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"Tales for Twilight offers a spine-tingling selection of unnerving tales by writers from James Hogg in the early eighteenth century to James Robertson, very much alive in the twenty-first. Scottish authors have proved to be exceptionally good at writing ghost stories.
Perhaps it’s because of the tradition of oral storytelling that has stretched over centuries, including poems and ballads with supernatural themes. The golden age was during the Victorian and Edwardian period, but the ghost story has continued to evolve and remains popular to this day.
Includes stories from Sir Walter Scott, George Mackay Brown, Muriel Spark, Margaret Oliphant, Robert Louis Stevenson, Sir Arthur Conan Doyle, Guy Boothby, Algernon Blackwood, Eileen Bigland, Ronald Duncan, James Robertson and Ian Rankin."
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"Tales for Twilight: Two Hundred Years of Scottish Ghost Stories" edited by Alistair W.J. Kerr
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"From atop the choppy waves to the choking darkness of the abyss, the seas are full of mystery and rife with tales of inexplicable events and encounters with the unknown.
In this anthology we see a thrilling spread of narratives: sailors are pitched against a nightmare from the depth, invisible to the naked eye; a German U-boat commander is tormented by an impossible transmission via Morse Code; a ship ensnares itself in the kelp of the Sargasso Sea and dooms a crew of mutineers, seemingly out of revenge for her lost captain.
The supernatural is set alongside the grim affairs of sailors scorned in these salt-soaked tales, recovered from obscurity for the 21st century."
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"Middle-aged San Francisco horror writer Franz Westen is rediscovering ordinary life following a long alcoholic binge. Then one day, peering at his apartment window from atop a nearby hill, he sees a pale brown thing lean out his window... and wave.
This encounter sends Westen on a quest through ancient books and modern streets, for the dark forces and paramental entities that thrive amidst the towering skyscrapers of modern urban life... and meanwhile, the entities are also looking for him.
A pioneering work of modern urban fantasy, Our Lady of Darkness is perhaps Fritz Leiber’s greatest novel."
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"Wes Craven's A Nightmare on Elm Street is one of the most inventive American films of the 1980s. Its sleeper success bred a series of film sequels and a syndicated television program while its villain, Freddy Krueger, became a Hollywood horror icon for the ages. In the four decades since its release, Craven's creation and subsequent franchise has become firmly established as a pop culture institution and a celebrated symbol of American cinema.
This book takes readers on an engrossing journey through the history, production and themes of the Nightmare on Elm Street film series and its spin-off TV show, Freddy's Nightmares. It reveals new stories about the franchise's history and dives into some of the themes and ideas that tend to be overlooked. The book has a foreword by production designer Mick Strawn and exclusive interviews with cast and crew, including legendary Freddy Krueger actor Robert Englund; directors Jack Sholder, Chuck Russell, Mick Garris, Tom McLoughlin, Lisa Gottlieb, and William Malone; cinematographers Jacques Haitkin, Roy H. Wagner, and Steven Fierberg; and many more."
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"Welcome to Elm Street: Inside the Film and Television Nightmares" by Wayne Byrne
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"In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.
An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet―and the apocalyptic repercussions of oversharing―this bleak, prescient story is more disturbingly pertinent than ever.
Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H.P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely."
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