letterboxd:
https://letterboxd.com/livmendelβ’ twitter:
https://twitter.com/livmendelβ’ patreon:
https://www.patreon.com/livmendelβ§ο½₯οΎ: *β§ο½₯οΎ:*$3 + patrons*:ο½₯οΎβ§*:ο½₯οΎβ§ β’ gantrell β’ peter tobin β§ο½₯οΎ: *β§ο½₯οΎ:*works cited (no i am not putting them in MLA format)*:ο½₯οΎβ§*:ο½₯οΎβ§ β’ "striking actors say hollywood studios want to perpetually use AI-generated replicas of actors for one dayβs pay" from forbes
https://www.forbes.com/sites/siladityaray/2023/07/14/striking-actors-say-hollywood-studios-want-to-perpetually-use-ai-generated-replicas-of-actors-for-one-days-pay/?sh=56fd2d5476b7β’ "tv and movies are finally celebrating older women" from the new york times
https://www.nytimes.com/2021/09/30/us/tv-movies-hollywood-women.htmlβ’ "disneywar" by james b. stewart
https://www.amazon.com/DisneyWar-James-B-Stewart/dp/0743267095β’ "video game performers prepared to strike for more pay, protections" from reuters
https://www.reuters.com/world/us/video-game-performers-prepared-strike-more-pay-protections-2023-09-26/β’ "SAG-AFTRA & studios reach tentative new three-year seal on animated films" from deadline
https://deadline.com/2024/02/sag-aftra-contract-deal-animated-movies-1235833654/β’ "future unscripted: the impact of generative artificial intelligence on entertainment industry jobs" from CVL economics
https://animationguild.org/wp-content/uploads/2024/01/Future-Unscripted-The-Impact-of-Generative-Artificial-Intelligence-on-Entertainment-Industry-Jobs-pages-1.pdfβ’ "taylor swift and no AI fraud act: how congress plans to fight back against AI deepfakes" from ABC news
https://abcnews.go.com/US/taylor-swift-ai-fraud-act-congress-plans-fight/story?id=106765709β’ "robin williams went above and beyond to stop his image being used" from the guardian
https://www.theguardian.com/film/2015/mar/31/robin-williams-restricted-use-image-despite-existing-us-lawsβ’ "A.I. filmmaking is a terrible idea, and one underseen movie shows us why" from /film
https://www.slashfilm.com/1279512/a-i-filmmaking-is-a-terrible-idea/β§ο½₯οΎ: *β§ο½₯οΎ:*music*:ο½₯οΎβ§*:ο½₯οΎβ§ β’ background music: "kalimba" by lofi satoshi β’ "golden hour" by hiyasu β’ "clair de lune" by claude debussy, performed by rousseau β’ "why she is hiding in the other man's eyes" by barcode β’ "rΓͺverie" by claude debussy, performed by jean-yves thibaudet β’ "hide" by miscΓ©l β’ "brainjazz reprise" by barcode β’ "tuesday, 12:40pm" by barcode β’ "dreams, op. 38 no. 5" by sergei rachmaninoff, performed by earl wild and giovanni doria miglietta β’ "lily" by eevee β’ "by myself" by demon gummies β’ "red moon" by hiyasu β’ "rainy day" by hiyasu β’ "gymnopΓ©die no. 1" by erik satie, performed by rousseau β’ "when i remember this life" jazz cover by kazumi tateishi trio β’ outro: "lovely" by ryoga "in many ways, the work of a critic is easy. we risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. we thrive on negative criticism, which is fun to write and to read. but the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. but there are times when a critic truly risks something, and that is in the discovery and defense of the new. the world is often unkind to new talent, new creations. the new needs friends.β - ratatouille
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