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@mrgryphon - The thrill, the fear, the hope, oil on paper, 2021
@mrgryphon - The thrill, the fear, the hope, oil on paper, 2021

“To touch someone is to risk pain, to risk rejection, be it your own or that of another. It is a bridge you walk together, swaying above an abyss of fear. To hold each other’s hands is to have balance. Yet it also means having their weight with you, should there be a sudden fall.” — D. E. Chaudron, excerpt of Your Body.

The house seems to circle around you slowly. I circle around you, a wild animal near a fire. I remember I would kill for you. I remind myself, it won’t be necessary. —Sharon Olds.

Erika L. Sánchez, from “La Cueva”, Lessons on Expulsion
Erika L. Sánchez, from “La Cueva”, Lessons on Expulsion

There is no dusk to be, There is no dawn that was, Only there's now, and now, And the wind in the grass. Days I remember of Now in my heart, are now; Days that I dream will bloom White the peach bough. Dying shall never be Now in the windy grass; Now under shooken leaves Death never was. —An Eternity, Archibald MacLeish

Throughout the course of the generations men constructed the night. At first she was blindness; thorns raking bare feet, fear of wolves. We shall never know who forged the word for the interval of shadow dividing the two twilights; we shall never know in what age it came to mean the starry hours. Others created the myth. They made her the mother of the unruffled Fates that spin our destiny, they sacrificed black ewes to her, and the cock who crows his own death. The Chaldeans assigned to her twelve houses; to Zeno, infinite words. She took shape from Latin hexameters and the terror of Pascal. Luis de Leon saw in her the homeland of his stricken soul. Now we feel her to be inexhaustible like an ancient wine and no one can gaze on her without vertigo and time has charged her with eternity. And to think that she wouldn't exist except for those fragile instruments, the eyes. —History Of The Night, Jorge Luis Borges

And thanks

The text

Fade faraway, dissolve and forget Poor calf, in a chamber of death laid His life, a ruthless gamble, a lost bet Red pond, where his final breath was bade. He pondered what garlands, would adorn his head. What hymns would be sung, once he was dead. For his life began to smoulder Slowly falling, like sisyphus’ boulder. Can we censure the soul For a journey not its own Or a love it never known And if his finale was but a causual toll? Can we cast stones At a heart without a home Or a spirit that has never flown And fault him for life's final tone? "O, to be his closest akin Was an enormous sin To drown in Moses' tides so grand And leap from Noah's ark where the angels all stand" His mum scarcely cried, She seemed like a good cow "A calf that has two-heads, how monstrous and full of dreads" His chest did heave, a fading song His breath did wane, his voice now gone The melody, now but a memory Echoes softly, a fading elegy. On his twin brows a last kiss made, Next him, white Lily placed My dad came, today is no romp His face turned red, stomp! Stomp! Stomp! "He belongs to me..just as you  His life is mine, and he took it! What should I do? How do you eat a calf, that commit?" “Not all calfs are made to be killed by us” I said, as i pick the now-red flower But my father kept making a fuss For against him I hold no power The crimson pond before my gaze, Reminded me, who am I within? A doll, in organized plays Chained by blood, bound by kin.

Dan.pdraft6.pdf47.42 MB

A pdf version

Illustrated by @rk11.7 on instagram, written by me!
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Illustrated by @rk11.7 on instagram, written by me!

I had a poetry contest at uni few weeks ago, me and my friend made this mini-bookish thingie and I just wanted to share it with y'all alongside the text.

Happy Nowroz! Artist: anon
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Happy Nowroz! Artist: anon

Zayn Qahtani, 1997, Bahrain.
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Zayn Qahtani, 1997, Bahrain.

The ladybug that landed on your nose once in fourth grade and sat there for a minute, right at the tip, is okay. The tic you do with your nostrils sometimes (when you flare them when you’re nervous) is okay. The fact that you skipped the party, lied to your friends, and drank cup after cup of tea alone in your bed is okay. It’s okay that you never responded to Gregory’s email. Gregory is taking a shower right now. You are nowhere near the mind of Gregory. The evidence against you is not damning. Even the little white pills can be forgiven — they knew not what they were doing. But you, you know. You get to watch your hands choose. The ladybug thanks you for not crushing it; the way this world gives thanks is to fly away, into a tree with thick foliage, out of sight, where it dies and is born and dies and is born on a continual loop — — Mikko Harvey, from “Immunity”

I Think I Am Going to Cut My Hair because I can’t get my hands on anything else. New years eve again and my body is full of fruit flies like last year and I still haven’t taken out the trash. In the new year I’ll have a clean room. I’ll call my mother on the phone and buy fresh oranges from the market. I’ll tell that girl I love her and she will kiss me because my room is clean. but it’s 11 pm and my walls are the color of old blackberries and my body is molding from the inside, mushrooms blossoming in the soft parts of my skull. New year’s eve again and I am going to be good this time. I am going to be good. I think I am going to cut my hair. —Seravph.

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