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I made this drawing from an old photo. It connected me to that amazing time when I was working. Hope you love it and takes you back.
I have done this by using HB, 2B, 6B, 7B, 10B, and 12B graphite pencil, white charcoal, white pen, kneadable eraser, blending stump, hard eraser, Home made powder, and ruler on A4 size peper.
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“ባላገሩ" የሰዓሊ ቸርነት ወ/ገብርኤል የሥዕል ዓውደ በህዝብ ጥያቄ ለ15 ቀን ተራዘመ
ሰዓሊና ገጣሚ ቸርነት ወ/ገብርኤል ሲሳይ
“ባላገሩ" በሚል ዓቢይ የሥዕል አውደ ርእይ በሜትሮፖሊታን ጋለሪ በደማቅ ሁኔታ ተከፍቶ
እስከ ጥር 27 ድረስ ለህዝብ ክፍት ሆኖ ቆይቶ በልዩ ልዩ ዝግጅቶች በደማቅ ፕሮግራም መጠናቀቁ ይታወቃል:: ነገር ግን በርካታ የሥዕል አድናቂዎችና ወዳጆች ለአጭር ቀናት የቆየው ይህ የሥዕል አውደ ርዕይን መመልከት ባለመቻላቸው እጅግ በርካታ ህዝብ የመዝጊያው ቀን እንዲራዘም በተደጋጋሚ ለአዘጋጁ ጋለሪ ሲጠይቁ ሰንብተዋል ::
በዚህም የህዝብን ጥያቄ በማክበር ይህ የሥዕል ዓውደ ርዕይ ለቀጣይ 15 ቀን ለተመልካች ክፍት እንደሚሆን አዘጋጁ ሜትሮፖሊታን ጋለሪ እሳውቋል:: በመሆኑም የሥዕል አድናቂዎችና ወዳጆች የሆናችሁ ሁሉ እስከ የካቲት 13 ቀን 2016 ዓ.ም ድረስ ይህንን የሥዕል ዓውደ ርዕይ እንድትመለከቱ ተጋብዛችኃል::
ቦታው :- ሜትሮፖሊታን ጋለሪ የሚገኝው አትላስ ሆቴል ዝቅ ብሎ በሚገኝው The place ህንፃ አንደኛ ፎቅ ላይ ነው::
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Common Space, Group Exhibition
@artawigallery
The exhibition stays until Feb 25th, 2024
📍 Bole Brass 200m from Yod Abyssinia
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The First Supper
By Tavares Strachan
Entangled Pasts 1768-now: Art, Colonialism and Change (3 February-28 April 2024 ). At Royal Academy of Arts London.
Commemorating 12 global historical black figures.
One of London’s most striking public art works has been unveiled in the courtyard of the Royal Academy of Arts (RA) in London. Bahamian artist Tavares Strachan’s 21st-century version of Leonardo da Vinci’s The Last Supper (around 1515)—entitled The First Supper (Galaxy Black), 2023—greets visitors to the RA, welcoming them to the latest blockbuster exhibition Entangled Pasts 1768-now: Art, Colonialism and Change (3 February-28 April).
Strachan’s piece—crafted from bronze, black patina and gold leaf—is a “monument to the singular contributions of 12 Black figures from the 17th century to the present day… they have in common histories of overcoming power structures designed to keep them oppressed”, writes the art historian Alayo Akinkugbe in the exhibition catalogue.
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PAINTING TEACHES US
A painting titled "Flood Scene"
From the painting, we will find here a person trying to save his father, and completely ignoring his wife and son, who are closer to him, and the lightest weight among them is that he saves him!
The mother represents life and the son is the future, but the grandfather represents the past that the man obviously clings to and therefore loses his life and future!
Flood scene, 1827 | Joseph-Désiré Court (French, 1797-1865)
