DreamRap Remix
[ Dream Rap Remix Channel ] 🔻 INSTAGRAM : https://instagram.com/DreamRap1 🔻YOUTUBE: https://youtube.com/@Dream_Rap 🔻 SOUNDCLOUD : https://on.soundcloud.com/DreamRapRemix : | Ad| : T.me/X4lirezZa
Show more📈 Analytical overview of Telegram channel DreamRap Remix
Channel DreamRap Remix (@dream_rap) in the Farsi language segment is an active participant. Currently, the community unites 57 369 subscribers, ranking 1 237 in the Music category and 6 041 in the Iran region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 57 369 subscribers.
According to the latest data from 13 October, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 1 444 over the last 30 days and by 0 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 0.83%. Within the first 24 hours after publication, content typically collects 0.73% reactions from the total number of subscribers.
- Post reach: On average, each post receives 476 views. Within the first day, a publication typically gains 420 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 24.
- Thematic interests: Content is focused on key topics such as کانفیگ, برا, گیگ, v2ray, آیپی.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“[ Dream Rap Remix Channel ]
🔻 INSTAGRAM :
https://instagram.com/DreamRap1
🔻YOUTUBE:
https://youtube.com/@Dream_Rap
🔻 SOUNDCLOUD :
https://on.soundcloud.com/DreamRapRemix
: | Ad| :
T.me/X4lirezZa”
Thanks to the high frequency of updates (latest data received on 14 October, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Music category.
