7th division

تا شست و آبکشش نکردم حق نداره از جلوم بره

مافت کونی کصکش حق نداره غیر اسلندر شده از خونه من بره بیرون

چشام هم نمیبینه و هم مغزم نیاز داشت همه اینارو براتون تو ویس بگه ولی مجبور بودم

☝️🤓

I am in his fucking walls

His humor relies mostly on mocking the people that love and support him. And while he did become a lot better with his run with Peter Capaldi and especially in season 10 with Bill, his overall career as showrunner on Doctor Who was filled with sexist and misogynistic writing, horrible frat boy humor, and lazy inconsequential plots.

If this isn't sufficient enough I can go on

Here is a list of Moffat's writing crimes off the top of my mind: 1. Writing only bisexual female characters because he personally finds them attractive, but no deep or cool gay characters. 2. Writing a lesbian couple (Jenny/Madam Vastra) and portraying Jenny's first on screen kiss with the Doctor. That was also against her will. 3. The fat one and the Skinny one, also known as the gay fat/skinny couple 4. None of the main female bicurious characters are allowed to explore their relationship with woman and only ever have prominent relationships with men and quips about woman. 5. Every female character has to be attracted to the main male character (Doctor Who and Sherlock) there wasn't a single female character in his era that didn't fall in love or have feelings for the Doctor (sans Bill who is a lesbian) and writing Irene Adler as a lesbian and then making the story about her being in love with sherlock. 6. Female characters are not allowed to be fully formed and complicated as they are just "strong female characters" in the most literal sense possible but their one folly is their love for the Doctor. Just because a character beats up the main character (Rory and the Doctor) doesn't make them thematically complex and deep. 7. Every single thing he put Amy through and then proceeded to not acknowledge. 8. A lot of his stories tend to not be deeper than the season they're presented in. Exp; Amy's entire childhood being retconned by the end of season five. Her pregnancy, the loss of her child and the fact that she supposedly grew up with her own kid. None of these traumas are ever deeper explored. And the events of previous seasons never seem to have an effect on the world nor the seasons after. 9. His characters are blank slates with no identity outside of the Doctor. Besides Rory who was a nurse from his first ep, all of the characters in their respective lives are given arbitrary dreams and jobs and goals depending on what suits them story at the moment. They're not allowed to be fully formed people, they need to be blank dolls to fit the story and not the other way around. 10. Amy's attempt to "seduce" the Doctor that borders on assault. 11. Never acknowledging her and Rory's lackluster relationship and just reassuring the audience that "yeah I promise Amy loves him just as much!" 12. Sexualization of all female characters. 13. Having to write every single female character being in love with the Doctor, yes even the Master cause lest you let a single person have a platonic relationship. 14. In episode 3 of season 10 (the fish in the themes episode) the excuse given for my no one remembers the giant ass fish everyone saw was that the human race likes forgetting things because the reality is too weird for them. This same sentiment is repeated in the pyramids episode where after the main villains are defeated Bill asks why no one is acknowledging the cataclysmic world ending event and the Doctor's reply is "they're not special. They all just wanna go about their lives and worry about meaningless things. That's why I only pick the special people" (paraphrased) Moffat usually loves writing himself in a corner and then writing his way out of it by excuse of "well idk just accept it!" His worlds usually have zero lasting consequences because that would require seriously punishing a characters actions and he would never do that. 15. In Sherlock, a murder mystery show, he wrote Sherlock's character committing suicide, then the show went on its two year hiatus, and when it came back Moffat's excuse for how Sherlock survived was making fun of the fans for having any theories, and the ones for writing gay fanfiction. He wrote an entire scene mocking the theories. 16. That fuckass nerd character meant to be a Doctor Who fan in the show's universe.

Moffat's writing entirely relies on frat bro humor, misogyny, men SA mockery and "haha it doesn't matter its meant to be silly!" His writing isn't bad, it can be good and shine through in many cases; both in RTD's era and his own. But often when he has full power over the narrative of something he opts for glitz, glamour and set dressing than anything deeper. He goes for what sounds cool and looks cool rather than any deeper exploration or acknowledgment

But allow me to elaborate