After Effects / Motion Design
#OGE0T After Effects Обратная связь @PShelpbot Наш чат - @MotionTut Галерея ваших работ - @MotionGalleryTut https://www.gosuslugi.ru/snet/67374ae223bfbf2cbf44a302
Show more📈 Analytical overview of Telegram channel After Effects / Motion Design
Channel After Effects / Motion Design (@a_study) in the Russian language segment is an active participant. Currently, the community unites 47 535 subscribers, ranking 437 in the Art & Design category and 13 352 in the Russia region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 47 535 subscribers.
According to the latest data from 04 June, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 27 over the last 30 days and by 8 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 8.43%. Within the first 24 hours after publication, content typically collects 6.78% reactions from the total number of subscribers.
- Post reach: On average, each post receives 4 005 views. Within the first day, a publication typically gains 3 224 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 4.
- Thematic interests: Content is focused on key topics such as adobe, графика, emitter, delta, delta[0.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“#OGE0T
After Effects
Обратная связь
@PShelpbot
Наш чат - @MotionTut
Галерея ваших работ - @MotionGalleryTut
https://www.gosuslugi.ru/snet/67374ae223bfbf2cbf44a302”
Thanks to the high frequency of updates (latest data received on 05 June, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Art & Design category.
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