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Catzpacho

Catzpacho

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Channel Posts
Латинские народные сказки Михаила Серебрякова дают мгновенное знание латыни! ) REPULA Posadivit Dedus repulam. Exrastivit repula magna-praemagna. Venit Dedus repulam extanure: tanet-potanet, extanure non potest. Vocavit Dedus Babulam. Babula post Dedulum, Dedulus post repulam, extanure non possunt. Vocavit Babula Vnuculam. Vnucula post Babulam, Babula post Dedulum, Dedulus post repulam, extanure non possunt. Vocavit Vnucula Zuculam. Zucula post Vnuculam, Vnucula post Babulam, Babula post Dedulum, Dedulus post repulam, extanure non possunt. Vocavit Zucula Cotulam. Cotula post Zuculam, Zucula post Vnuculam, Vnucula post Babulam, Babula post Dedulum, Dedulus post repulam, extanure non possunt. Vocavit Cotula Misculam. Miscula post Cotulam, Cotula post Zuculam, Zucula post Vnuculam, Vnucula post Babulam, Babula post Dedulum, Dedulus post repulam, ecce, extanuverunt! COLOBOX Erant-vivebant Dedus et Baba. Dicit Dedus ad Babam: "Veni, stara, ut super corobes poscrebeas, super susecos pometeas, num nascrebebis quotquot mucae pro Colobocem". Cepit Baba perulam, super corobes poscrebuit, super susecos pometuit, in manibus mucam nascrebuit. Zamesivit mucam in smetanam, sostrapavit Colobocem, ispecit in maslo et super oconcem poclavit ad ostudendum. Colobox polezavit-polezavit, ecce, pocatitur! Ab oconce ad lavcam, a lavca ad polum, super polum ad dvercam, trans porogum ad senes, a senibus super crilcem, a crilce in dvorum, de dvoro trans vorota et memento quomodo vocabatur. Catitur Colobox super dorogam, ad vstretendum ei Saix Poprigator: "Colobox, Colobox, siedebo te!". "Noli me edere, Saix, tibi canticum canturus sum: Ego sum Colobox, Colobox, Super corobes screptus, super susecos metetus, In smetana mesus, in maslo pectus, super oconcem studitus, A Dedo abscessi, a Baba abcessi, Abs te, Saix, etiam abscedam!". Et ucativit a Saice, tantum Saix eum vidit. Catitur Colobox super dorogam, ad vstretendum ei Serus Volcus: "Colobox, Colobox, siedebo te!". "Noli me edere, Volce, tibi canticum canturus sum: Ego sum Colobox, Colobox, Super corobes screptus, super susecos metetus, In smetana mesus, in maslo pectus, super oconcem studitus, A Dedo abscessi, a Baba abcessi, A Saice abscessi, abs te, Volce, etiam abscedam!". Et ucativit a Volco, tantum Volcus eum vidit. Catitur Colobox super dorogam, ad vstretendum ei Medves: "Colobox, Colobox, siedebo te!". "Noli me edere, Medves, tibi canticum canturus sum: Ego sum Colobox, Colobox, Super corobes screptus, super susecos metetus, In smetana mesus, in maslo pectus, super oconcem studitus, A Dedo abscessi, a Baba abcessi, A Saice abscessi, a Volco abscessi, Abs te, Medves, etiam abscedam!". Et ucativit a Medvede, tantum Medves eum vidit. Catitur Colobox super dorogam, ad vstretendum ei Lisix Sestrix: "Colobox, Colobox, quo vadis?". "Super dorogam catior". "Colobox, Colobox, canta mihi canticum!". "Ego sum Colobox, Colobox, Super corobes screptus, super susecos metetus, In smetana mesus, in maslo pectus, super oconcem studitus, A Dedo abscessi, a Baba abcessi, A Saice abscessi, a Volco abscessi, A Madvede abscessi, abs te, Lisix, exodus indifficilis est!". Lisix autem ei dicit: "Dobrum est canticum, sed plocha sum slucho. Colobox, Colobox, sedi super nosum meum, canta gromcior!". Colobox sedit super nosum eis et cantavit bis, Lisix autem dicit ei: "Sedi super iasiculum meum, canta plus rasocem!". Colobox prignuvit ei super iasiculum, ipsa autem, ammm, et siedit Colobocem. CURULA RABA Vivebant Dedus et Baba et ad eos Curula Raba. Snosivit ipsa eis iaiulum, non prostum iaiulum, sed zoloteum. Incipiebant autem iaiulum bire. Dedus bivit-bivit, non disbivit. Baba bivit-bivit, non disbivit. Poclaverunt autem iaiulum ad polculam. Eo tempore misula bezavit, chvostulo machnuvit, iaiulum upavit et disbitum est! Placet Dedus, placet Baba. Dicit ad eos Curula Raba: "Nolite placare, Dede et Baba! Snosibo vobis plus unum iaiulum!". Et snosivit eis novum iaiulum, non zoloteum, sed prostum. Ecce, et scasulae finets, quis autem sluchavit, molodets!

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Ladies and gentlemen of the class of '97: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday. Do one thing every day that scares you. Sing. Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours. Floss. Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself. Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how. Keep your old love letters. Throw away your old bank statements. Stretch. Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't. Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone. Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's. Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own. Dance, even if you have nowhere to do it but your living room. Read the directions, even if you don't follow them. Do not read beauty magazines. They will only make you feel ugly. Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble and children respected their elders. Respect your elders. Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out. Don't mess too much with your hair or by the time you're 40 it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth. But trust me on the sunscreen. — Mary Schmich
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Во всем мне хочется дойти До самой сути. В работе, в поисках пути, В сердечной смуте. До сущности протекших дней, До их причины, До оснований, до корней, До сердцевины. Все время схватывая нить Судеб, событий, Жить, думать, чувствовать, любить, Свершать открытья. О, если бы я только мог Хотя отчасти, Я написал бы восемь строк О свойствах страсти. О беззаконьях, о грехах, Бегах, погонях, Нечаянностях впопыхах, Локтях, ладонях. Я вывел бы ее закон, Ее начало, И повторял ее имен Инициалы. Я б разбивал стихи, как сад. Всей дрожью жилок Цвели бы липы в них подряд, Гуськом, в затылок. В стихи б я внес дыханье роз, Дыханье мяты, Луга, осоку, сенокос, Грозы раскаты. Так некогда Шопен вложил Живое чудо Фольварков, парков, рощ, могил В свои этюды. Достигнутого торжества Игра и мука — Натянутая тетива Тугого лука. 1956 г.
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Моё, по всей видимости, непопулярное мнение: текст оправдывает себя только там, где он незаменим другими видами искусства. Однажды на живописи сказалось появление фотографии — конкурировать с ней в детальном воспроизведении стало бессмысленно, и отказ от реализма развился в импрессионизм, экспрессионизм, кубизм, абстракционизм, сюрреализм — в современное искусство. Закадровый голос или субтитры в кино, когда это не осознанный стилистический приём, выдают, что режиссёр не справился с задачей собственно кинематографическими инструментами. Направо от меня — она, тонкая, резкая, упрямо-гибкая, как хлыст, I-330 (вижу теперь ее нумер); налево — О, совсем другая, вся из окружностей, с детской складочкой на руке; и с краю нашей четверки — неизвестный мне мужской нумер, какой-то дважды изогнутый, вроде буквы S. («Мы», Евгений Замятин) При экранизации мы потеряем язык, зато, возможно, приобретём в пространстве выразительности, доступному лишь кинематографу. В любом случае не теряется смысл читать этот текст. Лицеем называлось небольшое старое здание на окраине кампуса, словно нарочно увитое плющом так, что почти сливалось с окружающим пейзажем. На первом этаже располагались лекционные залы и учебные аудитории — чисто вымытые доски, натертые воском полы и ни одной живой души. («Тайная история», Донна Тартт) Заменим этот абзац фотографией (даже не художественной) и ничего не потеряем. Кто-то говорит, что такие описания развивают воображение. Но нет, всего лишь визуализацию. Для развития воображения, как раз требуется недосказанность, абстракция, пробелы, образность, незавершённость.
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Сливы весенний цвет Дарит свой аромат человеку... Тому, кто ветку сломал. — Тиё
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Насладиться обаятельным ирландским акцентом и проникнуться спецификой региона: House of Guinness (2025) 🍻🍻 Brooklyn (2015) Derry Girls (2018) How to Get to Heaven from Belfast (2026)
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— Если дождевого червя разрубить пополам, его половинки будут дружить? — С тобой — нет.
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I guess the question is: do these stories convince us of a lie, or do they resonate with something deep inside us that’s profoundly true? That we can’t express any other way except storytelling. — Wake Up Dead Man
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Хуже людей, которые не ставят знаки препинания, только люди, читающие их там, где их нет. Комбо.
Хуже людей, которые не ставят знаки препинания, только люди, читающие их там, где их нет. Комбо.
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И у души есть скелет и этот скелет — воспоминания. — Милорад Павич, «Хазарский словарь»
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С Наступающим! Кому я что обещала — я в процессе! Кого мы потеряли — срочно найдитесь! Все остальные — просто молодцы, держим
С Наступающим! Кому я что обещала — я в процессе! Кого мы потеряли — срочно найдитесь! Все остальные — просто молодцы, держимся! В этом году канал в основном жил через сториз, если продолжаем этот формат, то вы знаете, что делать :))
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Жизнь отчетливо указывает на две категории людей: художников и ученых. Между ними резкая разница. Одни – художники, писатели, музыканты, живописцы и т. д. – захватывают действительность целиком… Другие – ученые – дробят ее и тем самым как бы умерщвляют ее, делая из нее скелет. А затем как бы снова собирают ее части и стараются таким образом оживить, что им не удается никогда. — И. П. Павлов, учёный, физиолог, лауреат Нобелевской премии
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