t e l e p a t h テレパシー能力者 ᓷᓺᓺᕿᔍᕣᒔᖍ

While I love the fugue part, the tocacata left me like this

(صدای ویدیوگیم دانکی): Now paulie. Play my Jam. Play little fugue in G minor

@rothkoskimono is an opp. It's medieval monophonic sacred music propaganda.

Any musician born after 1780 can't counterpoint, all they know is monophonic melodies + homophonic harmony support, be bisexual, transposing the melody to fifth perfect interval (ew) and sleep.

There was a time period where polyphonic music considered blasphemeous and even vulgar. So if you popped some fugues around the old church hood, you might have found yourself some opps.

پاراکلِسیوس، مای هومی، توکاتا و فوگ دوریان رو پخش کن ولو اگر hoe ها بترسند.

Someone with a Radiohead bio just left go listen to your monophonic melodies peasant. #CounterPoint4lyfe #PolyphonicGrindset #TheMoreVoicesTheBetter #GlennGouldForPresident

پس تو می‌خوای بنویسی یک فووووووووووووووووووگ بد هوس کردی بنویسی یک فووووووووووووووووووووووگ باید خایه داشته باشی تا بنویسی یک فوووووووووووووووگ پس یالا پاشو، یالا پاشووووووووووووووو یالا پاششووووووووووووو بنویس یک فوگ تا بتونیم با آواز بخونیمش (پس تو می‌خوای بنویسی یک فووووووووووووووووووگ) تره‌ای خورد نکن راجع به چیزی که به تو گفتیم (بد هوس کردی بنویسی یک فووووووووووووووووووووووگ) اهمیتی نده به چیزی که به تو گفتیم (باید خایه داشته باشی تا بنویسی یک فوووووووووووووووگ) فراموش کن همه چیزایی که به تو گفتیم (پس یالا پاشو، یالا پاشووووووووووووووو یالا پاششووووووووووووو) و تمام تئوری‌هایی که خوندی (بنویس یک فوگ تا بتونیم با آواز بخونیمش) چرا که تنها راه نوشتن یک فووووووووووووگ (با آواز بخونیمششششششششششششششش) [پس تو می‌خوای بنویسی یک فووووووووووووووووووگ] این هست که شیرجه بزنی داخلش و بنویسیش (یک فوگ خوب تا بتونیم بخونیمششششششششششش) [بد هوس کردی بنویسی یک فووووووووووووووووووووووگ] پس تمام قوانین را فراموش کن و یکی بنویس (و با هم این فوگ رو بخونیییییییییییییم) [باید خایه داشته باشی تا بنویسی یک فوووووووووووووووگ] یه امتحانی بکن آره یک فوگ بنویس (یک فوگ قشنگ رو بخونییییییییییییییم) [پس یالا پاشو، یالا پاشووووووووووووووو یالا پاششووووووووووووو]

Class traitors are the biggest losers.

My exes have been unionized; they have made a group chat and they are hating me there aggressively. 😭😭😭

I really didn't want to jest about the Sednaya situation but the rumor about Imam Musa al-Sadr made it irresistible.

Once in a while I remember how much Aja is such a sweet and heavenly album. It's so well made and one of the few dad-rock/jazz albums that actually aged well.

Never too late for transition

Women have come to revolutionary consciousness by means of ideas, actions and organizations which have been made predominantly by men. We only know ourselves in societies in which masculine power and masculine culture dominate, and can only aspire to an alternative in a revolutionary movement which is male defined. We are obscured in 'brotherhood' and the liberation of 'mankind'. The language which makes us invisible to 'history' is not coincidence, but part of our real situation in a society and in a movement which we do not control. Our subordination is so deeply internalized that it has taken women's liberation to reveal it. The pain, emotional violence, and intense rejection of the male-defined revolutionary movement, which some women have expressed as part of a specifically feminist consciousness, are inseparable from that invisibility. There are two immediate responses to this pain. One is subservient acquiescence to the male revolutionary's definition of our role. Out of 'loyalty' or the need to preserve 'unity' we allow our daring and imagination, so briefly and recently released, to be once again restricted and held down, contenting ourselves with token acknowledgment. The other response is an angry denial that 'their' movement is anything to do with us. We decide to seek our new selves alone. While the first lets go of the explicitly female consciousness and pretends that the specific oppression of women does not exist, the second isolates female consciousness from any other movement for liberation and pretends that men are not oppressed in the world outside. "Women, Resistance and Revolution" - Sheila Rowbotham

Someone with a Nietzsche profile just left.