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Опусти оружие, мразь

Johnny Rotten is turning in his bed I was gonna say "grave" but the fucker ain't dead

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https://drysocketpdx.bandcamp.com/album/sorry-for-your-loss СУХАЯ РОЗЕТКА - ПРОЕБЫВАТЬ ОТСТОЙ (2024) Еще один злющий хардкор панк с девушкой на вокале - теперь из Портланда.
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https://cultsickness.bandcamp.com/album/tomorrows-problem СЕКТА ЗАБОЛЕВШИХ - НЕ ОТКЛАДЫВАЙ НА ЗАВТРА ТО, ЧТО МОЖЕШЬ СДЕЛАТЬ СЕГОДНЯ (2024) Прощальное EP сиэттлских хардкорщиков с очень злой девушкой на вокале.
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https://diiv.bandcamp.com/album/frog-in-boiling-water Без лишних слов - новый DIIV, уже в стримингах, где-то сегодня на бк.
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https://www.youtube.com/watch?v=3q3LYntK6s8&list=OLAK5uy_n6F9Yd5oIEVNuMR3ffgOObwsfGZ5jFghA
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https://www.youtube.com/watch?v=Az-1HEzgGtk Возвращение спустя 6 лет моих французских любимчиков, куда более ушедших в индастриал рок и панк в сравнении с дебютом 18го года. Фирменные вайбы тем не менее на месте.
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https://lustsickpuppy.bandcamp.com/album/carousel-from-hell Новый альбом нью йоркских диджитал хардкорщиков, работающих на стыке с гиперпопом.
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SQÜRL — Music For Man Ray (2024, Sacred Bones) #drone, #ambient Дуэт Джима Джармуша и Картера Логана возвращается со звуковым исследованием кинематографических работ пионера дадаизма Ман Рэя. Bandcamp | Deezer | SoundCloud | Spotify | YouTube Music | YouTube | Apple Music | Tidal
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https://onestepcloserxxx.bandcamp.com/album/all-you-embrace Новый альбом четверки из Пенсильвании, больших любителей Have Heart, Set It Straight и прочих видных представителей сцены схе мелодик хардкора нулевых. Эталонный жанровый релиз с возвращением того самого звучания, не без пары современных фишек от себя.
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https://convulserecords.bandcamp.com/album/paranoid-in-hell ИЗВИНЯЮСЬ - В АДУ СТРЕМНО (2024) Новое EP любимых инди лузеров из Сан Франциско - по традиции отличные тексты, хуковейшие мелодии и очень хорошо уловленный вайб аутсайдер рока 90х. Целиком в стримингах, где-то сегодня на бк.
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https://firemannyc.bandcamp.com/album/territorial-conquest-2024 ОГНЕННЫЙ МУЖИЧОК - ЗАХВАТ ТЕРРИТОРИИ (2024) Сильно вдохновленное классическим анархопанком по тематике и сильно вдохновленное классиками ломаного и не очень пост хардкора вроде Minutemen и Fugazi новое EP one-man проекта из Нью Йорка.
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https://badegg.bandcamp.com/album/century-egg ПЛОХОЕ ЯИЧКО - С ПРАЗДНИКОМ СВЯТОЙ ПАСХИ (2024) В Онтарио тоже бьют по ебалу. Есть песня ГДЕ ТУСУЮТСЯ ВАМПИРЫ.
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https://sooksband.bandcamp.com/album/moral-decay СУКИ - МОРАЛЬНОЕ РАЗЛОЖЕНИЕ (2024) Австралийцы раздают по ебалу, но не очень сильно.
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https://www.youtube.com/watch?v=qEdop3Wc-jc Боже храни бум бэп
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https://eunuchs.bandcamp.com/album/harbour-century КАСТРИРОВАННЫЕ МУЖИКИ - ГАВАНЬ СТОЛЕТИЯ (2024) Второй альбом австралийских арт рокеров с большущим диапазоном настроений и ритмов в рамках композиций - полиметры, прыгающие по ходу трека от дарк джаза через чуть ли не нойз к барочной поп музыке и весьма солнечным авант гардным композициям в духе мюзиклов середины 20го века. Тексты рассказывают фантасмагоричные истории под стать.
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https://badbadnotgoodofficial.bandcamp.com/album/mid-spiral-order У BADBADNOTGOOD вышла вторая половина нового альбома Mid Spiral - Order, в догонку к Chaos вышедшему на прошлой неделе. Целиком обе половины ищите в стримингах, анлок на бк когда-то там когда нибудь.
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https://replicantband.bandcamp.com/album/infinite-mortality Третий альбом диссонатных дэт металлистов из Нью Джерси.
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Фотошоп если что, там играла просто группа Queen.
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Queen Elizabeth II @ Live Aid 1985 ❤️ GRINDCORE
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https://gatecreeper.bandcamp.com/album/dark-superstition Аризонские отцы новой волны дэс метала с свежим лонгплэем. Альбом с треком под названием MASTERPIECE OF CHAOS не может быть плохим.
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История о том, как Джастин Пирсон играл концерт Locust с шашкой динамита в руках.
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https://100best.music.apple.com/us Еще один стриминг с топом, на этот раз альбомов в целом. 7ое место - good kid, m.A.A.d city
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https://www.youtube.com/watch?v=0E4-XQTLZXQ
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https://www.youtube.com/watch?v=GEL5epqmL-E Ну и время вспомнить великое, уже ставшее живой классикой видео.
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https://www.youtube.com/watch?v=Y_eWFCceJg4
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https://www.youtube.com/watch?v=1kbon057vPk
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https://www.youtube.com/watch?v=EzSGKuL_vX8
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Я надеюсь теперь все в этом канале понимают, что такое термин скрамз.
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“Skramz” only consists of the dc Emotional Hardcore scene and the late 00’s emo scene. What is known by “Screamo” is nothing but Emo Pop with questionable real skramz influence. When people try to argue that bands like Pierce the Veil are not real skramz, while saying that Bring Me The Horizon is, I can’t help not to cringe because they are just as fake emo as Pierce the Veil (plus the pretentiousness). Real skramz sounds ENERGETIC, POWERFUL and somewhat HATEFUL. Fake skramz is weak, self pity and a failed attempt to direct energy and emotion into music. Some examples of REAL SKRAMZ are Circle Takes the Square, Saetia, Merchant Ships (the only real emo band from the midwest scene) and Loma Prieta. Some examples of FAKE EMO are Falling In Reverse, Pierce the Veil and A Day To Remember. SKRAMZ BELONGS TO HARDCORE NOT TO EMO, POP PUNK, ALT ROCK OR ANY OTHER MAINSTREAM GENRE
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The only purpose of this page is to truly patrol Fake emo and to call out this extremely inacurate and misleading copypasta that was written by an obvious normie with a primative entry level understanding and knowledge of true emo."'Real Emo' only consists of the dc Emotional Hardcore scene and the late 90's Screamo scene." Absolutely fucking wrong.1. If the implicating is that Emo is exclusive to the DC scene that was happening in the 80's, and that emo is EXCLUSIVE to that region on earth, then no. Emo may have had its inception there but anyone who truly knows emo knows that the genre quickly spread EVERYWHERE, even outside of the US to other continents. The second implication is that real emo is exclusive to the sound that bands were playing in those early days (e.g Rites of Spring, Embrace, Moss Icon etc etc) and no, absolutely fucking wrong. Emo was a genre that once planted its seed quickly grew and evolved. Which is why the band "After words" sound different from rites of spring, which is why the band Chino Horde sound different from After Words, which is why Indian Summer sound VERY different from rites of spring etc etc etc. TRUE emo has different sounds from the mid 80's sound to the 90's distinctive sound that you hear from bands like Cedar of Lebanon and Don Martin 3. People will try to argue that emo has evolved to inlcude bands like the get up kids and american football and to that I say "Yes it has, but it does not include those fake emo bands. Bottom line is that Emo is far from being exclusive to DC in the 80s.2. "The late 90's screamo scene?" what the fuck is this? this is how you know that the person who runs "memelords against furries and fake emo" is a complete entry level normie. The page does nothing but Dickride bands like Orchid, Pg 99, loma Prieta, Suis la lune, city of caterpillar etc etc. While they are good bands, these guys are VERY late in the game. Orchid and Pg 99 literally play an evolution of screamo (screamo being an evolution of emo) that's more screamoviolence than pure screamo (again, because they were very late in the game). Loma Prieta are even LATER in the game and the shit they play has twinkle riffs everywhere (twinkle riffs are the bane of emo and are a clear signal of fake emo) Loma prieta do play screamo, but a very far evolved version of it. And suis la lune get the fuck out of my face, their music is so goddamn post rock influenced (albeit really good) that to note them as examples of pure EMO is asinine. The point is that the copy pasta wants to imply that Emo only consists of that 80s DC shit and the "Late 90's screamo scene" which is beyond fucking inaccurate because as we established, all those "screamo" bands that we mentioned are fucking late as hell in the game. Screamo started in the early 90's and was extremely prevalent in the French Hardcore scene, and when you actually listen to those bands (Jasemine, Anomie, Fingerprint, Ivich etc etc) you see that their TRUE screamo sound sounds MUCH different from Pg 99. THESE are the true screamo bands they are the TRUE EMO. Whoever wrote the copypasta literally knows hardly anything about screamo and is under the impression that "screamo" started late in the 90s and that is so fucking goddamn off. Bands like Orchid, Pg 99, Tristan tzarsa, iwrotehikus are to Screamo what I Hate Myself are to Emo. And Speaking of I hate myself, most of their music is Fake emo. THe only real emo song I've heard from them is the first track on "Four Songs". Bottom line is that all those screamo bands technically are screamo, but they are NOT what "true emo" or the "true screamo scene" is exclusive to. Far from it.So everything else this copy pasta goes at stems from this dude literally thinking that bands like Pg 99 are the true emo sound, which they aren't. Like how they say that real emo is HATEFUL. The distinction between Orchid and a pure emo band like Breakwater is so obvious that any normie could notice it.
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Characteristics of emo Yes they do include Hatefulness sometimes but True emo Sounds passionate, beautiful, melodic, Raw, Fast or slow, just pure and intense but still rather subtle and elegant as pretentious as that might sound. (like I said, emo has lots of different sounds and has many different feels)But yes, it's true, that whole "post emo" movement, the "midwest emo" shit, the "twinkle mathy" shit, and fucking the "emo revival" ALL OF THAT IS FAKE SHIT. ALL OF IT. I personally love bands like Mineral, SDRE, Get up Kids, Elliot etc etc but they aren't true emo. They have a slight influence but they don't like post harcore, they play stuff that sounds extremely light and poppy. But I'm going to say this now FUCK midwest, FUCK twinkle, FUCK "emo revival" which is the cringiest shit I've ever heard. These same people will try t say that calling bands like alesana and MCR 'emo' is fallacious yet they believe in the "EMo revival" which is the fakest emo you will ebver fucking get. Bands like American football are literally akin to fucking dashboard confessional. The fact that people will call American football an emo band is so fucking beyond even having the slightest bit of intelligence. Anyone who knows what emo is knows that it's a HARDCORE GENRE. Bands like MCR and ALESANA and THE USED (at least when they were starting) sounded an INFINITELY MANY times more True Emo than American football EVER WILL. The fact that american football get any fucking correlation to emo leaves me speechless. The fact that in any possible way AMERIcan Football can lumped in with the term "emo" let alone "REAL emo" is just, i have no fucking words.I've been on Fake Emo Patrol since 2014, and everytime I come across a get up kids or promise ring or american football video I always see way too many comemnts about emo, and I'm always happy to call y'all normies out and patroll fake emo. But ever since this shitty copypasta came out, now normies think they're on emo patrol and that they know what they're talking about. So now I have to deal with Posers who say that American Football are emo, AND I have to deal with posers who say that "ReAl EmO OnLY CoNsIsTs of TheE DC sCeNeE and the LaTE 90s ScReAmo ScEnE" fuck off. Shit makes me not even want to patrol anymore because all I ever see anywhere are normies who don't know what they're taling about. TRUE EMOS KNOW. We are the ascended ones. Whe watch you from above. We Stay rooted in the late 80s and the 90s, ascending gracefully to Emo eden through the sounds of true EMO bands. WE ARE THE ENLIGHTENED ONES, WE KNOW THE BEAUTY OF LIFE. I will continue to be chief of emo patrol, but this might be my last official statement or patrolling action. It's become something beyond me to bother with. there's no need to hope for humans to understand true emo, there's no hope in educating "memelords against furries and fake emo" Perhaps one day you will ascend (I personally was once like you, believing that emo meant SDRE, AF, orchid, Funeral diner, Lovelost but not forgotten) but for now, I won't bother anymoreShare the fuck out of thisLet my words be heard LONG LIVE TRUE SCREAMO
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https://www.youtube.com/watch?v=Yu3b69g0LEQ
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https://newsroom.spotify.com/2024-05-20/best-hip-hop-songs-100-top-tracks/ Да простят меня все за богомерзкий сайт, но и тут Кендрик первый.
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https://drysocketpdx.bandcamp.com/album/sorry-for-your-loss СУХАЯ РОЗЕТКА - ПРОЕБЫВАТЬ ОТСТОЙ (2024) Еще один злющий хардкор панк с девушкой на вокале - теперь из Портланда.
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Sorry For Your Loss, by Dry Socket

10 track album

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https://cultsickness.bandcamp.com/album/tomorrows-problem СЕКТА ЗАБОЛЕВШИХ - НЕ ОТКЛАДЫВАЙ НА ЗАВТРА ТО, ЧТО МОЖЕШЬ СДЕЛАТЬ СЕГОДНЯ (2024) Прощальное EP сиэттлских хардкорщиков с очень злой девушкой на вокале.
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Tomorrow's Problem, by Cult Sickness

8 track album

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https://diiv.bandcamp.com/album/frog-in-boiling-water Без лишних слов - новый DIIV, уже в стримингах, где-то сегодня на бк.
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Frog In Boiling Water, by DIIV

10 track album

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aiw777

Provided to YouTube by Artefact / Wedge aiw777 · Rendez Vous Downcast ℗ Artefact / Wedge Released on: 2024-05-24 Composer: Francis Mallari Composer: Elliot Berthault Composer: Maxime Gendre Lyricist: Francis Mallari Lyricist: Elliot Berthault Lyricist: Maxime Gendre Auto-generated by YouTube.

https://www.youtube.com/watch?v=Az-1HEzgGtk Возвращение спустя 6 лет моих французских любимчиков, куда более ушедших в индастриал рок и панк в сравнении с дебютом 18го года. Фирменные вайбы тем не менее на месте.
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RDV - DOWNCAST (OFFICIAL MUSIC VIDEO)

Title track from RDV's album 'Downcast' Listen to 'Downcast':

https://bfan.link/downcast

Directed by Lola Margrain Produced by Premier Cri With the support of the CNC With : Georges Labbat Executive producers: Roman Birenzweigue and Surya Daniel Head of development: Mathieu Rathery Line producer: Julie Velut Production assistants: Lison Rabot, Esther Kany Financial director: Sonia Haouat DOP: Nicolas Jardin 1 OPV: Mathias Lambert 2 OPV: Tristan Cunha 1st assistant director: Yael Bouanich 2nd assistant director: Sonia Haouat Gaffer: Hugo Dos Santos Sparks: Faycal Bouhassoun, Augustin Provost, Savitri Morgen et Isée Beauseigneur Key Grip: Zuy Viraphong Location manager: Guillaume De Secillon Animal trainer: Sullyvan Corbin Set designer: Studio HURLANT Assistants set designer: Damian Vitali, Léa Morel, Dorian Fournier, Ruben Herz Costume designer: Claude Payen de Lapierre Character AI design: Bernardo Martins Mua director: Catalina Sartor Make-up artists: Johanna De Almeida, Sandra Lefort Editing: Lola Margrain & Luca Mary, Jon Echevest Post-prod assistant: Nathan Goubet Colorist: Nicolas Jardin 3D / Compositing: Seunghyun Park Sound design: Inès Cherifi Title design: axonbody Credits design: Camille Ostwalt Still photographer: Léo Papin Thanks to: Théo Nourdin and Yves Botella of the CNC, Wedge, Agence Forest, Full Motion, Cininter, Cris Prod, Kiloutou, Flam&Co, Rubini & Associés, Claudia Maté, Johan Kierasinski, Inès Cherifi, Jon Echevest. Follow RDV:

https://www.instagram.com/rendezvousrendezvous/

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