не умеешь, не исполняй.
📑 Реклама: @ellesse0xe ⚠️ Наклейки/флаг: @neymeeshneiisplonyai Наш чат: @neymeeshneispolnyai78 Наш инстаграм: https://clck.ru/3RiGSR Наш TikTok: https://clck.ru/3SbvfV Отзывы: https://t.me/neymeeshneiisplonyai/16
Show more📈 Analytical overview of Telegram channel не умеешь, не исполняй.
Channel не умеешь, не исполняй. (@ne_ymeesh_ne_ispolnai) in the Russian language segment is an active participant. Currently, the community unites 15 221 subscribers, ranking 4 803 in the Music category and 43 436 in the Russia region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 15 221 subscribers.
According to the latest data from 07 September, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 2 578 over the last 30 days and by 164 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 31.67%. Within the first 24 hours after publication, content typically collects 16.45% reactions from the total number of subscribers.
- Post reach: On average, each post receives 4 779 views. Within the first day, a publication typically gains 2 483 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 213.
- Thematic interests: Content is focused on key topics such as zigzag_foto, отслеживание, сходка, братва, boxberry.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“📑 Реклама: @ellesse0xe
⚠️ Наклейки/флаг: @neymeeshneiisplonyai
Наш чат: @neymeeshneispolnyai78
Наш инстаграм: https://clck.ru/3RiGSR
Наш TikTok: https://clck.ru/3SbvfV
Отзывы: https://t.me/neymeeshneiisplonyai/16”
Thanks to the high frequency of updates (latest data received on 08 September, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Music category.
