Теория Большого Шока
Хроники «Великой перезагрузки». Шокирующие реалии глобальных перемен. теории/раccледования/факты/новости/архивы/мысли/прогнозы — По всем вопросам: @oleg_pushist Менеджер: @dhango Номер заявления для регистрации в РКН: № 6657042847
Show more📈 Analytical overview of Telegram channel Теория Большого Шока
Channel Теория Большого Шока (@shocktheory) in the Russian language segment is an active participant. Currently, the community unites 86 896 subscribers, ranking 148 in the Facts category and 6 414 in the Russia region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 86 896 subscribers.
According to the latest data from 20 September, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by -437 over the last 30 days and by 10 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 11.37%. Within the first 24 hours after publication, content typically collects 6.62% reactions from the total number of subscribers.
- Post reach: On average, each post receives 9 878 views. Within the first day, a publication typically gains 5 751 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 138.
- Thematic interests: Content is focused on key topics such as иран, дональд, эпштейн, нато, nasa.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“Хроники «Великой перезагрузки».
Шокирующие реалии глобальных перемен.
теории/раccледования/факты/новости/архивы/мысли/прогнозы
—
По всем вопросам: @oleg_pushist
Менеджер:
@dhango
Номер заявления для регистрации в РКН: № 6657042847”
Thanks to the high frequency of updates (latest data received on 21 September, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Facts category.
