GNMS Editz šŖ - ā“į“· įµŹ°įµįµĖ¢įµįµįµ Ė¢įµįµįµįµĖ¢
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Show moreš Analytical overview of Telegram channel GNMS Editz šŖ - ā“į“· įµŹ°įµįµĖ¢įµįµįµ Ė¢įµįµįµįµĖ¢
Channel GNMS Editz šŖ - ā“į“· įµŹ°įµįµĖ¢įµįµįµ Ė¢įµįµįµįµĖ¢ (@gnms_editz_1) in the English language segment is an active participant. Currently, the community unites 180 311 subscribers, ranking 38 in the Art & Design category and 1 036 in the India region.
š Audience metrics and dynamics
Since its creation on Š½ŠµŠ²ŃŠ“омо, the project has demonstrated rapid growth, gathering an audience of 180 311 subscribers.
According to the latest data from 10 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by -4 990 over the last 30 days and by -144 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 5.54%. Within the first 24 hours after publication, content typically collects 1.53% reactions from the total number of subscribers.
- Post reach: On average, each post receives 10 000 views. Within the first day, a publication typically gains 2 762 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 65.
- Thematic interests: Content is focused on key topics such as edit, gnms, 60fps, editz, editing.
š Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
āYou Can Experience Our Contents ā¤ļøāš„ā”
[ In 4K ⨠]
Adminš¤ @GNMS_Editz_Admin
Buy Ads: telega.io/c/GNMS_Editz_1
Movie , download , editing , status , whatsapp , love status , telegram channel , 4k status 60fps , movies group , india , bots , funnyā
Thanks to the high frequency of updates (latest data received on 11 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Art & Design category.
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