Artisaurus

الذهاب إلى القناة على Telegram

🎨 Raw creativity with a dino twist!

📈 نظرة تحليلية على قناة تيليجرام Artisaurus

تُعد قناة Artisaurus (@canvasaura) في القطاع اللغوي الإنكليزية لاعباً نشطاً. يضم المجتمع حالياً 26 969 مشتركاً، محتلاً المرتبة 1 059 في فئة الفن والتصميم والمرتبة 1 548 في منطقة الولايات المتحدة.

📊 مؤشرات الجمهور والحراك

منذ تأسيسه في невідомо، حقق المشروع نمواً سريعاً وجمع 26 969 مشتركاً.

بحسب آخر البيانات بتاريخ 11 يونيو, 2026، تحافظ القناة على نشاط مستقر. خلال آخر 30 يوماً تغيّر عدد الأعضاء بمقدار -8 075، وفي آخر 24 ساعة بمقدار 49، مع بقاء الوصول العام مرتفعاً.

حالة التحقق: غير موثّقة
معدل التفاعل (ER): يبلغ متوسط تفاعل الجمهور 13.78‎%. وخلال أول 24 ساعة من النشر يحصد المحتوى عادةً 6.24‎% من ردود الفعل نسبةً إلى إجمالي المشتركين.
وصول المنشورات: يحصل كل منشور على متوسط 3 706 مشاهدة. وخلال اليوم الأول يجمع عادةً 1 679 مشاهدة.
التفاعلات والاستجابة: يتفاعل الجمهور بانتظام؛ متوسط التفاعلات لكل منشور يبلغ 11.
الاهتمامات الموضوعية: يركز المحتوى على مواضيع رئيسية مثل artisaurus, canva, american, scene, william.

📝 الوصف وسياسة المحتوى

يصف المؤلف القناة بأنها مساحة للتعبير عن الآراء الذاتية:
“🎨 Raw creativity with a dino twist!”

بفضل وتيرة التحديث المرتفعة (أحدث البيانات بتاريخ 12 يونيو, 2026) تحافظ القناة على حداثتها ومستوى وصول مرتفع. وتُظهر التحليلات تفاعلاً نشطاً من الجمهور، ما يجعلها نقطة تأثير مهمة ضمن فئة الفن والتصميم.

26 969

المشتركون

+4924 ساعات

-1 5707 أيام

-8 07530 أيام

3 706

عرض المشاهدات

~ 1 67924 ساعات

~ 2 16548 ساعات

13.78%

معدل المشاركة

~ 3

المشاركات في اليوم

Ads index

beta

أرشيف المشاركات

26 969

"Portrait of a Young Musician", 1878 Artist: Francesco Vinea Oil on canvas; 36.8×28.6 cm Private collection Artisaurus

26 969

"Window: A House on the Hudson River," 1863Artist: Thomas Worthington WhittredgeOil on canvas; 68.6×49.5 cmNew-York Historical Society, New York Artisaurus

26 969

"Portrait of Alexandra Alekseyevna Venetsianova", 1826 Artist: Alexey Gavrilovich Venetsianov Canvas, oil; 40.4×32.6 cm State Tretyakov Gallery, Moscow After his wife's death, the artist cared for his two daughters—eldest Sasha and younger Felitsata—with deep tenderness and affection, rejoicing in their growth and grieving over their illnesses: My little ones console me with their progress and innocent hearts. Alexandra showed artistic talent early on and began drawing and painting under her father’s guidance. Later, she wrote detailed memoirs about him, lovingly portraying a gifted yet humble, noble and wise man—someone cherished and respected by all who knew him. Artisaurus

26 969

"Пейзаж с водопадом" Dutch artist: Allaert van Everdingen (1621–1675) Canvas, oil; 119×114 cm National Museum, Stockholm Artisaurus

26 969

"Sleeping," 1867 Artist: Alexander von Liezen-Mayer Oil on canvas; 55×62.5 cm Hungarian National Gallery, Budapest Artisaurus

26 969

"Window," 1886 Artist: Viktor Elpidiforovich Borisov-Musatov Canvas, oil; 62.5×47 cm State Tretyakov Gallery, Moscow Borisov-Musatov depicts a window of a single-story annex in Saratov, where his family lived on a modest square grandly named Platz-Parade. Behind the house lay a garden that, from childhood, became a wellspring of inspiration for the artist. Throughout his brief life, he would return to this garden to paint plein-air studies for his larger compositions. With meticulous precision, the artist renders on canvas everything his eye observes—the lush greenery of plants blooming with white, red, and pink flowers, the slightly ajar bluish shutters, the wide-open white window frames, and the parted lace curtains framing the window's opening. Artisaurus

26 969

"Peonies in the Garden", 1894 Danish artist: Peter Thomsen-Petersen (1861 – 1926) Panel, oil Private collection Artisaurus

26 969

"Terrace at Saint-Adresse", 1867 Artist: Oscar-Claude Monet Canvas, oil; 98×130 cm The Metropolitan Museum of Art, New York The painting’s composition stands out—unusual high viewpoint, no clear focal center. On the right foreground, seated in a chair, is the artist’s father, Adolph. Slightly to the left, with her back to the viewer and sheltered under an umbrella, sits a woman—either Monet’s aunt, Madame Lecadre, or his sister, Sophie. In front of them, alongside a young man, stands the artist’s cousin, Jeanna Marguerite. The vast stretch of sea is dotted with sailing vessels of all sizes. Together with the sky—divided into cloudy and clear halves—nearly half the scene is taken up by the terrace itself, alive with bright gladioli and nasturtiums. The play of color intensifies with two flags placed just off-center, one on each side of the terrace. Artisaurus

26 969

"Marble Steps Leading to the Church of Santa Maria in Aracoeli, Rome", 1816 Artist: Christoffer Wilhelm Eckersberg Oil on canvas; 32.5×36.5 cm Statens Museum for Kunst, Copenhagen Artisaurus

26 969

Sunset American artist: Frederic Judd Waugh (American, 1861–1940) Canvas, oil; 76.2×101.6 cm Private collection Artisaurus

26 969

"Roses. Marie Krøyer in a deckchair in Mrs. Bendixen's garden", 1893 Danish artist: Peder Severin Krøyer (Peder Severin Krøyer, 1851 – 1909)Oil on canvas; 67.5×76.5 cmSkagen Museum, Skagen Artisaurus

26 969

"Sunlight," 1868 American artist: John George Brown (1831–1913) Oil on canvas; 76.8×50.8 cm Private collection Artisaurus

26 969

"Chinese Coat", 1923 American artist: Leslie Prince Thompson (1880–1963) Oil on canvas; 142.2×116.8 cm Private collection Artisaurus

26 969

"Wood Engraver", 1882 American artist: Charles Frederic Ulrich (1858–1908) Wood, oil; 47.3×25.7 cm Private collection Artisaurus

26 969

"Sir's Right," 1874 Artist: Vasily Dmitrievich Polenov | Oil on canvas, 120×174 cm | State Tretyakov Gallery, Moscow He steps into the courtyard after dinner, ready to inspect three young women brought for his pleasure. Hands on hips, he smirks—pleased they’re not unattractive, and that “enlightening” them will require little effort. The girl on the left blushes, lowering her gaze. The middle one stares back with quiet disdain. The one on the right remains naive, unaware. Their families—husbands, mothers, fathers—wait beyond the gates, barred by soldiers. Upstairs, the castle’s chaplain and companion joke: surely he won’t take all three—some will be left for them. —From a letter by Polenov to Professor Fyodor Chizhov, a close friend of his father, describing the painting’s scene. #ArtHistory #RussianArt #Painting Artisaurus

26 969

"Breakfast," 1880 Artist: Mary Hayllar Oil on canvas; 19×24 cm Private collection Artisaurus

26 969

Woman in an Evening Dress Artist: Lilla Cabot Perry (1848–1933) Oil on canvas; 91.5×61 cm National Museum of Women in the Arts, Washington Artisaurus

26 969

"Three Musicians", 1958 Artist: John Koch Canvas, oil; 76.2×121.9 cm Artisaurus

26 969

"Russian Village", 1889 Russian artist: Vasily Dmitrievich Polenov (1844–1927) Canvas, oil; 89×142 cm Radishchev Art Museum, Saratov On the bank of a narrow river lies a small village of log houses, darkened by time. Between the dwellings stand rustic outbuildings with thatched roofs. In the foreground, children play by the water: a boy launches a little boat, a crow perches on a wattle fence, and chickens peck at the grass. The composition guides the viewer’s eye from a wooden footbridge across the river toward the houses climbing the hillside, creating a sense of depth and open space. Artisaurus

26 969

"Chivalrous Gentleman" English artist: Edmund Blair Leighton (1852–1922) Panel, oil; 25×32.5 cm Private collection Artisaurus