Mudflood Research, Tartaria, True Aryan History

A cargo cult is a religious cult which arises when a group of people who do not understand a technology, perceive it as some form of divine magic, thus forming a cult of worship. For example many isolated indigenous tribes are given means of life for the first time by their overseeing government or military occupiers, upon seeing an object such as an airplane, they might view it as their Gods, and when they are given aid and means of survival, they begin to worship. I propose that in the last cataclysm, those who managed to survive, seeked refuge in these large buildings which were once the source of all livelihood in the formerly high tech civilization, the electrical power stations. Upon witnessing the remains of these power stations, which had long been abandoned by the engineers responsible with maintaining them, the refugees could do nothing but pray, beg, and cry to the broken technology, in hopes it will one day activate and restore the lives they once had. People are always quick to mock and laugh at some group of islanders dumbfounded with the magic that we know as a "radio" or "aircraft" or "flashlight", but how would you react if you came across the remnants of a civilization who's technology has been long forgotten, to one who encounters such for the first time, it truly will be perceived as work of the divine. Consider how many religious symbols and practices are probably a result of this cataclysm, consider the thousands of cults that probably formed in the wake of the collapse only to make their way to the modern day as full fledged religions. There is countless evidence that these old world power stations (churches, cathedrals, mosques, etc) have been maliciously tampered with. The electrical components have been scrapped and salvaged after the cataclysm, leaving behind only tiny clues and hints of their previous being. The shapes and layouts of these cathedrals can testify to their function as atmospheric electricity generators, we can find many examples of damaged wiring, antennas, electrical grounds, resonators, electrodes and lightning rods. There are even crosses missing from the churches in many 19th century photos indicating they were being tampered with, and the ones that weren't resembled a somewhat different shape, more likely to do with the fact that the cross is an electrical resonator and not a religious symbol, and the so called Christ could not even have been executed on a cross. But that's a topic for another day, as is the exact schematics behind how these "cathedrals" produced power, which I will go into great detail on soon.

How did it happen that these what are now called churches and cathedrals, that were once grand ancient power stations, became places of religious indoctrination and mind control? Here's a possible answer:

Here is a news article from 1964, where an amateur researcher claims that the Moon is a reflection of the Earth's continents, many decades before anyone on the internet would come to the same conclusion. This goes to show this isn't the first time that researchers have come to this conclusion from observing the Moon, and that this has possibly been known by ancient astronomers. (Uncompressed, readable version can be found below)

Dresden, before and after the Second World War. They ask, "how could they possibly have fabricated our history?", the answer I give is, how could they not have? For the past two centuries our cities have been entirely defaced, if not purposely burned by fires, flooded by weather, crumbled by earthquakes, shelled and bombed by artillery or aircraft, then they will find some excuse to outright demolish the "outdated" structures and pave right over them as if nothing was there. Today what remains of the Old World is very little, as the years pass, the buildings, artifacts, memories, those are done away with, ultimately what remains becomes even less. If there are no memories left, if enough years have passed for there to be no more people to testify, no more artifacts or memories to testify, then they can take their chisel once more and chip away at our history bit by bit.

Dresden, before and after the Second World War. They ask, "how could they possibly have fabricated our history?", the answer I give is, how could they not have? For the past two centuries our cities have been entirely defaced, if not purposely burned by fires, flooded by weather, crumbled by earthquakes, shelled and bombed by artillery or aircraft, then they will find some excuse to outright demolish the "outdated" structures and pave right over them as if nothing was there. Today what remains of the Old World is very little, as the years pass, the buildings, artifacts, memories, those are done away with, ultimately what remains becomes even less. If there are no memories left, if enough years have passed for there to be no more people to testify, no more artifacts or memories to testify, then they can take their chisel once more and chip away at our history bit by bit.

Dresden, before and after the Second World War. They ask, "how could they possibly have fabricated our history?", the answer I give is, how could they not have? For the past two centuries our cities have been entirely defaced, if not purposely burned by fires, flooded by weather, crumbled by earthquakes, shelled and bombed by artillery or aircraft, then they will find some excuse to outright demolish the "outdated" structures and pave right over them as if nothing was there. Today what remains of the Old World is very little, as the years pass, the buildings, artifacts, memories, those are done away with, ultimately what remains becomes even less. If there are no memories left, if enough years have passed for there to be no more people to testify, no more artifacts or memories to testify, then they can take their chisel once more and chip away at our history bit by bit.

Dresden, before and after the Second World War. They ask, "how could they possibly have fabricated our history?", the answer I give is, how could they not have? For the past two centuries our cities have been entirely defaced, if not purposely burned by fires, flooded by weather, crumbled by earthquakes, shelled and bombed by artillery or aircraft, then they will find some excuse to outright demolish the "outdated" structures and pave right over them as if nothing was there. Today what remains of the Old World is very little, as the years pass, the buildings, artifacts, memories, those are done away with, ultimately what remains becomes even less. If there are no memories left, if enough years have passed for there to be no more people to testify, no more artifacts or memories to testify, then they can take their chisel once more and chip away at our history bit by bit.

Mercury arc rectifier, found in a 102 year old elevator. Used for switching AC/DC current. If not from the Old World, it was more likelier built on the basis of salvaged Old World technologies. Mercury was arguably one of, if not the most important element of the Old World. By means of it were engineered ancient flying machines (Vimana, etc), electrical generators, as well as supposed healing properties. That was until the people in power began demonizing mercury as toxic and not to be used in most technologies unless necessary, hense it's decline in the past century.

There are some intricate details to be spotted in some of these photographs in relation to our fake history. As much as I would love to draw your attention them, I will save that for another time. For now just admire the photography of the early new world that has been preserved. This is truly beautiful.

These photos truly capture something that can otherwise only be captures in paintings of fantasy setting. Again, *these are not colourizations*

I must stress that these are NOT colourized photographs.

What if one could time travel back to the turn of the 19th century? What if you were suddenly in the Russian Empire, what was once the heart of now occupied Tartary. What if you had also brought with you a modern digital camera and took some photographs for the rest of us to see? Sergei Prokudin-Gorskii (Сергей Прокудин-Горский), who lived from 1863 until 1944, has done the closest we could come to seeing such photographs from a modern camera. He had traveled around pre-communist Russia in the early 1900s photographing his surroundings. I must stress, these are NOT "colourized" photographs done by modern digital artists. These are three layer composites produced the way they would have been a century ago, the process is very simple however I will not explain this now. This is early colour photography. The results are stunning.

What if one could time travel back to the turn of the 19th century? What if you were suddenly in the Russian Empire, what was once the heart of now occupied Tartary. What if you had also brought with you a modern digital camera and took some photographs for the rest of us to see? Sergei Prokudin-Gorskii (Сергей Прокудин-Горский), who lived from 1863 until 1944, has done the closest we could come to seeing such photographs from a modern camera. He had traveled around pre-communist Russia in the early 1900s photographing his surroundings. I must stress, these are NOT "colourized" photographs done by modern digital artists. These are three layer composites produced the way they would have been a century ago, the process is very simple however I will not explain this now. This is early colour photography. The results are stunning.

What if one could time travel back to the turn of the 19th century? What if you were suddenly in the Russian Empire, what was once the heart of now occupied Tartary. What if you had also brought with you a modern digital camera and took some photographs for the rest of us to see? Sergei Prokudin-Gorskii (Сергей Прокудин-Горский), who lived from 1863 until 1944, has done the closest we could come to seeing such photographs from a modern camera. He had traveled around pre-communist Russia in the early 1900s photographing his surroundings. I must stress, these are NOT "colourized" photographs done by modern digital artists. These are three layer composites produced the way they would have been a century ago, the process is very simple however I will not explain this now. This is early colour photography. The results are stunning.

What if one could time travel back to the turn of the 19th century? What if you were suddenly in the Russian Empire, what was once the heart of now occupied Tartary. What if you had also brought with you a modern digital camera and took some photographs for the rest of us to see? Sergei Prokudin-Gorskii (Сергей Прокудин-Горский), who lived from 1863 until 1944, has done the closest we could come to seeing such photographs from a modern camera. He had traveled around pre-communist Russia in the early 1900s photographing his surroundings. I must stress, these are NOT "colourized" photographs done by modern digital artists. These are three layer composites produced the way they would have been a century ago, the process is very simple however I will not explain this now. This is early colour photography. The results are stunning.

This video is a brief presentation of the current situation here on Midgard, Earth. Share this with those who need to know. https://youtu.be/EsceeNSZ7Ik

Hey check this out, I haven't actually checked the Wikipedia page of Tartaria for about year. Having gone on it just now, I see they added a new section. Seeing as this information has spread further across the internet recently, their agents are in full force to shut it down. The author isn't even trying to write an unbiased article, they are literally making a sad attempt to debunk it, because obviously they don't want anyone reading the article to research it for themselves. Genuinely one of the most poorly written entries I've seen on the site. Just imagine what this bitchboy pushing buttons on Wikipedia looks like in real life.