🎶 Tango songs 🎶

When classical musicians get interested in tango music, the first they liked was Astor piazolla , because piazolla was also classical musician and they could understand esch other's language better. But from the tango side , gobbi also had a lot to offer and more danceable and milonguero style. Vocal of the band Maciel , continued his job in pugliese's orchestra later after Gobbi #Estás en mi corazón (1950) #Orquesta de Alfredo Gobbi, #Jorge Maciel #tango 🎻🪗🍷 @tangotehran Hamava

1950 starts with a big shake in regards to tango music . D'Arienzo came back to stage with more hard beats musics afte 2 years and half off from making songs . Troilo and fressedo chsnged their repruator and started creating more danceable musics . Pugliese also made more danceable musics . And obviously more complex Some new orchestras started creating different songs not very danceable but more interesting for classical jazz musicians like piazolla, salgan and ... This song is jazz but it's tango ! Beautiful #Horacio Salgán y Ubaldo De Lío. #A Don Agustin Bardi..1950 #tango 🎻📀💽 @tangotehran Hamava🪗

Of course 1949 can not finish without Pugliese He has made 3 famous and popular tracks in 1949 worth to mention (La yumba, Negracha, malandraca) how ever La yumba was heard in 1943 but pugliese didn't allow publishing before he finishes arrangements. After 1949 and early 1950 the censorship of the tango lyrics lifted , so we expect a huge changes . Right? #OSVALDO PUGLIESE - #MALANDRACA - 1949 - #TANGO. 🪗🎻🥂 @tangotehran Hamava🪗

Surprise ! Julio De caro back to the stage in 1949 after long time , he is music composer that arranged and made many tracks individually and also within orchestras such as troilo and pugliese. So dynamic and more complex #Aníbal Troilo - #Julio De Caro, #tango1949 🥂🍷🪗 @tangotehran Hamava🌺

ANIBAL TROILO - FLOREAL RUIZ - Y LA PERDI - TANGO - 1947.mp3

But which orchestra was really under development during 1946 till 1948? Anibal troilo and pugliese were really making different and very beautiful songs . Carlos Di sarli was still on the top list but his musics were the same . Anibal troilo and pugliese musics on 1946 till 1948 brought new energy to the milongas . دوتا ارکسترا بطور جدی در حال پیشرفت بودن در ۱۹۴۶ تا ۱۹۴۸ ، آنیبال ترویلو و پولیزی با آهنگهای متفاوتشون روح جدیدی رو به میلونگاها آوردن . حتی امروزه وقتی از این دو موزیسین تانداهایی از سال های ۱۹۴۶ تا ۱۹۴۸ پلی میشه همه رو به رقص وامیداره #ANIBAL TROILO - #FLOREAL RUIZ - Y LA PERDI - #TANGO - 1947 💋🗣👄 @tangotehran Hamava

In 40's there weren't many new songs in tango due to censorship of the lyrics , that 1948 few orchestras give up of creating new tracks . Duran was carlos Di sarli orchestra vocal. #Carlos Di Sarli - 1946 #Duran #tango La vida me engaño. 🎻🪗🗣 @tangotehran Hamava

D'arienzo توی دسامبر ۱۹۴۴ وکال جدید Armando laborde بهشون ملحق میشه . داستان هم اینطوریه که قرار بوده برن یه تور ۶ ماهه تابستانه که دسامبر در آرژانتین شروع تابستونه ، سه روز قبل از تور آرماندو به گروه ملحق میشه و ۳ روز وقت داشتن برای ضبط!!! #JuanD'arienzo #Armando laborde #tango1944 #superlyrical year 🪗🎻🗣 @tangotehran Hamava🪗

Super lyrical year . Strong Marino voice in Anibal troilo dongs were unique. Alhucema is about a funeral of black magic woman . #Anibal Troilo - 1944 - #Marino - Alhucema 🍷🗣💪 @tangotehran Hamava

شروع we said that music faced with the huge censorship on the lyric in 1943, so in that perid musicians were focusing on the instrument and arrangements rather than the lyrics , even carlos Di Sarli made a very beautiful poly-rythmic tracks in 1943 and after 1943. difference between 1943 and after that is that lyric and rythm became very strong after 1943. More lyrical tango songs were made after 1943 which was the centre of censorship . This beautiful track is from osvaldo pugliese , from the first track released by him .Not very big bandaneon contribution except the last part ,liquid phrasing and wonderful violion ۱۹۴۳ خیلی سانسور می‌شده متن آهنگ ها بخاطر همین موزیسین ها روی ریتم و تنظیم آهنگ ها بیشتر تمرکز داشتن. حتی دی سارلی خیلی از قطعه های چند ریتمی رو ساخت. دوره بعد از ۱۹۴۳ بیشتر میشه موسیقی تانگو با وکال رو شنید . Pugliese از موزیسین و پیانیست های معروف آرژانتینی که بعد از ۱۹۴۳ بسیار مورد توجه قرار گرفت. دوران موسیقی متن دار تانگو #Osvaldopugliese #tango1944 🎻🎹🎼 @tangotehran🪗

امیدوارم از سفر به موسیقی تانگو در ۱۹۴۳ لذت برده باشید . به زودی با یه سال هیجان انگیز دیگه میام . شاید تنظیم این قطعه با استور پیاتزولا بوده که اینقدر خوشکله . بعید نیست .... شاید همه بدونین ولی همه میلونگاها با این قطعه شروع و تموم میشن . که اجراهای مختلفی ازش هست #Anibal Troilo - 1943 - La cumparsita. #tango 💋🥂🎻 @tangotehran Hamava🪗

این قطعه رو troilo تقریبا ۶ ماه بعد از ورژن d'augustino و canaro اجرا میکنه که بنظر من از همه اجراها بهتره مخصوصا با صدای اپرایی مارینو که وسعت صداش بسیار معروفه #Anibal Troilo - 1943 - #Fiorentino y Marino - Soñar y nada mas. #vals 🗣🌟👌 @tangotehran Hsmava🪗