КРИПОТА | Страшные истории | Ужасы
Первый Страшный Ищу лучшее из мира хоррор и криппи. Читаю и смотрю всё, что публикую. Присутствует контент 18+⚠️ Связь: @dmfdi ✉️ по рекламе: в лс или https://telega.in/c/creepiest Чат: @creepy_chat А+: clck.ru/3FQ4Tc
Show more📈 Analytical overview of Telegram channel КРИПОТА | Страшные истории | Ужасы
Channel КРИПОТА | Страшные истории | Ужасы (@creepiest) in the Russian language segment is an active participant. Currently, the community unites 17 684 subscribers, ranking 1 993 in the Books category and 37 850 in the Russia region.
📊 Audience metrics and dynamics
Since its creation on невідомо, the project has demonstrated rapid growth, gathering an audience of 17 684 subscribers.
According to the latest data from 10 July, 2026, the channel demonstrates stable activity. Although there has been a change in the number of participants by 139 over the last 30 days and by -1 over the last 24 hours, overall reach remains high.
- Verification status: Not verified
- Engagement rate (ER): The average audience engagement rate is 12.00%. Within the first 24 hours after publication, content typically collects 3.72% reactions from the total number of subscribers.
- Post reach: On average, each post receives 2 122 views. Within the first day, a publication typically gains 658 views.
- Reactions and interaction: The audience actively supports content: the average number of reactions per post is 71.
- Thematic interests: Content is focused on key topics such as крипота, хоррор, подвал, кошмар, каракурт.
📝 Description and content policy
The author describes the resource as a platform for expressing subjective opinions:
“Первый Страшный
Ищу лучшее из мира хоррор и криппи. Читаю и смотрю всё, что публикую.
Присутствует контент 18+⚠️
Связь: @dmfdi ✉️
по рекламе: в лс или https://telega.in/c/creepiest
Чат: @creepy_chat
А+: clck.ru/3FQ4Tc”
Thanks to the high frequency of updates (latest data received on 11 July, 2026), the channel maintains relevance and a high level of publication reach. Analytics show that the audience actively interacts with content, making it an important point of influence in the Books category.
